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Three directors and 16 writers succeed in carrying out much of Katzenberg's vision. The linear story of Moses is crisply told, and the look of the film is stunning; indeed, no animated film has looked so ready to be placed in the Louvre since Fantasia. Here is an Egypt alive with energetic bustle and pristine buildings. Born a slave and set adrift in the river, Moses (voiced by Val Kilmer) is raised as the son of Pharaoh Seti (Patrick Stewart) and is a fitting rival for his stepbrother Rameses (Ralph Fiennes). When he learns of his roots--in a knockout sequence in which hieroglyphics come alive--he flees to the desert, where he finds his roots and heeds God's calling to free the slaves from Egypt.
Katzenberg and his artists are careful to tread lightly on religious boundaries. The film stops at the parting of the Red Sea, only showing the Ten Commandments--without commentary--as the film's coda. Music is a big part (there were three CDs released) and Hans Zimmer's score and Stephen Schwartz's songs work well--in fact the pop-ready, Oscar-winning "When You Believe" is one of the weakest songs. Kids ages 5 and up should be able to handle the referenced violence; the film doesn't shy away from what Egyptians did to their slaves. Perhaps Katzenberg could have aimed lower and made a more successful animated film, but then again, what's a heaven for? --Doug Thomas
The movie puts a disclaimer at the beginning to inform the viewer that there are artistic and dramatic licenses taken with the story (a.k.a. whales in the Sea of Reeds). You should be prepared for this when you watch it. If you're watching this with the book of Exodus in your lap, you will see some differences in the two accounts. These changes don't adulterate the message of the story and should not detract from the viewing experience. Some differences to note are:
1) Seti's wife finding Moses rather than his daughter (Exodus 2:5),
2) The idea that Moses didn't know he was Hebrew and had no contact with his family (Exodus 2:7-11),
3) Moses' "accidentally killing the Egyptian rather than deliberately killing him (Exodus 2:12),
4) Rameses pleading with Moses to stay in Egypt as opposed to Pharaoh seeking to kill him (Exodus 2:15),
5) Any idea of personal rivalry between Pharaoh and Moses,
6) Moses speaking by himself before Pharaoh instead of Aaron speaking for him (Exodus 4:14-16),
7) An exaggerated role for Zipporah when she is actually hardly mentioned.
These changes may seem unnecessary, however they do add intrigue to the narrative and, as before mentioned, do not in any way seriously alter the story.
The quality of the music does fall firmly into the realm of opinion. However, as a person who holds a degree in music, and has performed and taught professionally for many years, my professional and personal opinion is that the music is quite wonderful.
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