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The Plot Whisperer: Secrets of Story Structure Any Writer Can Master Paperback

ISBN-13: 978-1440525889 ISBN-10: 1440525889

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The Plot Whisperer: Secrets of Story Structure Any Writer Can Master + The Plot Whisperer Workbook: Step-by-Step Exercises to Help You Create Compelling Stories + The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing
Price for all three: $39.13

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Product Details

  • Paperback: 256 pages
  • Publisher: Adams Media (October 15, 2011)
  • Language: English
  • ISBN-10: 1440525889
  • ISBN-13: 978-1440525889
  • Product Dimensions: 8.4 x 5.5 x 1 inches
  • Shipping Weight: 6.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (118 customer reviews)
  • Amazon Best Sellers Rank: #35,540 in Books (See Top 100 in Books)

Editorial Reviews

About the Author

Martha Alderson has worked with hundreds of writers in plot workshops, retreats, and plot consultations for more than fifteen years. Her clients include bestselling authors, New York editors, and Hollywood movie directors.

More About the Author

Write a great plot for your novel, memoir, screenplay. Martha Alderson, aka Plot Whisperer, writes books to help you do just that -- write great plots.

The Plot Whisperer: Secrets of Story Structure Any Writer Can Master demystifies plot with the help of novel, memoir and screenplay examples. The Plot Whisperer Workbook: Step-by-Step Exercises to Help You Create Compelling Stories is your place to pre-plot, revision and give the final test to your novel, memoir, screenplay. The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing prompts you to write everyday and what to write each day to write a story from beginning all the way to the end. The PW books are published by Adams Media (a division of F + W Media). Her Blockbuster Plots Pure & Simple and plot ebooks are published through Illusion Press.

She is the founder of the award-winning blog The Plot Whisperer, Blockbuster Plots for Writers, International PlotWriMo and the vlog How Do I Plot a Novel, Memoir, Screenplay?

Follow 27 Steps to plot a story from the beginning to the end at How Do I Plot a Novel, Memoir, Screenplay? visit: http://www.youtube.com/user/marthaalderson

Martha combines what she knows about how people learn after more than twenty years of working with thousands of children with what she knows about plot and the structure of story after writing and teaching for twenty years. She takes readers and writers alike beyond the words and into the very heart of a story.

Her clients include best-selling authors, writing teachers and fiction editors, and Hollywood movie directors.

She can help you with plot.

Customer Reviews

Writers with self-doubts should find this book very helpful and insightful for dealing with their fears.
sabrinacatchow
It's one of these books you read and reread once and again and each time you find new things to work on your story.
Anna Serra i Vidal
Alderson's book, and her discussion of "the Universal Story," are about creating a plot that really works.
T. Del Giudice

Most Helpful Customer Reviews

100 of 107 people found the following review helpful By C. J. Singh on September 21, 2011
Format: Paperback Verified Purchase
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Reviewed by C. J. Singh (Berkeley, CA)
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THE PLOT WHISPERER begins by showing two diagrams: "The Plot Planner" diagrams the entire process of plotting, and "The Scene Tracker Template" diagrams the seven essential elements that constitute effective scenes. Although Figure 1 displays the Plot Planner, Alderson favors writing the scenes first approach. These two diagrams also appeared in the author's "BlockBuster Plots: Pure and Simple," published in 2004. (Years ago, I attended one of her brief workshops in San Francisco, where I bought two of her workshop DVDs. Both DVDs are excellent.)

The second chapter, "The Universal Story," is a simplified version of Joseph Campbell's classic "The Hero With a Thousand Faces." ("The Plot Whisperer" lacks acknowledgements of earlier fiction-craft books.)

In later chapters, the plot planning process is exampled by analyses of three widely read novels: William Golding's "Lord of the Flies", Harper Lee's "To Kill a Mocking Bird," and John Steinbeck's "East of Eden." The scene tracking process is exampled by analyses of the opening three scenes of F. Scott Fitzgerald's "The Great Gatsby."

New to this edition is "The Thematic Significance Bubble Template, " introduced as follows. "The more you home in on the deeper meaning of your story and the big problem that needs to be solved in your protagonist's life, the more focused the scenes will be and the richer their presentation. Many writers scoot as far away as possible from the thematic significance of their stories. I believe, instead, that you should dive right in" (page 60). This template is illustrated by an analysis of John Steinbeck's "East of Eden," coming up with the theme: "The choices one makes, not one's blood, determine one's destiny.
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81 of 88 people found the following review helpful By AdamK on January 23, 2012
Format: Paperback
An author who calls herself the Plot Whisperer and writes a book on the secrets of structuring story plot, should have no trouble sticking to the plot, right? Er... actually, no. The book, whilst containing useful tips on structuring creative writing, is overwritten, takes way too long to get started, and is bloated with strange pseudo-mystical statements like "Explore your essence," and "Transform a piece of the invisible world into a visible form". In fact, by the time the 'Plot Whisperer' tells us that as well as whispering plot to struggling writers, she also heals dogs by channelling "energy" from the "other side of the veil", she appears rather to have lost the plot altogether. Don't get me wrong, it is not my place to judge the author's spiritual beliefs or healing powers, I just question the relevance of these things in imparting what is otherwise a solid introduction to story structure for writers. It seems her writing/workshops and business all hang on this concept of her as a Plot Whisperer, and I fear she has bought a little too far into the gimmick. A solid teacher of story structure, she may be, but a mystical plot whisperer? That might only be in the "invisible world".
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30 of 31 people found the following review helpful By Sharon Biggs on October 20, 2011
Format: Paperback
I began working with Martha Alderson a year or so ago after reading her first book. After making the changes she suggested I began to get full requests from top agents and editors for my fiction.
Many writers wrongly assume they should automatically know how to craft a plot if they are talented. A writer might have a great talent for language and voice, but plot is something you have to learn, just like any other skill in any other occupation. Martha Alderson deconstructs plot in such a way that you can fully grasp what you need to know. After working with the plot planner and the scene tracker I found myself instinctively making the right choices when I returned to my story. Now I find I don't get as confused and bogged down, and that makes for a happy writing experience!
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152 of 176 people found the following review helpful By Roger D on January 12, 2012
Format: Paperback Verified Purchase
This book contains far too much new age nonsense which clutters the subject matter. When the author starts off talking about how she learned to "channel and use energy to heal others", my mistake in purchasing the book became immediately apparent. If only I'd checked the online preview first; that's what I get for trusting other reviewers.

Every few pages, the author stops to remind you that everyone and every story are all cosmically connected by the "Universal Story" (literally). In order to buy into this, I feel like I need to check my horoscope religiously, or think that the psychic hotline is a great way to make life decisions. Alas, I do neither, and I find the ad-nauseum couching of the content in this manner to be off-putting and cluttered.

The author further spends an inordinate amount of time pigeonholing writers into "left brain" and "right brain" writers. This theme too clutters up the content every 4-5 pages. I haven't checked the author's credentials, but I'm fairly sure I wouldn't find a degree in neuroscience. Even if I did, I bought a book about plot. If the point is that different people have different strengths, it can be made ONCE without attempting repeatedly to legitimize it by some vague and superficial interpretation of an unrelated subject.

Several other reviewers have commented glowingly on the tools this book offers: the "plot planner" (a line graph) and the "thematic significance bubble" (a glorified mind map) being two of them. While these may be interesting points of view, they are hardly the earth shakers other reviewers make them out to be.

There is undoubtedly some good material in here (hence the second star), but wading through the junk is a real effort. I surrendered at the 4th chapter.

I will not be purchasing from this author again.
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