34 of 36 people found the following review helpful:
3.0 out of 5 stars
Not Garth Nix's best, February 2, 1999
By A Customer
After reading Sabriel and Shade's Children, I was hungry for more Garth Nix. When I came across The Ragwitch, I bought it immediately. It wasn't nearly as involving as Sabriel and Shade's Children and even lagged in areas, even though The Ragwitch seemed to be an amalgam of these two books. The Angarling and the Meepers reminded me strongly of Myrmidons and Wingers. The Ragwitch was just an Overlord in an indestructible body. The main characters (Julia and Paul) were vividly developed, but not really very sympathetic. A few chapters of Paul's whining was more than enough. At the end, I was left unsatisfied, especially by the Deus ex Machina (i.e. the Patchwork King). I would have preferred an ending more along the lines of those of Nix's other books.
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24 of 25 people found the following review helpful:
4.0 out of 5 stars
Exciting, December 2, 2001
This is probably Garth Nix's most uneven book, which still puts it a notch over the majority of fantasy out there. While not as textured or carefully developed as Sabriel, it is nevertheless engrossing and convincing, and -- yes, indeed, far better than almost every kids-get-sucked-into-fantasy-world-to-battle-evil.
We open to see Paul and his sister Julia, playing on a beach where Julia finds a rag doll embedded in enormous black feathers and a bunch of sticks. Though Julia seems thrilled with the doll, Paul immediately gets "bad vibes" from the doll -- and hears a sinister voice calling it the "Ragwitch." Within minutes, Julia is taken over by the doll, and begins a transformation into an enormous living version of the Ragwitch -- a malevolent creature who surpasses C.S. Lewis' White Witch.
The Ragwitch escapes into another world, and Paul follows her. Julia is trapped inside the Ragwitch's mind, constantly hearing the Ragwitch's voice and seeing/hearing what she does. Upon arriving at her destination, the Ragwitch summons her hideous army of unnatural, distorted creatures. They begin to attack the innocent people nearby -- including an old witch who has a strange effect on the Ragwitch. Julia gains unexpected allies locked within her enemy's memory: the witch Lyssa, attacked by the Ragwitch; Mirren, a king that the Ragwitch locked into a shambling animalistic form; and a mysterious red-haired woman who may be the key to helping defeat the evil hordes...
Paul refuses to give up on his sister, and learns from a peculiar old hermit that he must gain the help of the wild magic Elementals -- Fire, Water, Earth and Air. The problem is that all four may or may not choose to help him. He must also deal with the rather eccentric Patchwork King, the keeper of all magic...
Perhaps the book's biggest flaw is the beginning. While we come to know and like Paul and Julia over the course of the book, we leap straight into the finding of the Ragwitch without knowing much about the characters, their background, their family, etc. An introductory chapter might be nice. And since there was a gap of a few years between the writing of two parts of it, the style of it seems to flow more easily in the second half than the first. The dialogue also is a bit stilted in the beginning, but grows easier as the book progresses.
Anyhow, the Ragwitch herself is horrific. My initial reaction was "Raggedy Ann meets the Exorcist", but frankly after a while I stopped thinking about the idea of a sentient rag doll, and focused on the sadistic evil of her. Yet at the same time, we are given a glimpse of the person that the Ragwitch once was (well, before she got a body of "indestructible cloth") and how she became the monster that she is. The Elementals are sufficiently different in temperament, from the crabby Water to the kindly Earth to the flamenco-dancing Fire. We don't get to know Paul as well as Julia, since Julia does a great deal of introspection, while sometimes it felt like we were focusing more on what Paul was doing than on Paul himself.
This is definitely a YA book, as many sections of it will be horrifying for younger children. Oroch, for example, is a pretty creepy character -- Nix doesn't tell us what he looks like under his bandages, but the implication is enough. We also get a girl possessed by an evil creature, massacres of humans and assorted battles (not graphically shown).
Nix also displays a fantasy tactic that he used later in Sabriel, and which he does extremely well: the mix of high fantasy and more modern things, such as the hot-air balloon, and the various foodstuffs that the Patchwork King conjures. This is not an easy thing to do convincingly, but Nix does it in rare style. He also managed to pull off an ending that a lesser author might have fumbled.
This book is not as textured as Sabriel or its sequel. But it is nevertheless an effective fantasy with a dash of horror. Well worth the read!
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28 of 31 people found the following review helpful:
5.0 out of 5 stars
Hansel and Gretel on steroids, January 20, 2002
Julia and her brother, Paul are two perfectly ordinary children who happen to discover a ragdoll in a midden heap. Julia is sucked up into the mind of the ragdoll who is really a powerful and evil witch. When Julia and the ragwitch disappear through a ring of fire, Paul bravely follows them. From then on, "Ragwitch" follows the ancient fairy-tale structure of children versus evil---a `Hansel and Gretel' story where the witch actually devours one of the children. Garth Nix adds a ferocious edge to Paul and Julia's adventure. I never knew what was going to happen next.
Both children actively oppose the ragwitch, although Julia's situation is far more horrific. She is wired into the ragwitch's nervous system while the evil, old sorceress shambles from atrocity to atrocity.
(Actually, I grew fond of some of her minions, called the Stone Knights. If you've ever seen the movie, `Monolith Monsters' you'll be able to figure how the Knights pounded into combat).
Once Paul is transferred to ragwitch's original world through the ring of fire, he suffers more than his share of perils, including a battle or two. He finally finds friends and sets out on a quest to locate each of the four Elementals, Wind, Water, Fire, and Earth. If he can talk a good line, they might help him defeat the ragwitch and her destructive minions.
This is my favorite part of `Ragwitch.' The Elementals are not the usual clichéd characters found in other fantasies I could mention. The author expends lots of imagination on them---I was never certain whether Paul was going to succeed in his quest, or die trying.
It isn't every boy who gets to meet Mother Earth, while digging for potatoes.
I can't remember how I would have handled this horror-fantasy mixture when I was under the drinking age. The book certainly veers toward the gruesome edge of Young Adult fantasy ---think of it as `Hansel and Gretel' on steroids.
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