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This new collection of 60 essays surveys the entire history of jazz and purports to contain "a thoroughness found in no other single jazz reference." The essays, written by 59 current jazz performers, writers, and scholars, are much longer than the typical Oxford Companion entry. The average length is 13 pages, although the range is anywhere from 7 to 22 pages. There is one black-and-white photograph per article. The essays provide overviews of different styles and periods. Other topics include the roots of jazz, biographies of performers, examinations of individual jazz instruments, an analysis of the impact of jazz on American culture, and a discussion of jazz outside the U.S. Arrangement is loosely chronological.
Does this volume rival the 1,358-page New Grove Dictionary of Jazz (1988) for the title of "most comprehensive dictionary of jazz ever published"? Possibly. Although the New Grove Dictionary of Jazz is arguably more reference-friendly because of its alphabetical arrangement and see also references, the Oxford book has an excellent index. However, because of the essay format, it is sometimes difficult to find information on a specific performer or term. For this reason, some libraries may wish to consider putting this volume in the circulating rather than in the reference collection.
The scope of the New Grove Dictionary of Jazz and the Oxford Companion to Jazz is similar, although Grove offers unique, unparalleled coverage of jazz nightclubs, festivals, and libraries and archives with significant jazz collections. Unlike Grove, which provides bibliographies and selected recordings at the end of individual entries, Oxford only offers a selected bibliography at the back of the book and an "Index of Songs and Recordings" to facilitate finding where a song is discussed in an essay.
Though Grove was reprinted in 1994, it was not updated. The Oxford book includes a greater number of recent jazz artists. In an informal search for 27 current jazz artists, 50 percent of them were mentioned in Oxford, while only 25 percent were found in Grove. For example, Grove appears to exclude drummers Joey Baron and Dennis Chambers, trumpeter Dave Douglas, and more-mainstream musicians like Joshua Redman and Jo Lovano, all of whom are mentioned in Oxford. Some of the current artists also appear in another Oxford publication, Biographical Encyclopedia of Jazz (1999).
Libraries with a jazz collection will find this new volume a welcome addition, whether its purpose is to act as a reference resource or provide insightful stack reading. According to Kirchner, the intended audience is everyone, from novices to seasoned jazz aficionados; the book does indeed have a wide range of appeal. Some of the essays are downright scholarly, while others are less erudite in tone (though not in content). Recommended for all university, college, and public libraries with patrons interested in jazz. RBB
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.
"Despite the wide range, the focus is clear--the unique American sound of jazz and those giants most closely associated with its creation and production."--Jeff Waggoner, The New York Times Book Review
Bought one for my daughter as well. Great book and a must have if you love jazz.Published 5 months ago by Lady_NM
I am in the Rutgers Newark Jazz History and Research M.A. program. This is an invaluable supplement to the texts and articles that are mandatory.Published 22 months ago by Leon De Vose, II
This text offers invaluable information on the history of jazz and its influence on music. I needed it for a college course, but this is one of the most intriguing academic... Read morePublished on September 18, 2013 by Matthew Shaw
In this 60 essay-800 page-book, you can find almost everything about jazz, from its roots to the latests developements of the music, major artists and styles, jazz and literature,... Read morePublished on September 19, 2005 by M. SOULE