Stone plays a quiet and beautiful gunslinger, come out of the dusty plains to the town of Redemption, seeking revenge for the murder of her sheriff father years ago by the town dictator John Herrod, a dark and malevolent old gunfighter intent on maintaining his stranglehold on the frightened populace by staging a quick draw contest, the better to publically eliminate any opposition to his rule, and to squash any hope of salvation. Drawn into this dark contest are Herrod's former partner turned preacher Cort, a man whose tortured soul still seeks it's own salvation, and who Herrod seeks to pull back to Hell. Herrord's son, The Kid, enrolls in the contest as a way to seek fame and glory, and to prove himself to a aloof and uncaring father. Thrown into the mix are a number of colorful characters come to town to seek their own fortunes and the fireworks ensue. There is strong symbolism throughout this film, shades of death and rebirth, powerful archetypal figures in the charaters of Herrod, the powerful demonic ruler of the underworld, and Cort, the misguided but eventual redeemer and saviour.

This film boasts a strong and talented cast that give some wonderfully enjoyable performances. Sam Raimi does an incredible job once again of producing a stylishly directed tale of loss, redemtion, salvation, and revenge in this telling of the western as mdoern myth.

Most of the actors are wonderful here, understanding that beyond the seriousness of the subject matter, the movie is really a comic book come to life, and should be imbued with a sense of fun. Hackman and DiCaprio (the Kid) give the best performances. The former is evil personified, fully relishing his role as the object of everyone's hatred, and knowing that he can crush the town like a bug if he chose to. The latter is brimming with youthful ego and energy, sure of his gunplay but tormented by his misidentity. Russell Crowe is also good as the brooding Cort. He is an actor of such visceral intensity that he could go through an entire film without saying a word, and you'd still be sure that he was a serious badass. Also good, in smaller parts, are Lance Henriksen and Keith David as arrogant gunslingers, and Gary Sinise as Ellen's father in flashback. His scenes are emotional and painful to watch, but quite central to the movie's themes.

Sharon Stone, well, what to say about her. Her overacting renders her bland. I guess the best impression I can give you about her performance is that, even though she is the central character and the above-the-title star, when I think of this movie I always forget that she's even in it. At least she doesn't get in the way of the other actors. That says it all, I suppose.

Anyone who's familiar with Sam Raimi's early work (the 'Evil Dead' films come directly to mind) will recognize his distinctive visual style. It's like Sergio Leone on acid. His camera moves this way and that, in a very kinetic and addictively campy manner. He gives you camera angles and shots that few others would dare to try (the famous bullet's-eye-view shot as it travels through a gunfighter's eye socket comes readily to mind). It's his directing that elevates this movie above the standard spaghetti western rip-off. He makes it great fun.