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Norton Juster received (and continues to receive) enormous praise for this original, witty, and oftentimes hilarious novel, first published in 1961. In an introductory "Appreciation" written by Maurice Sendak for the 35th anniversary edition, he states, "The Phantom Tollbooth leaps, soars, and abounds in right notes all over the place, as any proper masterpiece must." Indeed.
As Milo heads toward Dictionopolis he meets with the Whether Man ("for after all it's more important to know whether there will be weather than what the weather will be"), passes through The Doldrums (populated by Lethargarians), and picks up a watchdog named Tock (who has a giant alarm clock for a body). The brilliant satire and double entendre intensifies in the Word Market, where after a brief scuffle with Officer Short Shrift, Milo and Tock set off toward the Mountains of Ignorance to rescue the twin Princesses, Rhyme and Reason. Anyone with an appreciation for language, irony, or Alice in Wonderland-style adventure will adore this book for years on end. (Ages 8 and up)
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As a child, I enjoyed reading the strange adventures of a bored Milo embarking on his legendary quest. As an adult, I enjoy the tome's play on words, such as the Whether man ("It's more important to know whether there will be weather, rather than what the weather will be") and the Isle of Conclusions, a place you have to jump to to get there. I also love the book's personifying such abstract concepts as statistics, like the (literally) half a child that Milo meets who's the end result of the average family having 2.58 children. It also has neat takes on people's points of view, like the boy who grows down, rather than up. Needless to say, it's pretty apparent that even though I loved this book as a kid, I appreciate it much more as an adult.
If you remember reading this as a child, I strongly recommend you give it a look again. You'll likely pick up on quite a few things in the story that you might not have gotten the gist of in your youth!
'Late
The story follows the journey of Milo, a boy bored of basically everything around him. One day he receives a mysterious package that turns out to be a tollbooth. For lack of anything better to do, he puts it together and begins to play, only to find himself driving in an entirely different world. There he meets all sort of curious creatures, from a giant watchdog (literally, a dog whose body is a watch) and a humbug the size of a person. Juster plays with words as if they were tangible objects to juggle, and continually surprises the reader by turning ordinary events into magical occurrences. This book very much exemplifies the quote (and I apologize for not naming the speaker, who slips my mind at this moment) "The universe is full of magical things, patiently waiting for our wits to get sharper."
Although Norton Juster's tale will probably never receive as much wild acclaim as the Harry Potter series, The Phantom Tollbooth nevertheless exhibits its own quiet charm. It is full of original characters and entertaining events, and I heartily recommend it for any child, or adult for that matter, who would like to be amused for a few hours on a rainy afternoon - especially if you think there's nothing to do! It is a wonderful book to read to a child, and the simple black and white drawings scattered throughout the text belie the vivid pictures that Juster paints with his words.
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