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Editorial Reviews

Amazon.com Review

Author Paula McLain on The Paris Wife
Most of us know or think we know who Ernest Hemingway was -- a brilliant writer full of macho swagger, driven to take on huge feats of bravery and a pitcher or two of martinis -- before lunch. But beneath this man or myth, or some combination of the two, is another Hemingway, one we’ve never seen before. Hadley Richardson, Hemingway’s first wife, is the perfect person to reveal him to us -- and also to immerse us in the incredibly exciting and volatile world of Jazz-age Paris.

The idea to write in Hadley’s voice came to me as I was reading Hemingway’s memoir, A Moveable Feast, about his early years in Paris. In the final pages, he writes of Hadley, “I wished I had died before I ever loved anyone but her.” That line, and his portrayal of their marriage -- so tender and poignant and steeped in regret -- inspired me to search out biographies of Hadley, and then to research their brief and intense courtship and letters -- they wrote hundreds and hundreds of pages of delicious pages to another!

I couldn’t help but fall in love with Hadley, and through her eyes, with the young Ernest Hemingway. He was just twenty when they met, handsome and magnetic, passionate and sensitive and full of dreams. I was surprised at how much I liked and admired him -- and before I knew it, I was entirely swept away by their gripping love story.

I hope you will be as captivated by this remarkable couple as I am -- and by the fascinating world of Paris in the 20’s, the fast-living, ardent and tremendously driven Lost Generation.

A Look Inside The Paris Wife


Ernest and Hadley Hemingway, Chamby, Switzerland, winter 1922

Ernest and Hadley Hemingway on their wedding day, 1921

Ernest, Hadley, and Bumby, Schruns, Austria, 1925

The Hemingways and friends at a cafe in Pamplona, Spain
Guest Reviewer: Helen Simonson on The Paris Wife

Helen Simonson is the New York Times bestselling author of Major Pettigrew’s Last Stand. She was born in England and spent her teenage years in a small village in East Sussex. A graduate of the London School of Economics and former travel advertising executive, she has lived in America for the past two decades. After many years in Brooklyn, she now lives with her husband and two sons in the Washington, D.C., area.

Paula McLain has taken on the task of writing a story most of us probably think we already know--that of a doomed starter wife. To make life more difficult, McLain proposes to tell us about Ernest Hemingway’s first wife, Hadley Richardson, who is a twenty-eight-year-old Midwestern spinster when she marries the twenty-one-year-old unpublished, (but already cocksure) writer and runs off to Paris with him. The talent and joy of this novel is that McLain does a startling job of making us understand this as a great love story and seducing us into caring deeply, about both Ernest and Hadley, as their marriage eventually comes apart.

This novel moves beyond the dry bones of biography or skewed personal vision of memoir, and takes a leap into the emotional lives of these characters. It is a leap of faith for those readers who think they know Hemingway, but McLain’s voice sticks close enough to historical material, and to the words and tone of Hemingway’s own writing, to be convincing. She had me at the description of young Hadley’s father committing suicide.

“The carpets had been cleaned but not changed out for new, the revolver had been emptied and polished and placed back in his desk.”

Hadley is also crippled by a childhood fall and trapped into spinsterhood by her mother’s declining health and eventual death. By the time she meets Hemingway, we are rooting for her to make a break for foreign shores--even as we understand the danger of marrying a tempestuous man. Hemingway is all nervous purpose, ambition and charisma as he meets Hadley and is drawn to her quiet strength and ordinary American sweetness. In his youth and uncertainty, she is his rock and yet we already suspect that as he grows in artistic power, she will become an unwanted anchor. Through Hadley’s eyes and plain-speaking voice, we see all of twenties Paris and the larger-than-life artists who gather in the cafes. We drink tea with Gertrude Stein and champagne with Fitzgerald and Zelda. We run with the bulls in Pamplona and spend winters in alpine chalets. And we see, through her love for him, the young writer becoming the Hemingway of legend. Perhaps it is the nature of all great artists to be completely selfish and obnoxious, but Hadley’s voice is always one of compassion. Even as Hemingway leaves her completely out of The Sun also Rises, even as Hemingway publicly flirts with other women, she continues to explain and defend him. It is a testament to Paula McLain that the reader is slow to dislike Hemingway, even as he slowly and inexorably betrays Hadley’s trust.

I loved this novel for its depiction of two passionate, yet humanly-flawed people struggling against impossible odds--poverty, artistic fervor, destructive friendships--to cling on to each other. I raise a toast to Paula McLain’s sure talent.

--This text refers to the Hardcover edition.

From Booklist

History is sadly neglectful of the supporting players in the lives of great artists. Fortunately, fiction provides ample opportunity to bring these often fascinating personalities out into the limelight. Gaynor Arnold successfully resurrected the much-maligned Mrs. Charles Dickens in Girl in a Blue Dress (2009), now Paula McLain brings Hadley Richardson Hemingway out from the formidable shadow cast by her famous husband. Though doomed, the Hemingway marriage had its giddy high points, including a whirlwind courtship and a few fast and furious years of the expatriate lifestyle in 1920s Paris. Hadley and Ernest traveled in heady company during this gin-soaked and jazz-infused time, and readers are treated to intimate glimpses of many of the literary giants of the era, including Gertrude Stein, Ezra Pound, James Joyce, and F. Scott Fitzgerald. But the real star of the story is Hadley, as this time around, Ernest is firmly relegated to the background as he almost never was during their years together. Though eventually a woman scorned, Hadley is able to acknowledge without rancor or bitterness that "Hem had helped me to see what I really was and what I could do." Much more than a woman-behind-the-man homage, this beautifully crafted tale is an unsentimental tribute to a woman who acted with grace and strength as her marriage crumbled. --Margaret Flanagan --This text refers to the Hardcover edition.
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Product Details

  • Audio CD: 10 pages
  • Publisher: Random House Audio; Unabridged edition (February 22, 2011)
  • Language: English
  • ISBN-10: 0307877183
  • ISBN-13: 978-0307877185
  • Product Dimensions: 5.1 x 1.1 x 5.9 inches
  • Shipping Weight: 4.8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (1,921 customer reviews)
  • Amazon Best Sellers Rank: #526,296 in Books (See Top 100 in Books)

More About the Author

Paula McLain was born in Fresno, California in 1965. After being abandoned by both parents, she and her two sisters became wards of the California Court System, moving in and out of various foster homes for the next fourteen years. When she aged out of the system, she supported herself by working as a nurses aid in a convalescent hospital, a pizza delivery girl, an auto-plant worker, a cocktail waitress--before discovering she could (and very much wanted to) write. She received her MFA in poetry from the University of Michigan in 1996. Since then, she has received fellowships from the corporation of Yaddo, the MacDowell Colony, the Ucross Foundation, the Ohio Arts Council and the National Endowment for the Arts. Her first book of poetry, Less of Her, was published in 1999 from New Issues Press and won a publication grant from the Greenwall Fund of the Academy of American Poets. She's also the author of a second collection of poetry, Stumble, Gorgeous, a memoir, Like Family: Growing Up In Other People's Houses, and the novel, A Ticket to Ride. Her most recent book is The Paris Wife, a fictional account of Ernest Hemingway's first marriage and upstart years in 1920's Paris, as told from the point of view of his wife, Hadley. She teaches in the MFA Program in Poetry at New England College, and lives with her family in Cleveland.

Customer Reviews

.Book was very interesting and really well written.
Martina Nolan-Byrne
Her fictionalized account is fascinating and made me very interested in the true story behind these characters as well as the time by which they were shaped.
Tonya Schulte
The Paris Wife is a beautifully written love story between Ernest Hemingway and his first wife Hadley Richardson.
Susan Bright

Most Helpful Customer Reviews

1,091 of 1,121 people found the following review helpful By "switterbug" Betsey Van Horn TOP 500 REVIEWERVINE VOICE on February 3, 2011
Format: Hardcover Vine Customer Review of Free Product ( What's this? )
At the end of Ernest Hemingway's memoir, A Moveable Feast , he writes of his first wife, Hadley Richardson, "I wish I had died before I loved anyone but her." After their divorce, Hemingway marries three more times, each one prompt to follow, like serial wives. This is the story of the woman that loved him before he was famous.

Paula McLain researched their biographies, letters, and Hemingway's novels, culling the material to imagine a story of their charmed and battered marriage in Paris, from 1921-1926. The tortured life and tragically foreshadowed suicide of Ernest Hemingway is public knowledge, as was his legendary womanizing. McLain's novel dodges the palaver, blending the facts that are known together with credible inference, creating a plausible, informed depiction of Hemingway and Hadley's marriage--the quotidian, the famed, the halcyon, the harsh.

The author writes from Hadley's point of view, inviting the reader inside their most tender and demolishing moments. A few choice sections belong to Hemingway's perspective, urgent and telling. The narrative deftly folds in their histories--the years before they met--artfully revealing early and private woes, which ripple and sometimes hiss beneath the ardor. We get the back stories without muddled exposition; by the time it arrives at the failure of their union, readers have acquired a fluency of Hadley's nature and Hemingway's core.

Hadley sustained several painful childhood experiences that eerily parallel Hemingway's, and was a recluse and "spinster" at twenty-eight, when she met and was courted by the twenty-one-year-old Hemingway.
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184 of 193 people found the following review helpful By Rushmore VINE VOICE on February 18, 2011
Format: Hardcover Vine Customer Review of Free Product ( What's this? )
I had the most curious reaction to this book. About 3/4 of the way through I had decided I would give it 4 stars, and I wasn't happy about it. Although it felt very authentic, the prose didn't sing, and I thought I knew why. Hadley Richardson Hemingway simply didn't have a dynamic personality. The story as told mostly through her voice contained lots of detail but Hadley felt more like an observer than a player much of the time. Then when Ernest strayed, the game changed. Hadley showed her considerable inner strength and I felt her heart breaking. She let down her guard enough to show that she was in fact a remarkable woman, and this is a remarkable book.

Paula McLain has clearly read lots of Hemingway. The writing style is Hemingwayesque. It feels right for this story and for Hadley's voice because she was so much more reserved than the others in their circle. In the end, McLain quite neatly analyzes Ernest and the marriage, and the book is so readable. Although it is fiction, I don't doubt that it really could have happened this way. The book is obviously thoroughly researched. Historic fiction is so tricky, and I think it fails more often than it succeeds. This is by far the best historic novel I have ever read. I don't want to spoil the delights in these pages, but I will share a highlight for me. When Hemingway and Fitzgerald were editing The Sum Also Rises at the kitchen table, Hadley compared them to surgeons. At that point I think she realized that Ernest's greatness as a writer would surmount his failings as a husband and a human being. I thought it was a fabulous moment.

I really think this book is a triumph. The subject matter definitely piqued my interest, the writing was flawless, and I wish there could be a sequel.
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345 of 369 people found the following review helpful By Gayla M. Collins VINE VOICE on February 11, 2011
Format: Hardcover Vine Customer Review of Free Product ( What's this? )
Ernest Hemingway, 21, marries Hadley Richardson eight years his senior and promptly moves with her to Paris to be among the upstarts, the in crowd, the expatriates that worshipped Paris as their city of creativity. Ezra Pound, Gertrude Stein, F. Scott Fitzgerald not to mention famous actors, musicians and painters were their companions though they often lived hand to mouth. Content to live in Ernest's shadow, providing him with much needed stability and a shoulder, Hadley embraces his love of of the outdoors, spontaneous moves to various Euorpean locals, bull fighting, horse racing and for a time, drinking. But soon the lure and glamour began to fade. The eccentricities of open marriages, mistresses and provocative lifestyles leaves Hadley at loss especially after the birth of their son. Hemingway's constant moodiness, carousing, heavy drinking, lack of decorum and superior attitude begin to unravel his wife's resolve. His resentment of her few friendships also speak to his possessiveness and selfish nature. When "fame" arrives it shatters all handrails that Hadley has clung to. The intense love she feels for Ernest drives her to fight for their marriage and for Ernest's life, but to what avail?

I adored the book, "Loving Frank" by Nancy Horner all about Frank Lloyd Wright and his mistress; it as well as "The Paris Wife," demonstrate the incredible sacrifices a companion must make to cajole an artist's tender ego. Not surprisingly I see Nancy Horan endorsed this book and rightfully she should. The writing is so beautifully strong as it exposes lifestyles of creative geniuses. Paula MClain does an amazing job of keeping the reader glued to the perils of this complex couple.
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