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Before I’d ever written a novel, I imagined that authors must be able to point to two dates on the calendar and say, "Here’s when I began writing this book, and here’s when I finished it." I knew that the middle part--everything in between the moment when you sit down with a blank page and the moment when you type "The End"--was going to be murky. But I figured that this much, at least--the calculation of how long you spent working on it--would be clear.
As it turns out, I was wrong. The layering of questions and images and half-phrases that eventually coalesces into the seed of a novel is subtle and complicated and begins before you commit to a single word. And, as I probably should have known, the work doesn’t end the day you turn the manuscript over to your editor. The day of publication, at least, serves as a convenient endpoint. Finally, the author can say, "Okay. I’ve done all I can. Time to move on." At least, that’s what I always thought.
Then I heard a story about an author who had made the decision to revise a short story she’d written more than thirty years earlier. The story had been published, anthologized, taught in university classes... and she’d decided it wasn’t finished, after all. Honestly, I found the idea unsettling. I was a little annoyed with the writer in question for opening a door that I had assumed to be closed.
But like it or not, the idea stayed with me. Soon I had a premise--what would happen if a writer decided to change the endings to every one of her books?--and in that premise, there was a character whose desires and motivations were opaque enough that I wanted to figure them out. I was already thinking about the novels this author might have written, and how I would construct their last chapters: An epidemic which wipes out people’s memories, but only the bad ones. A survivor of the Titanic finds himself haunted by strange images appearing in the cartoons he draws. A ghost-mother wages a custody battle between the living and the dead. I was already wondering: Why is she doing this? Does she think she can rewrite her past? Or is she hoping to create a new ending for her own future?
I began writing The Nobodies Album the day I heard that news story. Or else it was the day I saw the first sentence in my head and typed the words onto a page: There are some stories no one wants to hear. Or maybe the day when I realized that there was going to be a murder to solve. I can’t really say.
As for when I’ll be finished with the story? It remains to be seen. --Carolyn Parkhurst
(Photo © Marion Ettlinger)
Years ago, Olivia Frost’s daughter and husband died in an accident, and she struggled to bring up her son Milo alone. Read morePublished 7 months ago by Linda Pagliuco
A unique murder mystery novel with a unique back story. Several novels within a novel as the main character, a best selling novelist, decides to rewrite the end of all her... Read morePublished 10 months ago by Carmen Myritis-Garcia
The premise piqued my interest and Parkhurst's writing held it. Octavia Frost has decided to rewrite the endings of each of her previous novels of loss. Read morePublished 11 months ago by BHB
This is well written and an interesting premise, but I still feel that Carolyn Parkhurst has not surpassed her amazing first novel, The Dogs of Babel.Published 12 months ago by Deborah
I read Dogs of Babel..and was so excited for this book..it's almost like 2 different authors... very disappointing.. struggled to finish it..Published 13 months ago by Shana Spier
This one lived up to or even exceeded the rave reviews I read. It's innovative and compelling. It made me seek out others by Parkhurst and eagerly await more.Published 15 months ago by Shelley K. Simcox
I became a huge fan of Carolyn Parkhurst after reading Lost and Found and The Dogs of Babel because of her great mix characters and her philosophical undertones of what it means to... Read morePublished 15 months ago by Michelle Levy