A literature professor and prodigious perambulator, Macfarlane has walked in England, Scotland’s Isle of Lewis, and elsewhere and describes his experiences here. While descriptive observations of trails and vistas inform his presentation, Macfarlane’s animating idea is the construction of a meditative sensibility that involves imagining history, exulting in nature, and interpreting literature. Macfarlane confides that his inspiration for walking-writing is Edward Thomas, author of The Icknield Way (1913), a foot travelogue that Macfarlane’s loosely replicates, routewise; England’s southern hills, the chalk downs, are where Thomas ambled. Macfarlane’s contemporary peregrinations partake of a fine-grained feeling for the pathway, encounters with fellow itinerants, and the occasional ghost-haunted campsite. With a penchant for neologism and literary allusion, Macfarlane seeks out ancient footpaths across an Essex mudflat, on a section of the pilgrim’s way to Spain’s Santiago de Compostela, within a circumambulation of a Chinese mountain sacred to Buddhism, and sea routes around Lewis. Concluding with Thomas’ biography––he was killed in WWI––Macfarlane renders his feelings toward landscapes in ruminative, mysterious hues. --Gilbert Taylor
Praise for
The Old Ways “A gorgeous book about physical movement and the movement of memory…To describe Macfarlane as a philosopher of walking is to undersell the achievement of The Old Ways; his prose feels so firmly grounded, resistant to abstraction. He wears his polymath intelligence lightly as his mind roams across geology, archeology, fauna, flora, architecture, art, literature and urban design, retrieving small surprises everywhere he walks.” —The New York Times Book Review
“With a steady command of the literature and history of each place he visits, [Macfarlane] tries ‘to read landscapes back into being.’ His sentences bristle with the argot of cartographers, geologists, zoologists, and botanists.” —The New Yorker
“A quiet, serious book, purposeful and carefully made, and, as always with Macfarlane, written in a prose at once so thick and rich you want to sink into it bodily and so fresh it threatens to bear you aloft.” —slate.com
"Macfarlane seems to know and have read everything, he steadily walks and climbs through places that most of us would shy away from and his every sentence rewrites the landscape in language crunchy and freshly minted and deeply textured. Surely the most accomplished (and erudite) writer on place to have come along in years." —Pico Iyer
"Luminous, possessing a seemingly paradoxical combination of the dream-like and the hyper-vigilant, The Old Ways is, as with all of Macfarlane's work, a magnificent read. Each sentence can carry astonishing discovery." —Rick Bass
“In Macfarlane, British travel writing has a formidable new champion… Macfarlane is read above all for the beauty of his prose and his wonderfully innovative and inventive way with language…he can write exquisitely about anywhere.”—William Dalrymple, The Observer
“[An] extraordinary book…it has made me feel that I myself am always walking some eternal track, sharing its pleasures and hardships with unaccountable others, treading its immemorial footprints, linking me with all the generations of man and beast, and connecting in particular the visionary author of the book, as he unrolls his sleeping bag beneath the stars, with this bemused reviewer beside the fire.”—Jan Morris, The Telegraph
“Every Robert MacFarlane book offers beautiful writing, bold journeys, and an introduction to places and authors you have never heard of before but wish you had always known about. But The Old Ways is different: somehow larger, more subtle, lingering in the mind and body just a bit stronger. With its global reach and mysterious Sebaldian structure, this is MacFarlane’s most important book yet.” —David Rothenberg
“In this intricate, sensuous, haunted book, each journey is part of other journeys and there are no clear divisions to be made…the walking of paths is, to [Macfarlane], an education, and symbolic, too, of the very process by which we learn things: testing, wandering about a bit, hitting our stride, looking ahead and behind.” —Alexandra Harris, The Guardian
“[Macfarlane] is gripped by a vision of the earth as a network of paths, dating from far back in prehistory…from the very first page…you know that the most valuable thing about The Old Ways is going to be the writing…it is like reading a prose Odyssey sprinkled with imagist poems.” —John Carey, The Sunday Times
“A book about what we put into landscape, and what it puts into us. If you submit to its spell you finish it in different shape than you set out: a bit wiser, a bit lonelier, a bit happier, a whole lot better informed.” —Sam Leith, The Spectator
