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The Reckoning

September 19, 2011 | Format: MP3

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Song Title
Time
Popularity Prime  
30
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4:37
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3:45
30
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4:13
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3:12
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3:35
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3:44
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4:21
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3:10
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4:06
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4:10
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4:09
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3:35
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4:32
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14
4:21

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Product Details

  • Original Release Date: September 19, 2011
  • Release Date: September 19, 2011
  • Label: Atlantic Records
  • Copyright: 2011 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 55:30
  • Genres:
  • ASIN: B005LD1J4W
  • Average Customer Review: 4.9 out of 5 stars  See all reviews (135 customer reviews)
  • Amazon Best Sellers Rank: #8,158 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

4.9 out of 5 stars
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See all 135 customer reviews
This is the best album I've ever heard.
Kevin Davis
The tracks "Drive All Night" and "Keep Your Eyes Open" will have you humming the tunes in your sleep.
Teena M. Lebeau
Lyrically and musically, it's a brilliant song.
MJ

Most Helpful Customer Reviews

18 of 19 people found the following review helpful By Casey Karger on September 20, 2011
Format: MP3 Music
This is the review we posted at eartothegroundmusic.com:
After 2 years, a tour with Taylor Swift, and right before embarking on another tour (with Matthew Mayfield and one date with Clarensau), NeedToBreathe has released its fourth studio album, "The Reckoning". Fans waited for two years, but they will not be disappointed with this effort. "The Reckoning" marks a high water mark for the band and maybe for rock this year. It really is that good.

Here's what you need to know: NeedToBreathe rocks. Its not simple rock music though. Its smooth, its clean, it sounds fresh and it sounds great. This album is so complete, with 14 tracks, that the fact that we waited for 2 years seems like no big deal. There is no filler on this album and that is a phenomenal thing. This is the band's 3rd straight 14 track album, which is something that never happens anymore. Its unfortunate that I have to taut that as a high point, but it's a huge album filled with huge sound. The instrumentation is superb and the album sounds like they took those two years, made it sound tighter, made it sound like they had grown, and made music that you can feel more than their other albums, which is hard to do.

The only complaint (I only have 1 minor complaint) is that this album sounds too big for an mp3 player or computer. It practically begs to be heard in an arena. I've seen Coldplay live and their sound can fill an arena, but when you listen to the album, you don't feel like it needs to be heard there. It's contained and fits perfectly on an ipod or speakers by your bed. "The Reckoning" makes Coldplay sound like they should be playing at coffee shops. (I love Coldplay, not bashing them.
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25 of 29 people found the following review helpful By Kevin Davis TOP 500 REVIEWER on September 20, 2011
Format: Audio CD
NEEDTOBREATHE had me at "Signature of Divine (Yahweh)," which was my favorite song of 2007. The music scene that year featured some impressive new albums by my favorite faith-based mainstream bands, Lifehouse and Collective Soul. I owned Daylight so I immediately purchased The Heat and NEEDTOBREATHE instantly became my favorite band. Rarely can a rock band give me goose bumps or tingle my spine when I listen to their songs, but this band has an uncanny ability to get deeper and more emotionally penetrating with each release. For sure, The Outsiders was the top album of 2009 and really put the band on the map with stand-out hit songs "Lay `Em Down" and "Something Beautiful," landing them a major tour opening for Taylor Swift.

The Reckoning has been my most anticipated album of 2011, and I'm pleased to say it exceeds my expectations as I couldn't imagine they could outdo themselves. This incredible band has once again released their newest best album. They rock harder than ever in the stellar opening track, "Oohs and Aahs," a fitting tribute to their energetic and awe-inspiring live shows. The song ends with a jam session which highlights their outstanding musicianship. I had been listening to "Slumber" and "Drive All Night" as singles that preceded the album release, and they are fitting examples of the excellence of this band. Something I noticed after heavy rotation of those songs and also the show-stopping "Devil's Been Talkin'" is how brothers Bear and Bo Rinehart have continued the "outsider" theme with the clever use of the term "victim" in all three songs. It personifies the brothers' challenge of standing up for what's right in a dark world, which is the cohesive theme of The Reckoning with fourteen amazing songs.
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9 of 10 people found the following review helpful By MJ on September 22, 2011
Format: Audio CD
NEEDTOBREATHE is one of those bands you stumble across and find yourself loving song after song, wondering why it took you so long to find them.

Their new release "The Reckoning" has all the makings of a hit - catchy hooks, stellar vocals and brilliant lyrics. If you've heard their previous records, you'll know what to expect. And you'll get it, plus a whole lot more. Critics are putting their sound somewhere in between Kings of Leon and Mumford & Sons. I wholeheartedly agree with that comparison - lead singer Bear Rinehart's vocals do compare with that of the scratchy huskiness of Caleb Followill's, and they have the rock country sound of Mumford & Sons that banjos instantly create. But comparisons are just that, and these guys are definitely in a league of their own.

"The Reckoning" is not so much a new direction for the band, but more of a fusion of previous records plus experimenting with new sounds and instruments. It has the rock of "Daylight" (2006), the midtempo hooks of "The Heat" (2007) and the Southern feel of "The Outsiders" (2009).

"Oohs and Ahhs" - This song has got to be one of the most killer openings to a record. It starts off all cool and smooth, and then explodes into a massive chorus. Then just when you think it's over, it comes blasting back at you with about a minute of instrumental goodness including some incredible trumpets. Definitely a standout track. Epic. 5/5

"White Fences" - Then we lead into the second track, which starts off with the more familiar strummings of a banjo. A song about struggling with a fallen home-life, and who and how is that going to be fixed. "You leave me in the dark/recounting all my sins/who is gonna mend these white fences?" The song paces really steadily and will quickly have you swaying along.
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