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The Ode Less Travelled: Unlocking the Poet Within [Paperback]

Stephen Fry (Author)
4.5 out of 5 stars  See all reviews (31 customer reviews)


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Book Description

August 16, 2007 1592403115 978-1592403110
Comedian and actor Stephen Fry?s witty and practical guide, now in paperback, gives the aspiring poet or student the tools and confidence to write and understand poetry.

Stephen Fry believes that if one can speak and read English, one can write poetry. In The Ode Less Travelled, he invites readers to discover the delights of writing poetry for pleasure and provides the tools and confidence to get started. Through enjoyable exercises, witty insights, and simple step-by-step advice, Fry introduces the concepts of Metre, Rhyme, Form, Diction, and Poetics.

Most of us have never been taught to read or write poetry, and so it can seem mysterious and intimidating. But Fry, a wonderfully competent, engaging teacher and a writer of poetry himself, sets out to correct this problem by explaining the various elements of poetry in simple terms, without condescension. Fry?s method works, and his enthusiasm is contagious as he explores different forms of poetry: the haiku, the ballad, the villanelle, and the sonnet, among many others. Along the way, he introduces us to poets we?ve heard of but never read. The Ode Less Travelled is not just the survey course you never took in college, it?s a lively celebration of poetry that makes even the most reluctant reader want to pick up a pencil and give it a try.



Editorial Reviews

From Publishers Weekly

In this delightfully erudite, charming and soundly pedagogical guide to poetic form, British actor (narrator of the Harry Potter movies, among other roles), novelist and secret poet Fry leads the reader through a series of lessons on meter, rhythm, rhyme and stanza length and reveals the structural logic of every imaginable poetic form, including the haiku, the ballad, the ode and the sonnet. Writing poetry, like any hobby, should be fun, Fry claims, and while talent is inborn, technique can be learned. Inviting readers to study the wealth of choices of form available in the world's major poetic traditions, Fry himself pens intentionally vapid yet entertaining poems that demonstrate each form's rules and patterning, and ends each lesson with wittily devised exercises for readers. Fry rails against the dumbing down of verse in a section subtitled "Stephen gets all cross": "It is as if we have been encouraged to believe that form is a kind of fascism and that to acquire knowledge is to drive a jackboot into the face of those poor souls who are too incurious, dull-witted or idle to find out what poetry can be." Fry has created an invaluable and highly enjoyable reference book on poetic form, which deserves to achieve widespread academic adoption, despite or even because of its saucy and Anglocentric tone. (Aug. 17)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

From Booklist

The author, a noted novelist, comedian, and actor, doubts his new book will make it onto school curricula, and that's a shame. Of all the poetry guides you're likely to read (and there are a ton of them out there), this one's probably the most entertainingly written and downright useful. The book is full of technical terms--spondee, enjambment, trochee--but these are explained so cleverly and so clearly that we very quickly can use them as though we've been doing so all our lives. The book is an education not only in the mechanics of poetry but also in its history. And, naturally, it's full to bursting with the author's delightfully impish wit: "The above," he writes at one point, "is precisely the kind of worthless arse-dribble I am forced to read whenever I agree to judge a poetry competition." Fry's legion of fans will get an enormous kick out of it, and English-lit students will learn more from this one book than they will from a stack of more traditional textbooks. David Pitt
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Reading level: Ages 18 and up
  • Paperback: 357 pages
  • Publisher: Gotham (August 16, 2007)
  • Language: English
  • ISBN-10: 1592403115
  • ISBN-13: 978-1592403110
  • Product Dimensions: 7.9 x 5.5 x 0.8 inches
  • Shipping Weight: 9.6 ounces
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (31 customer reviews)
  • Amazon Best Sellers Rank: #189,205 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews
60 of 62 people found the following review helpful
poetic justice November 8, 2005
Format:Hardcover
There was a fine fellow named Fry...who has here given the world a very funny (at times downright filthy), knowledgeable, reliable and, I would say, unique volume about the art & craft of writing poetry. I know Fry`s erudition & relentless wit can put off some people (mostly English ones - how we suspect success and excellence in this fearful country!) but I forgive the man his exuberant excesses and prefer to celebrate him as a generous-spirited Good Thing.
If you have never written a poem in your life, or you are a little afraid to, or want some encouragement, or wish to find out more about the mechanics of `prosody`, or are, indeed, already happily writing poems galore - this book is for you. Find out what a `foot` is; the difference between a Shakespearean & Petrarchan sonnet; and what in Heaven`s name is a spondee? Fry gives (often hilarious) examples of his own, and sets `exercises` at the end of each chapter. Mildly avuncular & user-friendly, without dumbing down.
My only quibble is his misunderstanding of what a haiku really is. He admits his ignorance of the intricacies of the more `exotic` verse forms, but it`s a shame he has given such poor, not to say inaccurate, examples of haiku - especially since the Guardian`s onetime haiku competition daily printed efforts by readers which utterly ignored the `break` necessary between the second & third lines. If you`re going to call something a haiku, at least have the politeness to find out what it is - and isn`t - to begin with! (Bete noir got off chest.)
This is Fry at his best. Long may he prosper until the sad but inevitable day when flights of chubby, pink-bottomed angels sing him to his well-earned rest.
Hey, that last paragraph rhymed - even if it didn`t scan.
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35 of 37 people found the following review helpful
Format:Hardcover|Amazon Verified Purchase
One of my favorite quotes about poetry is from Dame Edith Sitwell. "Poetry is like horticulture," she said. "Each poem should be allowed to grow according to its natural form." In his new book, "The Ode Less Travelled: Unlocking the Poet Within," Stephen Fry creates a veritable topiary garden of poetry, providing not only an encyclopedic overview of poetic meters and forms in English but a cogent, bracing and witty demonstration of their value. As its subtitle suggests, "The Ode Less Travelled" is written as a primer to both beginning and experienced poets who need, shall we say, a jump start to their creativity. Each chapter offers a discussion, with examples, of a particular meter, rhyme scheme or form, and suggests exercises at the end for readers to create their own examples. Fry quotes English poets from William Shakespeare to William McGonagall to illustrate his points, as well as a gratifyingly large array of American poets. Sometimes, when an example from the canon is not readily available, Fry will write his own, such as when he illustrates a dactyl (one stressed syllable, two non-stressed) followed by a molossus (three sharply stressed syllables in a row) in an imagined argument between Luke Skywalker and Darth Vader:

Why do you bother me? Go to Hell!

I am your destiny. Can't you tell?

You're not my father. Eat my shorts!

Come to the dark side. Feel the force!

Fry--a renowned writer, actor, director, wit and polymath--brings all his Cambridge erudition to "The Ode Less Travelled," combined with the passion of a man who cares to the depth of his soul about language and his possibilities. By learning as much as possible about the meters and forms available to us as poets in English, he argues, we gain insight into the sheer potential of the English language. That is a lesson that has importance far beyond the realm of poetry. In one of the book's closing chapters, he expounds on what he calls the flexibility of English, compared with other languages: "(I)t is more than a question of the thousands more words available to us, it is also a question of the numberless styles, modes, jargons and slangs we have recourse to. If by poetry we mean something more than the decorative, noble and refined, then English is a perfect language for poetry. So be alert to it at all times." Hear, hear!
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9 of 9 people found the following review helpful
Very Pleased October 16, 2006
Format:Hardcover
Having just enjoyed listening to Mr. Fry read his novel "The Hippopotamus" on my long commutes, I was immediately attracted when I heard of "The Ode Less Traveled." I have often wondered why I don't understand many poems, (and not just modern ones), and can't tell good from bad. I have tried a number of other books on poetry with no success. Beginning "The Ode..." however, I immediately recognized Mr. Fry's cadence of speech and humour and the first twenty pages have been very easy to follow. Now I am doing his suggested exercises with iambic pentameter, and I am looking forward to the rest and finally knowing something about poetry. In my opinion, Stephen Fry is one of a kind, and what fun it would have been if he had been my high school English teacher!
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Most Recent Customer Reviews
Fry's light-hearted prosody manual
The actor, comedian, novelist, and autobiographer Stephen Fry has given us a manual for prosody, that is, for the mechanics of formal versification. Read more
Published 1 month ago by dylanissimus
A Terrific Ode to the Ode
Stephen Fry wants to be known as a modern day Oscar Wild, and who am I to argue? We see his love of language and the esoteric in so much of what he creates, and this book is no... Read more
Published 1 month ago by Hypsy
Lots of great writing exercises
Fry cleverly drags out the reading of this book by forcing the reader to take a vow to read all the poems aloud and to do all the exercises in the book. Read more
Published 4 months ago by Debnance at Readerbuzz
Stephen Fry, the poetry guy
Is it possible to give less than five stars to this absolutely fabulous book? I guess so since somebody did, but I don't understand how. Read more
Published 9 months ago by Lewis Prime Ronda
Best introduction to poetry I've yet read.
Stephen, bless your antiquated heart.
There's so much here to nourish fledgling art
That I could not begin to compass it. Read more
Published 9 months ago by Kit Thornton
Rocky Ode
The first half of this book is really great. I got rather lost on the road farther down. Generally, this is a good read for those serious about the total depth of understanding... Read more
Published 11 months ago by John Wolf
The Ode Less Travelled
This is a refreshing book about poetry and the need for structure in writing. It is written in a very straightforward and entertaining way and is convincing in its argument that... Read more
Published 11 months ago by Robert M. Vincent
Complex? It's True, but a Great overview
I'm a big fan of Stephen Fry.
Try as I might though, I can't say why.
One reason I suppose is that his Delight's are so short,
Two CD's are the limit of my train of... Read more
Published 15 months ago by Magic Lemur
An accessible workshop manual for the poetry neophyte
Just finished this one and have immediately started to read it again.

Poetry has always been something that I have thought was just out of reach; I enjoy a good poem,... Read more
Published 22 months ago by P. Wheeler
Brilliant.
Stephen Fry, The Ode Less Travelled: Unlocking the Poet Within (Gotham, 2005)

I think every poet at some point, no matter how much they've been raised on free verse,... Read more
Published on June 29, 2009 by Robert P. Beveridge
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Inside This Book (learn more)
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First Sentence:
YOU HAVE ALREADY achieved the English-language poet's most important goal: you can read, write and speak English well enough to understand this sentence. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
pyrrhic substitution, wrenched rhyme, luc bat, ternary foot, trochaic substitution, pyrrhic foot, syllabic count, syllabic verse, weak ending, accentual verse, weak syllable, prick the sides, metrical unit, iambic pentameter, rhyme royal, syllable count, iambic feet, fourth foot, classical verse, iambic tetrameter, ottava rima, woods decay
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Poetry Exercise, Wilfred Owen, Leigh Hunt, Wendy Cope, Light Brigade, Dylan Thomas, Ezra Pound, Oscar Wilde, Paradise Lost, Robert Browning, Alexander Pope, Edgar Allan Poe, John Barleycorn, Robin Red, Ted Hughes, Poet Laureate, Robert Frost, Seamus Heaney, Ben Jonson, Don Juan, Dorothy Parker, Eve of Saint, Ian Patterson, Norman Douglas, Elizabeth Bishop
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