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The Orchard Keeper Paperback – February 2, 1993


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More from Cormac McCarthy
Cormac McCarthy is known for his profoundly dark fiction and masterful reflections on the nature of good and evil. Visit Amazon's Cormac McCarthy Page.

Product Details

  • Paperback: 246 pages
  • Publisher: Vintage (February 2, 1993)
  • Language: English
  • ISBN-10: 0679728724
  • ISBN-13: 978-0679728726
  • Product Dimensions: 8 x 5.1 x 0.6 inches
  • Shipping Weight: 8.8 ounces (View shipping rates and policies)
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (64 customer reviews)
  • Amazon Best Sellers Rank: #51,651 in Books (See Top 100 in Books)

Editorial Reviews

From Publishers Weekly

This first novel by McCarthy (whose All the Pretty Horses won the National Book Award) is set in a remote Tennessee community between the world wars.
Copyright 1993 Reed Business Information, Inc.

About the Author

Cormac McCarthy was born in Rhode Island in1933 and spent most of his childhood near Knoxville, Tennessee. He served in the U.S. Air Force and later studied at the University of Tennessee. In 1976 he moved to El Paso, Texas, where he lives today.  McCarthy's fiction parallels his movement from the Southeast to the West--the first four novels being set in Tennessee, the last three in the Southwest and Mexico. The Orchard Keeper (1965) won the Faulkner Award for a first novel; it was followed by Outer Dark (1968),  Child of God (1973), Suttree (1979), Blood Meridian (1985), All the Pretty Horses, which won both the National Book Critics Circle Award and the National Book Award for fiction in 1992, and The Crossing.

More About the Author

Cormac McCarthy was born in Rhode Island. He later went to Chicago, where he worked as an auto mechanic while writing his first novel, The Orchard Keeper. The Orchard Keeper was published by Random House in 1965; McCarthy's editor there was Albert Erskine, William Faulkner's long-time editor. Before publication, McCarthy received a traveling fellowship from the American Academy of Arts and Letters, which he used to travel to Ireland. In 1966 he also received the Rockefeller Foundation Grant, with which he continued to tour Europe, settling on the island of Ibiza. Here, McCarthy completed revisions of his next novel, Outer Dark. In 1967, McCarthy returned to the United States, moving to Tennessee. Outer Dark was published by Random House in 1968, and McCarthy received the Guggenheim Fellowship for Creative Writing in 1969. His next novel, Child of God, was published in 1973. From 1974 to 1975, McCarthy worked on the screenplay for a PBS film called The Gardener's Son, which premiered in 1977. A revised version of the screenplay was later published by Ecco Press. In the late 1970s, McCarthy moved to Texas, and in 1979 published his fourth novel, Suttree, a book that had occupied his writing life on and off for twenty years. He received a MacArthur Fellowship in 1981, and published his fifth novel, Blood Meridian, in 1985. All the Pretty Horses, the first volume of The Border Trilogy, was published by Knopf in 1992. It won both the National Book Award and the National Book Critics Circle Award and was later turned into a feature film. The Stonemason, a play that McCarthy had written in the mid-1970s and subsequently revised, was published by Ecco Press in 1994. Soon thereafter, Knopf released the second volume of The Border Trilogy, The Crossing; the third volume, Cities of the Plain, was published in 1998.McCarthy's next novel, No Country for Old Men was published in 2005. This was followed in 2006 by a novel in dramatic form, The Sunset Limited, originally performed by Steppenwolf Theatre Company of Chicago and published in paperback by Vintage Books. McCarthy's most recent novel, The Road, was published in 2006 and won the Pulitzer Prize.

Photo © Derek Shapton

Customer Reviews

Remarkable novel by a true genius.
Henry Langhorne
Cormac writes beautiful prose that actually makes sense, and his novels are peopled with characters who are as real as anyone you'll meet in your travels today.
Ralph Beer
I kept waiting, and waiting, and although he tossed in a little bit towards the end, in terms of plot it's like a 250-page short story.
Poogy

Most Helpful Customer Reviews

63 of 67 people found the following review helpful By Poogy on June 21, 2006
Format: Paperback
Having read McCarthy's last five novels I developed into a big fan. I don't know of anyone else with his mastery of the language and ability to write razor-sharp, spot-on colloquial dialogue. So I thought I'd give his first novel a try. The incredible descriptions of nature are there, in more or less full flower, and several characters are memorable. The problem for me was that relatively little happens. I kept waiting, and waiting, and although he tossed in a little bit towards the end, in terms of plot it's like a 250-page short story. Don't get me wrong; I wasn't looking for a beach book or Tom Clancy, but in truth it's nice to have someone do something every once in a while beyond walking through the woods. So it's fascinating as a stylistic exercise, but less than compelling as entertainment. If you're hoping for something along the lines of All The Pretty Horses, you may be disappointed; much more disappointed if you're expecting anything as sparsely written and plot-driven as The Road or No Country For Old Men. If you love fabulous use of language for its own sake, you won't be.
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34 of 35 people found the following review helpful By Faulknernut on February 4, 2004
Format: Paperback
THE ORCHARD KEEPER, Cormac McCarthy's first novel, explores the nature of new versus old ways of life. It's a novel on nature. It deals primarily with three men: John Wesley, a young man coming of age; Marion Sylder, a bootlegger; and Uncle Ather, a hilarious, elderly man who refuses to take any crap from anyone. While these three run into each other throughout the novel, they are also connected to each other in a way through which none of them are aware--through the death of Kenneth Rattner. McCarthy's novel appears to be more of a character analysis than a plot driven story. While a plot does exist, it is not incredibly strong nor prominent. It's more like a series of anecdotes. However, the character depth and symbolism found in the pages of this book are tremendously wonderful. It's definitely a book worth reading again in order to catch all of these symbols and meanings. I would recommend this book to people who enjoy analyzing works, not someone who is just looking for something pleasurable to read. It's definitely not like reading Harry Potter : ). For example, at the beginning of this work, the narrator jumps from person to person, telling part of each one's story with little or no signal of whom is being spoken of. You have to take your time to figure out who the narrator is talking about. This can be rather frustrating at first, so beware! However, if you can tolerate this writing style and don't expect much of a plot, the piece is rather enjoyable, filled with comic elements and brilliance.
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52 of 60 people found the following review helpful By R. Mathes on March 13, 2000
Format: Paperback
I am a big William Faulkner fan and after reading the great four (Absalom.., As I Lay Dying, Light In August, and The Sound...) tried All the Pretty Horses a few years ago. Everyone said it was great so like a good prisoner of the "you must read this syndrone", I started it. I found it incredibly beautiful in terms of prose style and language but after 100 or so pages I did not really care about the characters. I thought it was my fault and not McCarthy's so I left it and decided that I would reapproach it later on. It is now three years later and I figured I would read his first book before I started the now completed Border trilogy.
This is a tremendously artful and in many ways wonderful book. Nobody since Faulkner has as dense and intense a prose style. You must have an unabridged dictionary beside you to really get everything he gives you. The reason I write this review is for those who want a deep, meaningful book and are thinking of reading this like I was. If you are such a person and do not have alot of time on your hands, I would suggest going elsewhere for one reason only. Another Amazon reader talked about the plot of this novel as being extraordinarily inconsequential. I think that this is McCarthy's point. It is a story about the land and people that personify independance. It is about an age of rural Southern life that no longer exists. It is not supposed to tie it's points up in ribbons and to keep you passionately turning pages unless your there for the art of it (of which there is a considerable amount).
My frustration was that when I finished this, I got it and appreciated it but was not particularly moved in any way. I read the last three chapters again to see if I was an idiot or if this was just an erudite, muted text.
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15 of 15 people found the following review helpful By A Customer on April 28, 1997
Format: Paperback
In 1930s rural Tennessee, men from three generations play out their lives in ignorance of a secret that binds them together. John Wesley Rattner is a young boy aiming to make a living from trapping muskrats. Marion Sylder is the bootlegger who, years before, killed Rattner's itinerant father. Ather Ownby is the old man who alone knows where the body of Kenneth Rattner lies rotting to nothing.

McCarthy tells their story of `profound inconsequence' in language of exotic precision. They are bound together through their relationship with nature and the land which offers up little sustenance but imbues their lives of dispossessed independence with meaning. In his prose, McCarthy elevates the everyday to a poetic significance, with some of the richest descriptions of the unforgiving natural world to be found anywhere. A bird on the wing, a wind in the trees, a car on a mountain road: he handles each image with equal skill, so that we exist with them in that place and time.

McCarthy treads the fine line between pathos and bathos, walking with sure steps, so that we feel for his subject - men hunting, the animals they hunt, the landscape as part of which they exist - but we never feel sorry. His dialogue is sparse, but loaded, with a natural rhythm you may have thought lost to the world. McCarthy finds the beauty in desperation and depicts it unsentimentally. While his story is a guiltless one of violence and resignation in the face of material poverty, his subject is `all questions ever pressed upon humanity and beyond understanding'. Except McCarthy appears to understand them, and is able to explicate them.
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