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Track Listings
| 1. The Only Place |
| 2. Why I Cry |
| 3. Last Year |
| 4. My Life |
| 5. No One Like You |
| 6. How They Want Me To Be |
| 7. Better Girl |
| 8. Do You Love Me Like You Used To |
| 9. Dreaming My Life Away |
| 10. Let's Go Home |
| 11. Up All Night |
Editorial Reviews
The Only Place is the follow-up to the acclaimed Crazy For You and finds Bethany Cosentino and Bobb Bruno maturing in both sound and perspective. This album finds front woman Cosentino transitioning into adulthood, with the feeling of uncertainty and self-doubt at the emotional center of the album. As with all of Best Coast's previous recordings, on The Only Place Cosentino handles all songwriting, lyrics, vocals and rhythm guitar, while multi-instrumentalist Bobb Bruno plays lead guitar, bass and drums. What's new this time is their decision to work with producer and composer Jon Brion.
Customer Reviews
Most Helpful Customer Reviews
21 of 27 people found the following review helpful
By Brian E.
Format:Audio CD
For many of us, the summer of 2010 was curiously colored by a small town California girl named Bethany Cosentino. That was when her debut, Crazy for You, was released, a fun little record mish-mashing fuzzy surf rock with retro melodies and jangly pop hooks. It was a perfect summertime record with a refreshing lo-fi grimy sound.
Cosentino became an overnight guru on heartache, felines, and good ole Mary J. Despite that, though, it was hard to get over the feeling that the music was made by someone whose hair was perpetually unwashed.
All this set the stage for the release of the band's sophomore set, The Only Place. This record introduces marked changes for the band. Overall, it's a mixed bag. Cosentino certainly still maintains a penchant for writing simple pop songs that are short, catchy, and to the point. Barely a track breaches the thee minute mark. What's changed? Evidently Cosentino snatched a bottle of conditioner and trimmed those bangs, because The Only Place sounds much sleeker, cleaner, and sexier.
John Brion's production has enhanced several key elements. The most notable beneficiary is Cosentino's voice. It is much richer, cleaner, and syrupy sounding, which in turn allows her personality to shine through even more clearly and radiantly. She's come a long way from the days of early singles like "Sun Was High (So Was I)," which was such a muddled mess that it wasn't easy to pick out her vocals from the background instrumentation. Now, tracks like "Last Year" feature a beautiful aria from Bethany at the end. The closer, "Up All Night," may be the best track in this collection. Her tale of lost love and heartbreak tugs at your heart strings like no other song in her catalog.
The vocal performance on her more obviously retro themed pieces aren't too shabby either.
"No One Like You" is a 50s style soul ballad that wouldn't sound out of place on a Four Seasons record. The song sees Cosentino expressing her devotion for her sweetheart like a lost lovesick puppy. "How They Want Me to Be," another highlight, features 60s girlpop vocals and a theme that focuses on becoming more sure of yourself.
Other noteworthy tracks include the title track and album opener, which kicks off with a chord progression that sounds like something straight out of Juno, before launching into an unabashed ode about the joys of The Golden State. Lines like "we were born with sun in our teeth and in our hair" sound like a treatise on everything it means to be part of the under 25 crowd on the California coast.
Lyric wise, the album largely focuses on a downer motif. There are plenty of themes about being broke, heartbroken, and dealing with the pressure of trying to conform to the expectations of others. All concepts that young people can surely relate to.
Sadly, there are more than a few problems on this record I can't overlook. For one, there simply isn't much variety. This album stands in marked contrast to the sound presented on Crazy for You, but most of the tracks on The Only Place don't truly sound all that different from one another. Take the first two songs, "The Only Place" and "Why I Cry," for example, where even the basic melodies of each song are startlingly similar.
Every song is short, simple and catchy, but the flip side of that coin is that there's not a ton of depth to any of the songs. The main thrust of each song can easily be gleaned within a listen or two, which means repeated listens will be met with diminishing returns.
This record feels like it was produced for mass consumption. Some may not mind, but personally it reminds me how much I really miss the scuzzy lo-fi charm of Crazy For You and the silly vibe that Bethany brought to that record, as opposed to the dreary mood on The Only Place. Needless to say, we probably won't be hearing many more Wavves comparisons.
I truly want to like Bethany Cosentino. She's an engaging figure with a unique personality, and that shines through vividly in her writing. But this one is a real mixed bag. The improved production gives her voice a chance to shine, but at the cost of ripping out most of the charm they had on Crazy for You. She also hasn't really escaped the repetitive song structure that was one of the few major issues on that album. I can't help but feel like The Only Place takes a few steps forward, but several huge steps back.
Cosentino became an overnight guru on heartache, felines, and good ole Mary J. Despite that, though, it was hard to get over the feeling that the music was made by someone whose hair was perpetually unwashed.
All this set the stage for the release of the band's sophomore set, The Only Place. This record introduces marked changes for the band. Overall, it's a mixed bag. Cosentino certainly still maintains a penchant for writing simple pop songs that are short, catchy, and to the point. Barely a track breaches the thee minute mark. What's changed? Evidently Cosentino snatched a bottle of conditioner and trimmed those bangs, because The Only Place sounds much sleeker, cleaner, and sexier.
John Brion's production has enhanced several key elements. The most notable beneficiary is Cosentino's voice. It is much richer, cleaner, and syrupy sounding, which in turn allows her personality to shine through even more clearly and radiantly. She's come a long way from the days of early singles like "Sun Was High (So Was I)," which was such a muddled mess that it wasn't easy to pick out her vocals from the background instrumentation. Now, tracks like "Last Year" feature a beautiful aria from Bethany at the end. The closer, "Up All Night," may be the best track in this collection. Her tale of lost love and heartbreak tugs at your heart strings like no other song in her catalog.
The vocal performance on her more obviously retro themed pieces aren't too shabby either.
"No One Like You" is a 50s style soul ballad that wouldn't sound out of place on a Four Seasons record. The song sees Cosentino expressing her devotion for her sweetheart like a lost lovesick puppy. "How They Want Me to Be," another highlight, features 60s girlpop vocals and a theme that focuses on becoming more sure of yourself.
Other noteworthy tracks include the title track and album opener, which kicks off with a chord progression that sounds like something straight out of Juno, before launching into an unabashed ode about the joys of The Golden State. Lines like "we were born with sun in our teeth and in our hair" sound like a treatise on everything it means to be part of the under 25 crowd on the California coast.
Lyric wise, the album largely focuses on a downer motif. There are plenty of themes about being broke, heartbroken, and dealing with the pressure of trying to conform to the expectations of others. All concepts that young people can surely relate to.
Sadly, there are more than a few problems on this record I can't overlook. For one, there simply isn't much variety. This album stands in marked contrast to the sound presented on Crazy for You, but most of the tracks on The Only Place don't truly sound all that different from one another. Take the first two songs, "The Only Place" and "Why I Cry," for example, where even the basic melodies of each song are startlingly similar.
Every song is short, simple and catchy, but the flip side of that coin is that there's not a ton of depth to any of the songs. The main thrust of each song can easily be gleaned within a listen or two, which means repeated listens will be met with diminishing returns.
This record feels like it was produced for mass consumption. Some may not mind, but personally it reminds me how much I really miss the scuzzy lo-fi charm of Crazy For You and the silly vibe that Bethany brought to that record, as opposed to the dreary mood on The Only Place. Needless to say, we probably won't be hearing many more Wavves comparisons.
I truly want to like Bethany Cosentino. She's an engaging figure with a unique personality, and that shines through vividly in her writing. But this one is a real mixed bag. The improved production gives her voice a chance to shine, but at the cost of ripping out most of the charm they had on Crazy for You. She also hasn't really escaped the repetitive song structure that was one of the few major issues on that album. I can't help but feel like The Only Place takes a few steps forward, but several huge steps back.
6 of 7 people found the following review helpful
Format:Audio CD
Weed, boys, breakups, hang outs, dreaming, staying up all night, cats and California. These are the things Bethany Cosentino, the singer / songwriter / guitarist behind Best Coast, sings about on her records. She plays guitar and arranges songs like Liz Phair did when Liz Phair was the coolest woman alive and, these days at least, Cosentino sings an awful lot like Neko Case - if with less twang and howl. And when Cosentino joins up with her single Best Coast cohort, multi-instrumentalist Bobb Bruno, they make very hip music videos, play very hip shows, say very hip things, wear very ironic T-shirts and, in general, personify the fake-glasses-wearing portion of today's youth generation (you know: aloof, stoned, insincere, jaded, contrarian and ... well ... largely happy).
For their much anticipated second record, titled The Only Place (a nod to Cali, notch), Best Coast have tapped indie super producer Jon Brion (Fiona Apple, Aimee Mann, Of Montreal, etc.) to help out with all-things-studio related. And while Brion's history would imply that the sound we heard on 2010's incredibly listenable Crazy For You would be here blown up into something more elaborate, that's not the case. Sure, there are some strings on tracks like "My Life" and all the vocals and guitars are now perfectly recorded. But, if anything, the sound of The Only Place is maybe even more lean than that of Crazy. The slight garage growl appeal is mostly gone, but the surf pop moods still hold strong, as does the low-key indie rockiness.
My first reaction after hearing The Only Place was "Dang, that was obvious. Not in a bad way, but not really in a fun way, either. I thought I was going to be getting smashed on the porch and playing this record over and over again all summer, but it's not that kind of record. It's more of a drink-tea-and-doodle sort of record." So no, I was not immediately blown away. The record's mellow immediacy didn't turn me off, nor did the slight sonic shift or added twang and maturity. The disc just felt too easy - too obvious and digestible. Over a few weeks I came to know the songs better, most of which I like quite a bit in a Neko Case Doing Demos sort of way. Opener "The Only Place," for example, is a damn good pop song about how great the Best Coasters think California is. An anthem, even. "Better Girl," too, feels like a small college radio hit, reminding me very much of some of my favorite female singer / songwriters from the mid-90s.
Mostly, The Only Place reminds me of a time back in the early Naughts, when Julian Casablancas and The Strokes were trying to follow up their classic debut. Jules and his Strokes had worked their whole lives on that great first collection of songs, and were almost instantly expected to follow it up with another flawless batch. The result was - like The Only Place - some quickly written, arranged and recorded tunes that, while good, couldn't touch the debut. And while some might beg that Brion helped Best Coast avoid this classic hurried misstep with his guidance and songcraft expertise, Cosentino is now right where The Strokes were when they released Room on Fire in 2003. She's got a classic debut under her belt and now a sophomore record that is a pleasant, if unremarkable, continuation of the spark.
Will the album's many charms continue to rise to the surface in a Pinkerton sort of way? Will The Only Place have a legacy of its own come this time next summer? Probably not. But dang, I can't call this collection of girly tuneage a wash, either. The Only Place is a mellow, minor listen that fans of Crazy For You will almost certainly find enjoyable - if only in time. A lazy summer record for the girls and boys of the jaded skin art gen. Stoner sleepers for the secretly straight-laced.
Read more of my music- and film-focused writing at [...]
For their much anticipated second record, titled The Only Place (a nod to Cali, notch), Best Coast have tapped indie super producer Jon Brion (Fiona Apple, Aimee Mann, Of Montreal, etc.) to help out with all-things-studio related. And while Brion's history would imply that the sound we heard on 2010's incredibly listenable Crazy For You would be here blown up into something more elaborate, that's not the case. Sure, there are some strings on tracks like "My Life" and all the vocals and guitars are now perfectly recorded. But, if anything, the sound of The Only Place is maybe even more lean than that of Crazy. The slight garage growl appeal is mostly gone, but the surf pop moods still hold strong, as does the low-key indie rockiness.
My first reaction after hearing The Only Place was "Dang, that was obvious. Not in a bad way, but not really in a fun way, either. I thought I was going to be getting smashed on the porch and playing this record over and over again all summer, but it's not that kind of record. It's more of a drink-tea-and-doodle sort of record." So no, I was not immediately blown away. The record's mellow immediacy didn't turn me off, nor did the slight sonic shift or added twang and maturity. The disc just felt too easy - too obvious and digestible. Over a few weeks I came to know the songs better, most of which I like quite a bit in a Neko Case Doing Demos sort of way. Opener "The Only Place," for example, is a damn good pop song about how great the Best Coasters think California is. An anthem, even. "Better Girl," too, feels like a small college radio hit, reminding me very much of some of my favorite female singer / songwriters from the mid-90s.
Mostly, The Only Place reminds me of a time back in the early Naughts, when Julian Casablancas and The Strokes were trying to follow up their classic debut. Jules and his Strokes had worked their whole lives on that great first collection of songs, and were almost instantly expected to follow it up with another flawless batch. The result was - like The Only Place - some quickly written, arranged and recorded tunes that, while good, couldn't touch the debut. And while some might beg that Brion helped Best Coast avoid this classic hurried misstep with his guidance and songcraft expertise, Cosentino is now right where The Strokes were when they released Room on Fire in 2003. She's got a classic debut under her belt and now a sophomore record that is a pleasant, if unremarkable, continuation of the spark.
Will the album's many charms continue to rise to the surface in a Pinkerton sort of way? Will The Only Place have a legacy of its own come this time next summer? Probably not. But dang, I can't call this collection of girly tuneage a wash, either. The Only Place is a mellow, minor listen that fans of Crazy For You will almost certainly find enjoyable - if only in time. A lazy summer record for the girls and boys of the jaded skin art gen. Stoner sleepers for the secretly straight-laced.
Read more of my music- and film-focused writing at [...]
3 of 3 people found the following review helpful
Format:Vinyl|Amazon Verified Purchase
I see lots of complaints about how this album is not as raw as the original Crazy For You album, which I understand, the very grimy old sound as if it was recorded 50 years ago was appealing and made the album one of the best I had heard in some time. However, just because the production quality went up, I won't cast this album aside for sounding a bit more hi-fi than its lo-fi predecessor.
Now that this is out of the way, to the actual album itself. When I first heard "The Only Place" title track on SiriusXMU a few months ago I was transfixed. I found it entrancing and a perfect anthem for California, it made me yearn to be there, to be in this wondrous place where life sounded superb, even ideal. I had to have this album the second it came out, and the vinyl arrived at my home on the day of release, allowing me to listen to it with the warm hum it deserves. The album from beginning to end, not just the title track, was an anthem to everything California. Love, Life, Work, Play, everything that makes California the ideal place is brought to fruition by Cosentino's wondrous and original voice.
If you are clinging too much to the lo-fi of Crazy For You, this album will not be good for you, go and pick up Green Day's Kerplunk instead. If you feel that you are ready to allow a band to evolve as they continue to make music, this will be a treat for you.
Now that this is out of the way, to the actual album itself. When I first heard "The Only Place" title track on SiriusXMU a few months ago I was transfixed. I found it entrancing and a perfect anthem for California, it made me yearn to be there, to be in this wondrous place where life sounded superb, even ideal. I had to have this album the second it came out, and the vinyl arrived at my home on the day of release, allowing me to listen to it with the warm hum it deserves. The album from beginning to end, not just the title track, was an anthem to everything California. Love, Life, Work, Play, everything that makes California the ideal place is brought to fruition by Cosentino's wondrous and original voice.
If you are clinging too much to the lo-fi of Crazy For You, this album will not be good for you, go and pick up Green Day's Kerplunk instead. If you feel that you are ready to allow a band to evolve as they continue to make music, this will be a treat for you.
Most Recent Customer Reviews
5.0 out of 5 stars
awesome album!
Everything about this album can be summed up in one word, awesome. "The Only Place" is one album you will never regret buying!
Published 1 month ago by zack spivey
5.0 out of 5 stars
Just what my daughter wanted
Vinyl is cool again... So nice to see a current group embrace the style, sound and retro ness of it.
Published 4 months ago by Getting Prepared
5.0 out of 5 stars
Cool surprise
I bought because i listened to it at iTunes but in the end all the musics are cool...and off course, it is cheaper at Amazon...:-)
Published 5 months ago by George Espinola
5.0 out of 5 stars
Best Coast at their Best.
A HUGE step up in sound quality from their first Album, "The Only Place" let's Bethany shine in her vocals! Read more
Published 5 months ago by AshleyMalone
3.0 out of 5 stars
Pleasant sunny pop with regrettably bad lyrics
The tone is pleasant, the guitars chime nicely, and the tempo keeps your toes tapping. But the lyrics are so shallow that they actively detract from the enjoyment of the music. Read more
Published 5 months ago by Aaron Brame
5.0 out of 5 stars
West Coast IS the Best Coast.
This whole album is a delight. Enjoy each and every track listed on this album. Some of the songs are reminiscent of music produced by Phil Spector in the earlier part of his... Read more
Published 5 months ago by Eric M. Hurtado
5.0 out of 5 stars
Sleeper Album
Listening to this album over and over again,and each time its getting way better.Just ordered another album they made hope its as interesting.
Published 5 months ago by Laurence E. Spaner
5.0 out of 5 stars
California Love
When I first heard Best Coast I instantly knew that this album would be amazing! Its got the Surf rock alternative sound with style and grace!
Published 5 months ago by darrin pepe
4.0 out of 5 stars
Surf and fun!
Reminiscent of a mix of surf and indie rock with pop thrown in. Lots of fun! I think you will enjoy this album.
Published 6 months ago by Adam Days
3.0 out of 5 stars
A little mixed
So I started listening to this album because I loved the song "The only place". After you get through that song on the album it changes feeling. Read more
Published 6 months ago by Daniel Zeitler
Listmania!
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