The Omen 2006 R CC

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(294) IMDb 5.5/10
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When the U.S. ambassador to England begins to suspect that his son is the Anti-Christ, he must wrestle with the decision to kill the child before he can create a counterfeit kingdom on earth.

Starring:
Predrag Bjelac, Carlo Sabatini
Runtime:
1 hour, 50 minutes

Available to watch on supported devices.

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Product Details

Genres Thriller, Mystery, Horror
Director John Moore
Starring Predrag Bjelac, Carlo Sabatini
Supporting actors Bohumil Svarc, Liev Schreiber, Giovanni Lombardo Radice, Baby Zikova, Baby Morvas, Baby Muller, Baby Litera, Julia Stiles, Tomas Wooler, Rafael Sallas, Marshall Cupp, Martin Hindy, Seamus Davey-Fitzpatrick, Amy Huck, Vince Valitutti, David Thewlis, Klara Low, Laurie Tallack
Studio 20th Century Fox
MPAA rating R (Restricted)
Captions and subtitles English Details
Rental rights 48 hour viewing period. Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Instant Video (streaming online video and digital download)

Other Formats

Customer Reviews

Lee Remick and Gregory Peck shared a wonderful chemistry that Stiles and Schreiber do NOT have.
Regis Fox
The film is basically just a re-shooting of the original scenes, except they lack the energy and tension.
David Duncan
I just felt like I rented the original Omen movie again and paid way too much to see it on a big screen.
sinisterfiend666

Most Helpful Customer Reviews

32 of 37 people found the following review helpful By Lawyeraau HALL OF FAMETOP 500 REVIEWERVINE VOICE on April 15, 2007
Format: DVD
This is a decent re-make of a first class, gothic chiller. It is not, however, as creepy as the 1976 original, which starred Gregory Peck and Lee Remick, as it lacks Jerry Goldsmith's pulse pounding musical score. It also has a younger cast that lacks the gravitas of the original. Still, the film is still worth viewing, if only to see how it fares in comparison to the original, especially as the screenplay used appears to be the original one.

Katherine (Julia Stiles) and Robert Thorn (Liev Schreiber) are a young, affluent American couple. Katherine is pregnant and, while in Italy, gives birth to an ostensibly stillborn boy, a fact that is kept from her. Knowing how much his wife wanted the baby and the difficulty that she had in conceiving, Robert agrees to have the dead baby supplanted by a living newborn whose mother died in child birth, keeping this information from Katherine. They name this baby Damien.

All goes well for the prosperous Thorn family, until Damien (Seamus Davey-Fitzpatrick) turns five. A series of dramatic, unusual events begin to occur around the Thorns, all seemingly stemming from Damien. Well guarded by a somewhat creepy nanny (Mia Farrow), there are those who would believe him to be the Antichrist. By the time that Katherine and Robert begin to realize who Damien may truly be, their lives are out of control. With the aid of an inquisitive photographer, a repentant priest, and an mysterious man who holds the key to the destruction of the Antichrist, Robert Thorn becomes a man with a mission. Will Damien let him complete that mission? Watch this movie and find out.

Both Liev Schreiber and Julia Stiles give credible performances, though they are no Gregory Peck or Lee Remick.
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16 of 18 people found the following review helpful By David Duncan on June 6, 2006
A re-make of the original horror classic of 1976, this film offers nothing more than the original film has already given us, besides some admittedly impressive death scenes.

This re-make is far below the standard set by the original film. The acting is stiff and stilted, with Liev Schreiber (as Robert Thorne) giving a thoroughly one-noted performance which proved to be quite frustrating to watch for over two hours. Even when he finds out about the incredibly terrible events that consistently occur throughout the film, Schreiber keeps an indifferent expression on his face. This undoubtedly makes many problems arise; how can the audience get involved in a movie if the actors are unconvincing in their roles? Julia Stiles does well, but she doesn't work in her role as Robert Thorne's wife, but Mia Farrow as Mrs. Baylock gives the film a bit of a spark in an otherwise dull film.

The main thing is, is it scary? Damien is creepy enough, and there are some OK dream sequences that offer a couple of good jump scares. But this is all it offers in scares. The film is basically just a re-shooting of the original scenes, except they lack the energy and tension. There is no sense of foreboding, and it's almost as if the film makers and actors were just bored and wanting to get it over and done with; it's as if they hardly cared about making a good film. What was meant to be a gripping, horrific and intense viewing experience right up to the stunning climax becomes a boring and plodding time, and you just about lose interest in the whole story, and the characters.

Overall, a very disappointing re-make, which begs the question: Why did they re-make it in the first place?
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6 of 6 people found the following review helpful By Reginald D. Garrard VINE VOICE on November 1, 2006
Format: DVD
Both Gregory Peck, Lee Remick, and composer Jerry Goldsmith should be turning over in their respective graves at the illogic of making a shot-by-shot, slightly altered lines and situations, remake of the classic 1976 film. Liev Shrieber, assaying the Peck part, seems as though he's asleep throughout the film, only coming to life at the end as his "Richard Thorn" prepares to kill his son. Julia Stiles fares better as wife "Kate," trying to cope with the possibility that the child she's raising may have some sinister motives.

Mia Farrow's "Mrs. Baylock" strays quite a bit from Billie Whitelaw's in the original, by portraying the nanny as "sweetness" and "grandmotherly," revealing her true nature near the film's conclusion.

David Thewlis is no David Warner.

Michael Gambon doesn't do justice to Leo McKern's portrayal in the first film.

And Seamus Davey-Fitzpatrick ("Damian") is about as scary as "The Pillsbury Dough Boy."

As far as Goldsmith's Oscar-winning score, it is interpolated during the film's end credits, and snippets can be heard throughout the "softer" scenes of the film.

However, maybe the director would've had more success if he had used Goldsmith's score in its entirety.

Gus Van Sant in his by-the-numbers "Psycho" remake was smart enough to utilize Bernard Herrmann's classic composition.

'Didn't make it a box office smash but made watching it a whole lotta more enjoyable.
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5 of 5 people found the following review helpful By Norma Beishir on November 9, 2008
Format: DVD
I admit that I came to this remake with a bit of bias. The 1976 classic is one of my all-time favorite films. It was more of a psychological thriller than a horror film. This remake has some impressive photography and I did like the added scenes taking place at the Vatican. However, I felt that the original Damien was more effective as an innocent child who didn't fully understand the evil he possessed. In the scene in which Gregory Peck was about to kill him on the altar, one could understand how Robert Thorn could have doubts when Damien looked up at him and pleaded, "Don't Daddy."

This kid was so blatantly evil, it should have been a no-brainer!

And...I hesitate to bring this up, since I've made some mistakes in my own work, but...who was the fact-checker on this film, anyway? When Thorn is told to go to the city of Megiddo, he's told it's "south of Jerusalem."

Nobody on this film had GPS, or at least a map? Megiddo is NORTHWEST of Jerusalem, south of Nazareth!

Norma Beishir
Author, Chasing the Wind
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