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The Photographer's Internet Handbook Paperback – March 1, 1997


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Editorial Reviews

From Library Journal

An Internet book specifically for photographers is long overdue. While knowledgeable photographers may use their web browsers to locate information related to their field, this immensely valuable work offers a systematic overview and step-by-step introduction. The book logically begins with a definition of the Internet, then turns to software selection and advice on "getting connected." The most valuable portions of the book are the recommendations on various web sites for manufacturers of equipment and materials, photographic information, and other photographers, as well as several chapters on doing business on the Internet. The visual nature of photography, particularly the digitizing of images, raises serious questions of highly useful manual is the only comprehensive book on its subject to date. Reasonably priced, especially given the abundance of good, practical information, it belongs in all photography collections. Highly recommended for all libraries.?Raymond Bial, Parkland Coll. Lib., Champaign, Ill.
Copyright 1997 Reed Business Information, Inc.

Review

Finally! A guide for photographers on how they can use the Internet and WWW as a marketing and informational resource. The handbook explains browsers, researching, self-promotion, copyright and much more that concerns photographers. There's a section on building your own Web site step-by-step and how to protect your on-line images. In future issues of PhotoStockNotes, we'll feature excerpts from this fine handbook -- PhotoStockNotes

Whether you are a commercial photographer doing advertising shoots, a stock shooter with an international clientele, or an industrial or portrait photographer, Farace's new book offers a wealth of information that will assist you in using your computer to enhance and manipulate images as you pinpoint new markets. This indispensable guide includes a glossary of Internet jargon and covers the topics from the photographer's standpoint -- Light and Shade
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