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The Others

991 customer reviews

Additional DVD options Edition Discs
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(Apr 26, 2011)
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(Feb 19, 2002)
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Editorial Reviews

Screen sensation Nicole Kidman delivers an utterly unforgettable performance in this scary and stylish thriller! While awaiting her husband's return from war, Grace(Kidman) and her two young children live an unusually isolated existence behind the locked doors and drawn curtains of a secluded island mansion. Then, after three mysterious servants arrive and it becomes chillingly clear that there is far more to this house than can be seen, Grace finds herself in a terrifying fight to save her children and keep her sanity! Acclaimed by critics everywhere , the unpredictable twists and turns of this compelling hit will keep you guessing as it keeps you riveted to the edge of your seat!

Special Features


Product Details

  • Actors: Nicole Kidman, Christopher Eccleston, Fionnula Flanagan, Alakina Mann, James Bentley
  • Directors: Alejandro Amenábar
  • Writers: Alejandro Amenábar
  • Producers: Bob Weinstein, Eduardo Chapero-Jackson, Emiliano Otegui, Fernando Bovaira, Harvey Weinstein
  • Format: Multiple Formats, AC-3, Closed-captioned, Color, Dolby, NTSC, Widescreen
  • Language: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated: PG-13 (Parental Guidance Suggested)
  • Studio: Miramax Lionsgate
  • DVD Release Date: April 26, 2011
  • Run Time: 104 minutes
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (991 customer reviews)
  • ASIN: B004SIP92O
  • Amazon Best Sellers Rank: #6,107 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "The Others" on IMDb

Customer Reviews

Most Helpful Customer Reviews

121 of 129 people found the following review helpful By A Customer on May 31, 2002
Format: DVD
This movie has a number of levels, many of which are not immediately apparent because of the excellent acting, near perfect casting and exquisite cinematography. On the artistic level the movie will appeal more to artists and writers, and to those who enjoy a well crafted plot and a surprise ending.
On another level, though, this movie will inspire a self examination of how one perceives realities. It does this by exposing the filters and assumptions that we all use when observing and mentally correlating those observations with our knowledge of fact into our realities. It also has an obvious message about coexistence and acceptance.
Regardless of whether or not one believes in the supernatural, the story and the ending will be completely unexpected for most who watch this movie. The many clues wrapped in foreshadowing and other plot devices will not make sense until the end, but if you carefully examine them a day or so after watching this movie you'll have some keen insights into your own unique set of filters and assumptions that you use daily.
There are other levels and messages within this movie that will surface days or weeks after watching it, such as the way the female characters are portrayed as more proactive, central figures than the male characters. The movie also challenges religious beliefs in subtle and not-so-subtle ways. I am not sure if this is yet another subtle layer of the plot or if it reflects the views and biases of the writers and director - but these elements are there.
If you enjoy great dialog and a masterful story with an interesting plot that is presented with beautiful visuals then you'll love this movie on an artistic level. If you enjoy mental challenges and subtlety that is presented with social and cogitative challenges you'll love this movie on a deeper level.
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53 of 57 people found the following review helpful By D. Litton on August 21, 2001
Highly atmospheric and foreboding, "The Others" is unlike any ghost story I've seen since Robert Wise's "The Haunting" in 1963. Director Alejandro Amenabar brings to the screen a uniquely chilling tale that slowly makes its way under our skin until it's almost unbearable. I don't know which aspect of the film I liked better: the ominous setting where the eerie story takes place, or the magnificent performance from Nicole Kidman.
Kidman plays Grace, a mother of two children living in an expansive New England mansion surrounded by a ceaseless fog and dry vegetation. When three house servants show up at her door, they are bewildered by the manner in which Grace runs the household, closing each door before opening another, and closing any and all curtains to prevent all sunlight from invading the rooms.
We learn the sunlight is harmful to her young children, Anne (Alakina Mann) and Nicholas (James Bentley). From the beginning, Anne speaks of a past event that occurred between her and her mother, and of apparitions throughout the house. Grace dismisses her comments as rubbish, but becomes increasingly uneasy once she begins hearing voices in the upstairs rooms, and finds that doors in the house open and close by themselves without a key.
As the movie progresses, Amenabar creates a distinctly uneasy atmosphere in which even the audience knows better than to look at this house as little more than an expensive home. From a continuous fog to the whisperings of voices and things that go bump in the night, the scares come not from what we see, but what we don't see, which is even scarier than you may think. Amenabar proves that one needn't be subjected to a special effect in order to be frightened.
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43 of 47 people found the following review helpful By Gary F. Taylor HALL OF FAMETOP 500 REVIEWERVINE VOICE on February 24, 2003
Format: DVD
To a certain extent, one's enjoyment of THE OTHERS will depend on how quickly you recognize the major plot device on which the entire film turns. Once recognition sets in, how much you are able to further enjoy the film will then depend on how much you have become engaged by the characters--and it is here, really, that the film stumbles a bit, not so much through the way it is done but rather through the way the characters must be played in order for their behavior to make sense at the film's conclusion.
The premise, which seems deeply influenced by both Henry James' THE TURN OF THE SCREW and the 1960s film version known as THE INNOCENTS, concerns a woman who resides with her two children in an isloated mansion following World War II. Her situation is dire: her husband is missing in action and presumed dead; her children suffer from a rare genetic disease that makes sunlight dangerous to them; her servants have departed in the night without a word of warning. The latter problem seems remedied by the arrival of new servants--but no sooner are they installed than odd happenings begin to occur. Is the woman going mad? Are the servants involved? Have intruders secretly entered the house? Or could it be--something unearthly?
The cast is exceptionally good here, with Fionnula Flanagan as the newly arrived servant Mrs. Mills and children Alakina Mann and James Bentley giving remarkable performances. But the focus is on Nicole Kiddman as Grace, a role that Kiddman plays with a white-knuckled grip and considerable ferocity--so much so that it becomes extremely difficult to like, much less sympathize, with the character.
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