From director J.J. Abrams comes the next installment in the Star Trek saga, Star Trek Into Darkness. See it at Cinemark theaters now and pre-order on Blu-ray, 3D Blu-ray, DVD, and the Exclusive Starfleet Phaser Gift Set. Shop Star Trek Into Darkness and more in the Star Trek Store. Learn more |
Frequently Bought Together
What Other Items Do Customers Buy After Viewing This Item?
Product Details
Would you like to update product info or give feedback on images? |
Special Features
- Collectible Booklet
Editorial Reviews
Amazon.com
And what a story: a lowly stable boy, Westley (Cary Elwes), pledges his love to the beautiful Buttercup (Robin Wright), only to be abducted and reportedly killed by pirates while Buttercup is betrothed to the evil Prince Humperdinck. Even as Buttercup herself is kidnapped by a giant, a scheming criminal mastermind, and a master Spanish swordsman, a mysterious masked pirate (could it be Westley?) follows in pursuit. As they sail toward the Cliffs of Insanity...
The wild and woolly arcs of the story, the sudden twists of fate, and, above all, the cartoon-scaled characters all work because of Goldman's very funny script, Reiner's confident direction, and a terrific cast. Elwes and Wright, both sporting their best English accents, juggle romantic fervor and physical slapstick effortlessly, while supporting roles boast Mandy Patinkin (the swordsman Inigo Montoya), Wallace Shawn (the incredulous schemer Vizzini), and Christopher Guest (evil Count Rugen) with brief but funny cameos from Billy Crystal, Carol Kane, and Peter Cook. --Sam Sutherland
Product Description
Customer Reviews
- "The Princess Bride: The Untold Tales"
- "The Art of Fencing" Featurette
- "Fairy Tales and Folklore" Featurette
- "True Love and High Adventure: The Official The Princess Bride DVD Game
The Dread Pirate Roberts/Buttercup Editions include all of the Special Edition features plus:
French (Dolby Digital 2.0 Surround) Audio Track
"Dread Pirate Roberts: Greatest Legend of the Seven Seas" mockumentary
"Love is Like a Storybook Story" featurette
"Miraculous Make-up" featurette
Quotable "Battle of Wits" trivia game
Collective booklet: "Fezzik's Guide to Florin"
I prefer the Dread Pirate Robert's/Buttercup Edition, but there are three reasons why you might want to buy the new 20th edition:
1. You don't already own the movie (shame on you).
2. You collect all things Princess Bride.
3. The DVD cover art is fantastic!
A search of the internet shows several reviews that describe the differences between the DVD versions. Basically the "Dread Pirate Roberts" edition and the "20th Anniversery" edition have different special features not in the other edition.
As of this writing, there are three versions of the Blu-ray - the Blu-ray only edition, and the Blu-ray + DVD edition in either a Blu-Ray or the old style DVD case.
What makes it confusing is that Amazon and other sellers of this Blu-Ray only edition list this movie as a 1.33:1 aspect ratio, implying that it might be a different movie cut, while the other two Blu-ray editions are listed as 1.85:1 aspect ratio. No doubt this, together with the fact that the Blu-Ray + DVD edition has almost the same price, has hampered sales of this Blu-Ray only edition.
Well, I went ahead and got the Blu-Ray only edition, mainly because I thought that there might be a chance that the 1.33:1 ratio was because some older movies were filmed on 35mm film which has a natural 1.33:1 aspect ratio, and then were cropped top and bottom to a 1.85:1 ratio to give them a widescreen look. On the other hand, the very first DVD edition released for Princess Bride notoriously had a horrible pan-and-scan cropped to fullscreen 1.33:1 aspect ratio that showed less of the movie than the widescreen version, which is not what you want to see in a Blu-ray. I was hoping for the other possibility that the listed 1.33:1 for this Blu-ray edition meant that cropping had been removed from the widescreen version to show MORE of the movie as it was originally filmed.
However, on playing this Blu-ray, it was immediately obvious that this Blu-Ray only edition is the same 1.85:1 aspect ratio as the other Blu-Ray editions. So all those listed descriptions of this Blu-Ray as a 1.33:1 aspect ratio are just flat out wrong.
What are the other goodies on this Blu-Ray? The Special Features include:
Audio Commentary by Rob Reiner
Audio Commentary by William Goldman
The Art of Fencing
As You Wish, The Story of The Princess Bride
Cary Elwes, Video Diary
The Dread Pirate Roberts: Greatest Pirate of the Seven Seas
Fairy Tales and Folklore
Love is Like a Storybook
Miraculous Makeup
Original Theatrical Trailer
Princess Bride: The Untold Tales
So, this Blu-Ray contains essentially all the special features of the "Dread Pirate Roberts" edition and the "20th Anniversary Edition" except for the DVD games and the booklet. The special features are in their original DVD or lower quality video resolution, although it seems that some of the excerpts from the movie itself have been re-edited to use the higher Blu-Ray resolution.
The Blu-Ray quality is excellent, except for being a bit grainy in some parts - tweaking the sharpness or edge enhancement helps, if you have this feature on your Blu-Ray player.
Finally, a few words about the movie - it is an absolutely wonderful classic - a warm, romantic, and humorous mythology, one of those perfect family movies that could be shown every year just like "A Christmas Story". It was known to be the late Andre the Giant's happiest experience in life, playing the role of Fezzik; he regularly watched the movie afterwards.
It belongs on the list of my favorite films of all time.
Which, to make a long point even longer, is the whole ethos of the film
William Goldman's book "The Princess Bride", on which this film is based, intended to tell only the 'good parts' version of the story of Westley and Buttercup. That is, it would leave in the high drama and action and romance, while curbing the back-stories and superfluous exposition. William Goldman, in his role as adaptor of the book into a screenplay, remains fiercely loyal to this proposition. He's constructed a framing device, wherein a grandfather is reading to his sick grandson, which allows him to make meta-fictional comments on the seemingly typical fairy tale being told. In doing so, however, he subverts the fairy tale's typicalness, making it much more surprising and revelatory. At one point the grandson worriedly asks about the fate of the villain: "Who kills Humperdinck?" The grandfather calmly answers, "No one. He lives." Which is not only a true statement, for that is exactly what happens, but it doesn't even come close to ruining the end of the story. On the contrary, it increases the suspense, and makes what does happen quite astonishing.
Rob Reiner, in only his third time out in the director's chair, does a wonderful job of translating Goldman's script to the screen. He utilizes elements, whether by choice or by budgetary restraints, that would at first appear incongruous, but work as a whole to keep the audience off-balance, and thus more receptive to the surprises the movie has in store for them.
The acting is, stylistically, all over the place. It ranges from the unabashed over-the-top passion of Mandy Patinkin (Inigo Montoya), to the bumbling buffoonery of Wallace Shawn (Vizzini), to the gentle anti-acting of Andre the Giant (Fezzik), to the unsubtle Snidely Whiplash villainy of Chris Sarandon (Prince Humperdinck), to the Borscht Belt mugging of Billy Crystal (Miracle Max), to the icy malice of Christopher Guest (Count Rugen), and the stark realism of Robin Wright (Buttercup, the title character). No two actors take the same road, but they all somehow arrive at the same location. Cary Elwes, playing the hero, is the only one who falls easily into all these styles, as the situation demands it. He is menacing, suave, cool, funny, athletic, simple, sweet, fierce, etc., etc., etc. Elwes and Patinkin are the standouts for me -- their swordfight atop the Cliffs of Insanity is technically brilliant, literate, and extremely entertaining -- but the entire cast effective. Even the smaller roles (British comedians Mel Smith and Peter Cook each have brief but memorable one-joke cameos) make their mark.
The film's musical score, composed by 'Dire Straits' frontman Mark Knoplfer, swings and sways from moment to moment. In one, he uses stark, bouncy lines to underscore a simple scene of Fezzik and Inigo trading rhymes. In the next, he layers synthesized strings to call up the gravity of the Man in Black's chase. My only problem with the music is the song written for the closing credits: it's weepy and melodramatic, without the sense of subversive fun that had prevailed up until that point.
The sets and scenery switch back and forth between real and obviously fake. Filmed in and around the English countryside, most of the outdoor locations (the severe valley, the woods) breathe reality and beauty into the story. Others, such as the Fire Swamp, the Pit of Despair, and the plateau above the Cliffs of Insanity, have the phony feel of a Hollywood soundstage. Again, the film keeps the audience on their toes.
So now that I am 27 instead of 13, and know back-to-front the filmmographies of all the actors involved, and have seen the film more than a dozen times, and can quote lines from it at the drop of a hat, do I find it any less appealing than on that first viewing? Of course not. Goldman and Reiner's film rewards multiple viewings, with its wit, its playfulness, and most importantly, its subversiveness. Will there ever be a time when I tire of watching it? A time like that is right now, as Vizzini might say, "inconceivable".
This movie is pure cult. It's funny, romantic and completely ridiculous which make it so much fun to watch... Read more
