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Comment: Very nice ex-library copy! Dust jacket has a couple stickers and light crinkling on four very small corners and on either end of spine. Plastic over dust jacket has several dimples and a few light scuff marks. All edges of pages have a stamp. Inside, a few pages have a library sticker/stamp and one page has a tiny corner bent. Otherwise, inside is pristine! Eligible for FREE Super Saving Shipping! Fast Amazon shipping plus a hassle free return policy mean your satisfaction is guaranteed!
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The Preference for the Primitive: Episodes in the History of Western Taste and Art Hardcover – August 19, 2002


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Product Details

  • Hardcover: 324 pages
  • Publisher: Phaidon Press (August 19, 2002)
  • Language: English
  • ISBN-10: 0714841544
  • ISBN-13: 978-0714841540
  • Product Dimensions: 1.2 x 7 x 9.8 inches
  • Shipping Weight: 2.6 pounds (View shipping rates and policies)
  • Average Customer Review: 3.2 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #850,767 in Books (See Top 100 in Books)

Editorial Reviews

Review

'The great strength of this book is its historical sweep ... of interest to specialists and general readers alike.' (Colin Rhodes, Loughborough University, The Burlington Magazine) 'A masterpiece of skilful discourse.' (Nigel Spivey, The Daily Telegraph) 'Gombrich is as usual masterly and vastly erudite.' (Martin Gayford, The Sunday Telegraph) 'Gombrich brings his massive learning to bear on a very interesting set of questions.' (The Spectator) 'Gombrich remains a giant of art history who tried to demystify the processes by which art is made. If Winckelmann yearned for 'noble simplicity' in art, and if Wackenroder preached 'pious simplicity', then Gombrich can be regarded as the High Priest of 'rational simplicity'.' (James Hall, Times Literary Supplement) 'Throughout, Gombrich's account is supported by his easy familiarity with the writings of philosophers and aestheticians, of anthropologists and psychologists, but in the end what gives his approach such a rich tension is the fact that he remained fundamentally and unfashionably committed to the idea that an increase in mimetic skill represented a form of progress, and that the term primitive did not need to be hedged about with guilt-wracked inverted commas.' (Apollo) 'Has there been an individual who could match Gombrich's gargantuan grasp of classical sources, the sheer scope of his reading? No ... The Preference for the Primitive ... is lively and can be assimilated by artists, art historians and general readers alike.' (Modern Painters) 'The book is a remarkable one, demonstrating in full measure Gombrich's extraordinary erudition ... acts as a convenient summary of many of the themes and issues to which he devoted a long and exceptionally distinguished career.' (Charles Saumarez Smith, Director, National Gallery, London, Literary Review) 'Take(s) on just about the weightiest and most controversial subject currently available for art-historical picking-over. For Gombrich to delay until his final book before taking on the appetite for perfectionism is akin to Michelangelo waiting until he was 92 before embarking upon the Sistine ceiling.' (Waldemar Januszczak, The Sunday Times) 'The Preference for the Primitive deserves a place within any art library, completing the life's work of an important twentieth century writer.' (Art Documentation) 'Gombrich narrates these enchanting chapters in the history of taste with his usual clarity and ear for the eloquent quotation.' (The New Republic) 'Over the last half century we have come to expect from Gombrich work of extensive and detailed scholarship, nuanced, balanced, and rich in insight. This, his final work, upholds the standard he set ... This work is a final treasure for all interested in art and the history of ideas.' (Religious Studies Review)

About the Author

Sir Ernst Gombrich was one of the greatest and least conventional art historians of his age, achieving fame and distinction in three separate spheres: as a scholar, as a popularizer of art, and as a pioneer of the application of the psychology of perception to the study of art. His best-known book, The Story of Art - first published 50 years ago and now in its sixteenth edition - is one of the most influential books ever written about art. His books further include The Sense of Order and Art & Illusion, as well as a total of 11 volumes of collected essays and reviews. Gombrich was born in Vienna in 1909 and died in London in November 2001. He came to London in 1936 to work at the Warburg Institute, where he eventually became Director from 1959 until his retirement in 1976. He won numerous international honours, including a knighthood, the Order of Merit and the Goethe, Hegel and Erasmus prizes. Gifted with a powerful mind and prodigious memory, he was also an outstanding communicator, with a clear and forceful prose style. His works are models of good art-historical writing, and reflect his humanism and his deep and abiding concern with the standards and values of our cultural heritage.

More About the Author

Sir Ernst Hans Josef Gombrich, OM, CBE (30 March 1909 - 3 November 2001) was an Austrian-born art historian who spent most of his working life in the United Kingdom. He is the author of many works of art criticism and art history. (Photograph: Pino Guidolotti)

Customer Reviews

3.2 out of 5 stars
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Most Helpful Customer Reviews

By sophiapan on March 13, 2014
Format: Paperback Verified Purchase
The book looks just like a new one. And the price is good. I am really satisfied. Thank you guys.
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0 of 2 people found the following review helpful By Bruce P. Barten on February 3, 2014
Format: Paperback
I have an intrusive personality that does not respect ego boundaries, so I expected this book to express a lot of cruelty that Nietzsche called wicked thoughts in his reflection on why morality ultimately fails in attempts to appeal to diverse kinds of passion that can provide a future for wilt two power pornographies to toss the golden ball after lunch. I have as much trouble reading about Nietzsche in a book on Max Weber and his contemporaries as I had reading this book.
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0 of 2 people found the following review helpful By Ellery Green on November 10, 2013
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This book will serve my needs. It is scholarly and requires patient reading. 'm in teh third chapter now and waiting for the author to make clear his thesis. E.H.Gombrich has always provide me with insights. I look forward to taking my time reading this book.
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0 of 6 people found the following review helpful By erin on April 23, 2013
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In the sense that there should be a "no fear Gombrich" version for those of us without doctorates in english. Totally indecipherable to me, and i consider myself a very good reader. It's just really difficult to comprehend what his points are through his flowery language. Ended up giving up on this book, it wasnt worth the effort. Would have had to ask the teacher to interpret every paragraph....
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