As anyone whos been following the music of Little Big Town since 1998 should know, this is one of those rare country bands whose lineup has never changed, and who incorporate sounds of old-time Americana in their work to such an extent that you could easily mistake their recordings for something circa 1986. Of course, this may or may not be a good thing depending upon their target audience, but things have definitely improved on "The Reason Why", which is on their fourth label (hopefully they stick to this one for a while), and noticeably their most slickly produced work to date.
Listen, theres a wide country audience out there that gives equal credit to the likes of George Strait, Brad Paisley & Miranda Lambert, and honestly, Little Big Town is neither better nor worse than those acts. What they do have in spades, perhaps even more than Rascal Flatts & Montgomery Gentry do, is some great harmonizing. Comprised of Karen Fairchild, Kimberly Schlapman, Jimi Westbrook, and Phillip Sweet, the equal amount of time given to each singer is commendable, considering that on bands such as Lady Antebellum, or even The Zac Brown Band, there is always one vocalist who hogs the limelight. Not so on this recording.
Lead single "Little White Church" is ironically the weakest cut here. I was supposed to review this album for a country digest that commissioned it, and spent about two days with my promo copy, post which it became clear that this was a keeper. Not in the sense that "Revolution" by Lambert or even "Whoevers in New England" by Reba McEntire were keepers, but the harmonizing here is excellent, and brought to mind The Roches, in places.
For a fourth album, this hits all the right notes. On a scale of modern country music and its effect on the general public, its ironic that music that I do not consider country by any means ("Fearless" by Taylor Swift, for instance), should outsell more rootsy records such as these. While Little Big Town would need more than just this album to hit the big time, this is a great pit stop on their road to further stardom. Sadly, with the likes of Jaron & The Long Road, or even Chuck Wicks clogging up country radio, its hard to imagine that true artistry such as the one displayed on the title track here would get the recognition it so rightly deserves.
Four Stars. A worthy addition to the LBT catalog.