From Publishers Weekly
Starred Review. Former Elle
editor Lee delivers a standout debut dealing with the rigors of love and survival during a time of war, and the consequences of choices made under duress. Claire Pendleton, newly married and arrived in Hong Kong in 1952, finds work giving piano lessons to the daughter of Melody and Victor Chen, a wealthy Chinese couple. While the girl is less than interested in music, the Chens' flinty British expat driver, Will Truesdale, is certainly interested in Claire, and vice versa. Their fast-blossoming affair is juxtaposed against a plot line beginning in 1941 when Will gets swept up by the beautiful and tempestuous Trudy Liang, and then follows through his life during the Japanese occupation. As Claire and Will's affair becomes common knowledge, so do the specifics of Will's murky past, Trudy's motivations and Victor's role in past events. The rippling of past actions through to the present lends the narrative layers of intrigue and more than a few unexpected twists. Lee covers a little-known time in Chinese history without melodrama, and deconstructs without judgment the choices people make in order to live one more day under torturous circumstances. (Jan.)
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This cinematic tale of two love affairs in mid-century Hong Kong shows colonial pretensions tainted by wartime truths. Will Truesdale, a rootless, handsome Briton, arrives in the colony in 1941, and is swept up by Trudy Liang, the blithe and glamorous daughter of a Shanghai millionaire and a Portuguese beauty. They quickly become inseparable, their days spent in a whirl of parties and champagne, but when the Japanese invade, Will is interned and Trudy resorts to increasingly Faustian methods to survive. After the war, Claire Pendleton, the na�ve wife of a British civil servant, arrives. She begins giving piano lessons to the daughter of a rich Chinese couple, and falls in love with their wounded and inscrutable driver: Will. Lee unfolds each story, and flits between them, with the brisk grace and discretion of the society she describes�a world in which horrors are adumbrated but seldom told.
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