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The Plot Thickens: 8 Ways to Bring Fiction to Life [Paperback]

Noah Lukeman
4.2 out of 5 stars  See all reviews (42 customer reviews)

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Book Description

June 18, 2003 0312309287 978-0312309282
As a literary agent, Noah Lukeman hears thousands of book pitches a year. Often the stories sound great in concept, but never live up to their potential on the page. Lukeman shows beginning and advanced writers how to implement the fundamentals of successful plot development, such as character building and heightened suspense and conflict. Writers will find it impossible to walk away from this invaluable guide---a veritable fiction-writing workshop---without boundless new ideas.

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The Plot Thickens: 8 Ways to Bring Fiction to Life + The First Five Pages: A Writer's Guide To Staying Out of the Rejection Pile + Self-Editing for Fiction Writers, Second Edition: How to Edit Yourself Into Print
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Editorial Reviews

From Publishers Weekly

Lukeman's second book on writing after 2000's The First Five Pages (a third volume on dialogue is still to come) discusses the craft of writing well-plotted fiction. Lukeman, a literary agent, rallies against the lazy and mundane that cross his desk in the form of 50,000 manuscripts submitted in the last five years. Initially, at least, he is less concerned with artfulness than the simple need to make the book compelling beyond the first few pages. He asserts that the foundation (and often the first casualty) of a book is character, and accordingly, Lukeman dedicates the first two chapters to an exhaustive list of questions a writer should ask about the "outer" and "inner" life of each character. He encourages a Dr. Frankenstein-like approach to creating realistic fictional characters: devising them with the intention of bending them to the writer's own will, but at the same time investing them with enough life that they are capable of making their own way in the world and ultimately surprising their creator. A third chapter called "Applied Characterization" discusses how to use this knowledge to form a plot. The remaining five chapters cover different aspects of plotting: "The Journey," "Suspense," "Conflict," "Context" and "Transcendency." Lukeman's advice is practical and often entails multiple, time-consuming steps without a hint of the flakiness that creeps into many writing guides. The closest he ever gets to sounding like a guru is when he sagely stresses, "Real life is the best teacher." Though Lukeman works with books, he wisely asserts that the observations in this volume are applicable to all types of imaginary writing, from film to poetry. Indeed, it is a worthy addition to any narrative writer's reference shelf.
Copyright 2002 Cahners Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Booklist

In this follow-up to the author's successful First Five Pages (2000), literary agent Lukeman focuses on the mechanics of storytelling. He introduces budding writers to the techniques of characterization (ask yourself questions about the people you've created), the various ways of generating suspense (danger, a ticking clock), and the importance of conflict. He writes from experience: he's read, he tells us, more than 50,000 manuscripts in the past half decade. Curiously, he mostly uses movies to illustrate his points, on the assumption that more of his readers will recognize his references that way. (This premise--that would-be writers won't be familiar with literary references--may strike some as slightly insulting, unintentional though it may be.) All in all, though, this is a crisply written, nicely detailed examination of the art of storytelling. Beginning writers will find plenty of practical tips and useful advice in its pages. David Pitt
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 240 pages
  • Publisher: St. Martin's Griffin (June 18, 2003)
  • Language: English
  • ISBN-10: 0312309287
  • ISBN-13: 978-0312309282
  • Product Dimensions: 7.1 x 5 x 0.6 inches
  • Shipping Weight: 6.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (42 customer reviews)
  • Amazon Best Sellers Rank: #122,248 in Books (See Top 100 in Books)

More About the Author

Noah Lukeman is author of A Dash of Style: The Art and Mastery of Punctuation (WW Norton and Oxford University Press), to be published in April, 2006. He is also author of the bestsellers The First Five Pages: A Writer's Guide to Staying out of the Rejection Pile (Simon & Schuster, 1999), and The Plot Thickens: 8 Ways to Bring Fiction to Life (St. Martins Press, 2002), a BookSense 76 Selection, a Publishers Weekly Daily pick, and a selection of the Writers Digest Book Club. He has also worked as a collaborator, and is co-author, with Lieutenant General Michael "Rifle" DeLong, USMC, Ret., of Inside CentCom (Regnery, 2004), a Main Selection of the Military Book Club. His Op-Ed pieces (with General DeLong) have been published in The Wall Street Journal and The New York Times. He has also contributed to Poets & Writers, Writers Digest, The Writer, AWP Chronicle and The Writers Market, and has been anthologized in The Practical Writer (Viking, 2004). Foreign editions of his books have been published in the UK and in Portugese, Japanese, Korean, Chinese and Indonesian.
Noah Lukeman is President of Lukeman Literary Management Ltd, a New York based literary agency, which he founded in 1996. His clients include winners of the Pulitzer Prize, American Book Award, Pushcart Prize and O. Henry Award, finalists for the National Book Award, Edgar Award, Pacific Rim Prize, multiple New York Times bestsellers, national journalists, major celebrities, and faculty of universities ranging from Harvard to Stanford. He has worked as a Manager in the New York office of Artists Management Group, and has worked for another New York literary agency. Prior to becoming an agent he worked on the editorial side of several major publishers, including William Morrow and Farrar, Straus, Giroux, and as editor of a literary magazine.
He has been a guest speaker on the subjects of writing and publishing at numerous forums, including the Wallace Stegner writing program at Stanford University and the Writers Digest Conference at BookExpo America. He currently teaches a course online at Writers University. He earned his B.A. with High Honors in English and Creative Writing from Brandeis University, cum laude.

Customer Reviews

Most Helpful Customer Reviews
145 of 154 people found the following review helpful
5.0 out of 5 stars Far more than a writer's tool... September 2, 2002
Format:Hardcover|Amazon Verified Purchase
How does a writer turn an idea into a plot? How many brilliant flashes of inspiration lead to books, movies, or plays? Not many because ideas wither away without great characters and events that drive the story forward. Although this book is plot development, Noah Lukeman addresses the threads that are woven throughout the story in order to create the fabric from which beautiful, lasting images are created.

He uses many examples from film because this is the media where life is visualized for the audience, and his "chief concern is illustrating (sometimes abstract) points." (Lukeman)
An example:
* A young man is unhappy and feels trapped in his rural life.
* He hungers for adventure.
* He is inducted into thrilling adventures by chance.
* He is part of a mystical adventure, for which he is unprepared.
* Circumstances force him to face his inadequacies.
* He gains friends and companions along the way.
* Ultimately he finds the confidence he needs to succeed.
* He saves the realm.
The ideas belongs to many stories from Lord of the Rings to Harry Potter to Star Wars, and more. The magic of each story is wrapped into the characters and the lives they live; they are real.

Each chapter and the introduction are deeper than I can show in a review. The book should be on every writer's desk.

Both chapters one (Characterization: The Outer Life) and two (Characterization: The Inner Life) are 90 percent questions. I decided that a great addition to the book would be a CD listing of all of the questions. However, as I read and contemplated the details a writer must know about the people who live in their stories, I realized that a CD would make it too easy. By taking time to write the questions and answer them, they become part of a writer's arsenal. Even more significant is the gathered information can generate ideas to carry the story forward and create new plots.

Chapter Three -- Applied Characterization discusses whether the character is major or minor, the frequency s/he appears, entrances and exits, and more. "Plot does not magically appear with the creation of a character; Frankenstein's monster might open his eyes, but until he gets up from the table and does something, there is little basis for a plot." (NL) Think of Dr. Jekyl and Mr. Hyde -- if the elixir he drank had killed him there would be no story, yet if it was murder mystery a or ghost story the death is instrumental to the plot.

Chapter Four -- The Journey takes us on an emotional or mental experience (not necessarily a trip) that brings about change. Simple and familiar examples are Star Wars, Saving Private Ryan, The Bourne Identity, Speed, Cujo, Carrie, etc.

Chapter Five -- Suspense, "more than any other element, affects the immediate, short-term experience of the work." (NL) What is the destination, why is it significant, and what obstacles stand in the way? In The Lord of the Rings, if the dark riders killed the young hero Frodo, then there would be no story. The suspense is heightened because we know the ring has been awakened, it is calling to its dark master, and Frodo (and anyone near him) is in grave danger. This is how J.R.R. Tolkien created the roller coaster. A great writer constantly raises the stakes and provides some relief between encounters.

Chapter Six -- Conflict causes changes; they can be obvious (court, sports, or battle scenes, etc.) or subtle, such as Sandra Bullock's role in Miss Congeniality: Gracie Hart must become Gracie Lou Freebush, a beauty queen. No matter what the conflict is, it must exist on multiple levels because people, therefore characters, are complex. One single conflict is not enough to propel a plot.

Chapter Seven -- Context "influences suspense, conflict, pacing, progression, and ultimately meaning." (NL) A writer or editor must keep the entire work in mind, and gauge the overall impression of each element in the creation of the story -- does it work? Judging repetition of information is one of the important steps. The keys in a murder mystery may be listed for analysis, but repeating the scenes can be disastrous and boring, yet might be necessary to solve the case. The obscure repetition of inferred information can also be deadly.

Chapter Eight -- Transcendency taps "...into the universal, timeless truths and facets of the human condition." (NL) The examples are clear and powerful.

The Plot Thickens: 8 Ways to Bring Fiction to Life is profound, and as I read, I applied much of the information to my own life -- in the end, I am richer than I was before I opened the first page. The highest compliment I can give to a book is that it made a difference to me.

Noah Lukeman's books should be required reading. Without doubt, this is five-star book for everyone.

Victoria Tarrani

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43 of 45 people found the following review helpful
5.0 out of 5 stars Fantastic guide to character and plot development November 26, 2003
By shaw6
Format:Paperback
This should be on every writer's bookshelf. Noah Lukeman writes as though he's an ancient finger-wagging English teacher, so I was surprised to see the bookflap photo and find he's quite young.

Overlook the slightly disapproving tone, because the book is a gem. Few books are able to distil so much knowledge into such a short space.

Detailed character-building exercises take up a large chunk of the book, because Lukeman firmly believes that character is the plot. He doesn't just work through appearance and background, though he does this in detail. He also covers which characters to put together, major and minor characters, how often they should appear, who they should interact with and when, what they react to, etc.

Next he explains the different types of journey your characters can be on and how that affects the story, how to build suspense and develop conflict.

Each chapter has suggested exercises to practice what you've learned.

This deserves to be a classic.

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43 of 46 people found the following review helpful
5.0 out of 5 stars A Good Addition to the Literature July 1, 2002
Format:Hardcover
New writers do need advice about writing, the market, and structure. This is a shortcut to years spent cruising the learning curve. Noah's book is a nice addition to the books that serve the novice writer. G. Miki Hayden, author of Writing the Mystery, an Agatha and Macavity nominee.
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Most Recent Customer Reviews
4.0 out of 5 stars Good for character sheets
This book is very detailed in providing questions that make you think about the backstory of your characters.

Think of it like an indepth (very indepth) character sheet.
Published 1 month ago by Bunny-Gypsy
5.0 out of 5 stars Treasure
This book has helped me a lot. It is very useful for getting to know your characters better and showing you how to take those ideas out of your head and onto the page.
Published 2 months ago by Annie
5.0 out of 5 stars My Go-To
Now, I'm not a New York Times best-selling author (the only thing I've written that approximated publication quality was a master's thesis), but every time I start a fiction piece,... Read more
Published 3 months ago by himmelsgrau
4.0 out of 5 stars Surprisingly Good
After The First Five Pages, I swore I'd never read another word by Noah Lukeman. A friend recommended this and I caved. Read more
Published 9 months ago by Deckem Bill
1.0 out of 5 stars For Beginners Only
If you have written anything at all, indeed, if you have read anything at all, this book will not make you a better, more knowledgeable fiction writer. Read more
Published 17 months ago by Kim Horner McCoy
5.0 out of 5 stars My daughter is a writer!~
My daughter is a writer!~The Plot Thickens: 8 Ways to Bring Fiction to Life....really good book for new writers very helpful...information!~
Published 17 months ago by Donna's Reviews
5.0 out of 5 stars Use it to avoid a sagging middle!
The author started with building characters. He went deeply in depth to create a character on the outside and on the inside. Read more
Published 18 months ago by Books & Such
2.0 out of 5 stars Not What I Was Expecting
The title led me to believe there would be more focus on plot, but the author seems apologetic about the plot portion of the book. Read more
Published 18 months ago by Austin Storm
5.0 out of 5 stars Great character exercises
Noah's character exercises are invaluable tools for helping shape your writing, this book has helped me many times over. Read more
Published 20 months ago by Jackster
5.0 out of 5 stars Finally ... a useful creative writing book!
Despite some reviewers' displeasure with Lukeman's use of movies to illustrate characterization and plot, I wish that The Plot Thickens had been available not only to me when I... Read more
Published 20 months ago by Loren C. Gruber
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