From School Library Journal
Grade 6-10--This is a fairly standard description of the violent end to Lincoln's life. Holzer provides the Civil War context of the event and then details April 14 and 15, 1865. While much of this book is a rehashing of what has been printed hundreds of times, it does work hard, particularly in the chapter entitled "Why Murder Lincoln?," to demonstrate that this president was not always the universally beloved icon that students see him as today. This is an important perspective and the Lincoln and Booth camps are equally represented throughout. The black-and-white photos and reproductions are appropriately chosen, and the postscript tells what happened to the principal players after the fact. Robert Somerlott's The Lincoln Assassination in American History(Enslow, 1998) focuses more on the events surrounding the murder and gives a better sense of how America changed because of it, while Deborah A. Marinelli's The Assassination of Abraham Lincoln (Rosen, 2002) is shorter and more focused on the shooting itself. Holzer's book can serve as a readable account for those fascinated by the subject or as a serviceable resource for reports.--Andrew Medlar, Chicago Public Library, IL
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Gr. 5-8. A page-turner of a text, a fascinating array of photos and archival illustrations, and an event that changed the course of history: all these elements combine in this strong, highly readable book. Holzer, the author of
Abraham Lincoln: The Writer (2000) as well as numerous books about the Civil War for adults, does a fine job of condensing and shaping information about the assassination for young readers, beginning rather breathlessly on the day Lincoln died in an unassuming boarding house across from Ford's Theater. From there, he moves back in time, introducing Lincoln as a determined if weary leader, who gained the North's respect. But Holzer also explains why Lincoln was despised, filling in details of the South's destruction and demoralization. Taking advantage of the volatile mix was actor John Wilkes Booth, a lover of the South and a supporter of slavery, who, not content with stage fame, craved historical recognition. Holzer's sharp, clear writing turns history into drama without being overwrought, and the many photographs and engravings (including several depictions of the deathbed moment) bring the players to life and evoke the emotion and confusion surrounding the tragedy. Sources notes are sorely missed, but a bibliography (mostly adult titles) helps somewhat to fill the gap. Holzer also includes a list of places to visit.
Ilene CooperCopyright © American Library Association. All rights reserved