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The Pirate's Dilemma: How Youth Culture Is Reinventing Capitalism [Hardcover]

Matt Mason
3.4 out of 5 stars  See all reviews (24 customer reviews)


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Book Description

January 8, 2008
It started with punk. Hip-hop, rave, graffiti, and gaming took it to another level, and now modern technology has made the ideas and innovations of youth culture increasingly intimate and increasingly global at the same time.

In "The Pirate's Dilemma," "VICE" magazine's Matt Mason -- poised to become the Malcolm Gladwell of the iPod Generation -- brings the exuberance of a passionate music fan and the technological savvy of an IT wizard to the task of sorting through the changes brought about by the interface of pop culture and innovation. He charts the rise of various youth movements -- from pirate radio to remix culture -- and tracks their ripple effect throughout larger society. Mason brings a passion and a breadth of intelligence to questions such as the following: How did a male model who messed with disco records in the 1970s influence the way Boeing designs airplanes? Who was the nun who invented dance music, and how is her influence undermining capitalism as we know it? Did three high school kids who remixed Nazis into Smurfs in the 1980s change the future of the video game industry? Can hip-hop really bring about world peace? Each chapter crystallizes the idea behind one of these fringe movements and shows how it combined with technology to subvert old hierarchies and empower the individual.

With great wit and insight -- and a cast of characters that includes such icons as the Ramones, Andy Warhol, Madonna, Russell Simmons, and 50 Cent -- Mason uncovers the trends that have transformed countercultural scenes into burgeoning global industries and movements, ultimately changing our way of life.



Editorial Reviews

From Publishers Weekly

Music journalist Mason, a former pirate radio and club DJ in London, explores how open source culture is changing the distribution and control of information and harnessing the old system of punk capitalism to new market conditions governing society. According to Mason, this movement's creators operate according to piratical tactics and are changing the very nature of our economy. He charts the rise of the ideas and social experiments behind these latter-day pirates, citing the work of academics, historians and innovators across a multitude of fields. He also explores contributions by visionaries like Andy Warhol, 50 Cent and Dr. Yuref Hamied, who was called a pirate and a thief after producing anti-HIV drugs for Third World countries that cost as little as $1 a day to produce. Pirates, Mason states, sail uncharted waters where traditional rules don't apply. As a result, they offer great ways to service the public's best interests. According to Mason, how people, corporations and governments react to these changes is one of the most important economic and cultural questions of the 21st century. Well-written, entertaining and highly original, Mason offers a fascinating view of the revolutionary forces shaping the world as we know it. (Jan. 8)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

"Reading "The Pirate's Dilemma" is like stepping into a parallel universe [that is] vast and deep...Mason nimbly guides us through decades of the underground youth scene [in a] tour [that] is diverting and written in a pleasing patter...Something more...than a business book [and] more satisfying -- more authentic, as he might put it -- than most books that rave about the Web 2.0." -James Pressley, "Newsday"

Product Details

  • Hardcover: 313 pages
  • Publisher: Free Press; 1 edition (January 8, 2008)
  • Language: English
  • ISBN-10: 1416532188
  • ISBN-13: 978-1416532187
  • Product Dimensions: 6.4 x 1 x 9.2 inches
  • Shipping Weight: 15.2 ounces
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (24 customer reviews)
  • Amazon Best Sellers Rank: #326,868 in Books (See Top 100 in Books)

More About the Author

Matt Mason began his career as a pirate radio and club DJ in London, going on to become founding Editor-in-Chief of the seminal magazine RWD. In 2004, he was selected as one of the faces of Gordon Brown's Start Talking Ideas campaign, and was presented the Prince's Trust London Business of the Year Award by HRH Prince Charles.

He has written and produced TV series, comic strips, viral videos and records, and his journalism has appeared in The Observer Music Monthly, VICE, Complex and other publications in more than 12 countries around the world. He recently founded the non-profit media company Wedia with his wife Emily. He lives in New York City.

Customer Reviews

Most Helpful Customer Reviews
9 of 10 people found the following review helpful
3.0 out of 5 stars Good for outsiders of the movement June 11, 2008
Format:Hardcover
This book is slightly maddening. The intention is valid: to steer people towards thinking about piracy in a new light. The "pirate's dilemma" is whether to persecute and shut down piracy, or to recognize it as a kind of creative competition. If you can't beat them, join them. The thrust of Mason's argument can be summarized by the two models of music industry approaches to P2P file sharing: either go the route of Apple and create a cheap, viable option for consumers, or the RIAA route and sue its customers.

As a former DJ, Mason cuts and pastes his way through the book with anecdotes. At first I found the approach a little obnoxious-- a kind of overly cheerful airline-style of magazine writing. As a former punk, I found the whole chapter on punk capitalism a little superficial, which lacked a discussion of a really important DIY capitalist, Discord Records. The section of the "Tao of Pirates" was also missing an important discussion of pirate culture, i.e. the black beard types that are so discussed so interestingly in Wilson's Pirate Utopias. I think the word pirate is used too general. Basically, anyone under 50 is a pirate these days, and I don't thing that's true. Also, the remix section failed to credit Dada.

But as I read on, I warmed up to the book and found the discussion of guerrilla marketing and hip hop pretty good. There was some history and anecdotes that I wasn't aware of, so I was pleasantly surprised here and there. Still, if you want a more in-depth analysis of the economic situation of open source, read Benkler's The Wealth of Networks: How Social Production Transforms Markets and Freedom.

Ultimately I think Mason's intentions are good. I'm not sure celebrating the cooptation of underground culture by capitalism is something that is to be happy about, but I suppose as the pirates become more mainstream, maybe our society will be better for it, and that to me, is the ultimate Pirate's Dilemma.
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19 of 26 people found the following review helpful
5.0 out of 5 stars Read This Book! January 8, 2008
Format:Hardcover
Earlier this year Matt (the author) sent me a message and said that he was writing a book about how corporations have trouble adapting to the changing times and needs of people in the Information Age. Just recently he started his blog The Pirate's Dilemma (http://thepiratesdilemma.com/) that explains this phenomenon further every day. I couldn't wait for the book to drop so I asked him to shoot me one...one was already forthcoming and it appeared in the mail the very next day via his publicist. Let me break it down for y'all:

As we all know, youth culture has helped to change and reshape the world over and over again throughout history. Ever since World War 2 ended and the world at large became aware that teenagers even existed, the world hasn't been the same since. The old saying is that necessity is the mother of invention, whenever there has been an overlooked or under represented segment in society they have made their presence felt by creating their own culture. This culture usually comes with it's own brand of music, dancing or a style of dress. Once this culture hits the public consciousness then corporations develop the need/want to turn this audience into consumers of their product and convey a message to them that they "get" you and support your lifestyle. The thing is that since the advent of cool hunting and mass advertising has oversaturated the marketplace people can just tune out all those advertisments. Furthermore, with so many advances in technology today the knowledgeable consumer can pretty much create their own products and cut out the big corporations.

Since these same corporations are trying to jump on that new niche culture to gain a cache of cool, these new niche markets/cultures have adapted to the climate and become harder and harder to nail downby ad agencies. The same 40 songs being played over and over again on the radio that all sound exactly the same have driven many listeners away and res. The same old stories about Britney Spears, Lindsay Lohan, Paris Hilton and whoever's been kicked off the reality show du jour getting reported on your daily news rather than real journalism has driven people away from the news media. Where do these people go? Well, since we have the technology at our disposal we begin to bridge those gaps ourselves, pooling our collective resources, sharing information and creating that we we can't find in existance currently.

This in turn pisses of these big businesses and corporations. They are usually slow to adapt to change and they want to stay in power. This struggle for leverage and ownership goes on between big businesses and the consumer. The consumer wants more leeway, looser boundaries, more input and better service from the provider and big business tries to tighten the reins and throw lawsuits at these pirates threatening the status quo. The way they see it, these pirates are causing them to lose money. The way the consumer sees it, we weren't going to spend the money because the product doesn't fit our needs anymore.

In this quickly changing world where computer technology improves the speed of the transmission of data every three to six months they'll become a time where information can be passed instaneously. If you put up the wrong information on a messageboard, several messages will correct it within seconds. Any mistakes on Wikipedia acan be fixed almost immediately as opposed to a closed source website that would have the erroneous information posted there for only God knows how long. We are in the Information Age and technology has given us the tools to modify, create, and innovate the world around us. Corporations and big businesses don't know how to handle this new age where all of the power is in the hands of the consumer. No longer do they dictate to us what we want, need or what is valid...now we do it to THEM.

The music industry and film/television industry realize are in flux as music and films are being streamed and downloaded either before or the same time as the premiere dates. The news media is being outdone by bloggers and independent journalists that want serious and unbiased news coverage. In this book, Matt Mason brilliantly tells the history of the phenomenon of youth culture and how it has reinvented capitalism and the world as a whole. The whole D.I.Y. ethic that existed in Punk, Disco and Hip Hop has slowly branched out over the years into fields that you normally think weren't even related. They in turn snowballed and have all in effect given birth to The Pirate's Dilemma.

This book is completely fascinating and it grabs your attention from the beginning to the end. I read it straight through in one sitting and I read it over again the day after I got it. You will be so sucked in that you really don't want to put it down. Matt Mason seamlessly tied together how the youth culture of the 60's, the advent of Punk Capitalism, the birth of Disco and subsequently Hip Hop lead into the creation of the personal computer. He then takes us from the ealrly years of the Computer Age to the present day and touches on several subjects all at once without once making you feel like your being beat over the heads with useless information. Who knew that a nun from Dorchester, MA was indirectly responsible for the creation of Disco, House and Garage?Who would've thunk that a bunch of college dropouts who dropped LSD were responsible for the Mac, iPod and iPhone (I did)? I even got my first mention in ever print to make it that much better.

If you're looking for a new book to get get some wrinkles in your brain then this one comes highly recommended from me. Cop this joint mos def!

Dart Adams
http://poisonousparagraphs.blogspot.com/

One.
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15 of 21 people found the following review helpful
5.0 out of 5 stars PROVOCATIVE, YES...IDIOTIC, NO January 9, 2008
Format:Hardcover
Certainly the ideas expressed in The Pirate's Dilemma are controversial and provocative - and clearly intended to be so. Idiotic? Hardly. The author does not advocate piracy for its own sake, nor does he glorify graffiti as an art form per se, but in each case he posits the potential for positive social good that is perhaps an unintended consequence of these self interested practices. For instance, piracy can force companies to do more than run to its lawyers - by forcing the companies to compete with the pirates, economic advantage accrue to society at large as well as to the company itself. In essence, the author makes a case not for theft, but rather, for economic efficiency (making at least one person better off and nobody worse off), achieved perhaps by one's (the pirate's) own self interest which translates ultimately into a larger social good. Does this sound familiar?

If this is idiocy, I'm all for it!
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Most Recent Customer Reviews
4.0 out of 5 stars Together we can, built on each others' IP
We live in the best time in history to act on your big ideas. Most of you were born digital, with production tools a few clicks away. Read more
Published 19 months ago by David B. Harris
4.0 out of 5 stars How Does Industry Adapt to Free?
Matt Mason traces the current web 2.0 movement back to the 1970's punk rock culture. He starts with focus on a quote from punk fanzine Sniffin' Glue with a diagram showing three... Read more
Published on July 1, 2009 by Douglas E. Cornelius
5.0 out of 5 stars John Naisbitt, Eat Your Heart Out
All of us, you and I, live in the wreckage of 20th century institutions, ruled by 18th and 19th century ideas and intellectual property laws. Where is the world headed? Read more
Published on May 17, 2009 by Timothy Walker
1.0 out of 5 stars Could have been good if it never mentioned "pirate"
The book on remix culture doesn't acknowledge what it should have ripped off: Abbie Hoffman's Steal This Book, the 1971 yippie instructional manual for some of the things The... Read more
Published on April 9, 2009 by brian d foy
5.0 out of 5 stars A unique look at trend setters and honest promotion
this is a good book which deals with trends, how long they last and the current state of piracy and whether or not it is healthy to our culture.
Published on December 21, 2008 by William D. Tompkins
1.0 out of 5 stars Dissappointingly devoid of meaningful content.
I think, if it had stuck to the brief it claimed to have on the front cover, I would have loved this book. But it didn't at all. Read more
Published on July 15, 2008 by William Howard
1.0 out of 5 stars Poor scholarship, poor editing, poor writing
I found this book to be poorly researched, and clumsily written. The opening chapter on punk rock misspells Johnny Rotten's name throughout as "Jonny. Read more
Published on July 14, 2008 by bobbybadboy
3.0 out of 5 stars Book is worthwhile, but is even better with companion site.
One the whole, this book offers an excellent snapshot into some of the issues currently driving the online world. Read more
Published on June 13, 2008 by E.M.
1.0 out of 5 stars Entry level discussion
I have spent the last two years reading on pirates and piracy, from the pirates of the Caribbean to the p2p pirates of "The Pirates of the Caribbean", and any and everything in... Read more
Published on May 22, 2008 by B. Balázs
5.0 out of 5 stars Business and youth culture, remixed and purloined
You've been sleeping through an earthquake if you haven't noticed teenagers freely creating and sharing digital music, photos and videos through the Internet. Read more
Published on May 16, 2008 by Rolf Dobelli
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