Sarah Crowe left Atlanta, and the remnants of a tumultuous relationship, to live alone in an old house in rural Rhode Island. Within its walls she discovers an unfinished manuscript written by the house's former tenant-a parapsychologist obsessed with the ancient oak growing on a desolate corner of the property. And as the gnarled tree takes root in her imagination, Sarah risks her health and her sanity to unearth a revelation planted centuries ago...
The Red Tree
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Review
"[Caitlfn R. Kiernan has] a gift for language that borders on the scary."
-Neil Gaiman
-Neil Gaiman
About the Author
Caitlin R. Kiernan is the author of nine novels, including Silk, Threshold, Low Red Moon, Murder of Angels, Daughter of Hounds, and The Red Tree. Her award-winning short fiction has been collected in six volumes, including Tales of Pain and Wonder; To Charles Fort, With Love; Alabaster; and, most recently, A is for Alien. She has also published two volumes of erotica, Frog Toes and Tentacles and Tales from the Woeful Platypus. Trained as a vertebrate paleontologist, she currently lives in Providence, Rhode Island.
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More About the Author
Caitlin R. Kiernan was born near Dublin, Ireland, but has spent most of her life in the southeastern United States. In college, she studied zoology, geology, and palaeontology, and has been employed as a vertebrate palaeontologist and college-level biology instructor. The results of her scientific research have been published in the JOURNAL OF VERTEBRATE PALAEONTOLOGY, THE JOURNAL OF PALAEONTOLOGY and elsewhere. In 1992, she began writing her first novel, THE FIVE OF CUPS (it remained unpublished until 2003). Her first published novel, SILK (1998), earned her two awards and praise from critics and such luminaries as Neil Gaiman, Clive Barker, Peter Straub, and Poppy Z. Brite. Her next novel, THRESHOLD (2001), was also an award-winner, and since then she has written LOW RED MOON (2003), MURDER OF ANGELS (2004), DAUGHTER OF HOUNDS (2007), and, forthcoming, THE RED TREE. She is a prolific short fiction author, and her award-winning short stories have been collected in TALES OF PAIN AND WONDER (2000), WRONG THINGS (with Poppy Z. Brite; 2001), FROM WEIRD AND DISTANT SHORES (2002), and TO CHARLES FORT, WITH LOVE (2005), ALABASTER (2006), FROG TOES AND TENTACLES (2005), TALES FROM THE WOEFUL PLATYPUS (2007), and, most recently, the sf collection, A IS FOR ALIEN (2009). She has also scripted comics for DC/Vertigo, including THE DREAMING ('97-'01), THE GIRL WHO WOULD BE DEATH ('98), and BAST: ETERNITY GAME ('03). Her short sf novel THE DRY SALVAGES was published in 2004, and has published numerous chapbooks since 2000. Caitlin also fronted the goth-rock band Death's Little Sister in 1996-1997, once skinned a lion, and likes sushi. She lives in Providence, RI with her partner, Kathryn, and her two cats, Hubero and Smeagol. Caitlin is represented by Writer's House (NYC) and United Talent Agency (LA).
Customer Reviews
Most Helpful Customer Reviews
67 of 73 people found the following review helpful
By Soronia
Format:Paperback
I read The Red Tree in one sitting because I was simultaneously enthralled and too petrified to look away. Kiernan's story reached out from those pages and grabbed me by the throat, and I followed anxiously behind her protagonist Sarah Crowe as she unearthed fragments of revelation about the Red Oak looming in her backyard. It's just plain good narrative and good writing, and it's also the creepiest thing I've read all year.
This is not your average horror novel. If you like your monsters cliché and your plot points obvious, please look elsewhere. This is a canvas of subtle images, in which the really, really terrible things are only intimated. Which, of course, is the reason it's so scary. Kiernan's nightmares are all the more effective because they never resolve into one solid entity you can categorize long enough to lock in the closet or sweep under the bed. Instead, the vague feeling of dread creeping down your spine is intensified by a host of doubts. It's a rare author who can get both her characters and her readers to doubt what their eyes have seen (or read), but Kiernan manages it with seeming effortlessness. There was no reason to be afraid by page 50. Not knowing, as we do almost immediately, that Sarah Crowe's account is being published posthumously by a (fictitious) editor. Not by the conventions of horror novels that either plod tediously toward some obvious shocker or trot out the gore as early as possible. But I was. And it was a sublime fear, the sort of fear that leaves you with traces of awe instead of just the desire to barricade yourself in. I wanted to watch her world crumble.
This is also not your average Gothic novel. If you prefer archaisms stolen from Dracula and characters stolen from bad Anne Rice fanfic, you won't like the frank elegance of Kiernan's prose. Her characters are real people (well...for some definition of "people"--I'm not giving anything away) who smoke and swear and deal badly with fear. And along with that, the dreams she describes are real dreams. You will actually feel like you are dreaming--the same surreal logic and warped symbolism permeate the novel. It's a rare thing, to stand inside other people's dreams, and rarer still to survive their nightmares. I would unequivocally recommend doing both through The Red Tree--and unequivocally recommend doing so with the lights on.
This is not your average horror novel. If you like your monsters cliché and your plot points obvious, please look elsewhere. This is a canvas of subtle images, in which the really, really terrible things are only intimated. Which, of course, is the reason it's so scary. Kiernan's nightmares are all the more effective because they never resolve into one solid entity you can categorize long enough to lock in the closet or sweep under the bed. Instead, the vague feeling of dread creeping down your spine is intensified by a host of doubts. It's a rare author who can get both her characters and her readers to doubt what their eyes have seen (or read), but Kiernan manages it with seeming effortlessness. There was no reason to be afraid by page 50. Not knowing, as we do almost immediately, that Sarah Crowe's account is being published posthumously by a (fictitious) editor. Not by the conventions of horror novels that either plod tediously toward some obvious shocker or trot out the gore as early as possible. But I was. And it was a sublime fear, the sort of fear that leaves you with traces of awe instead of just the desire to barricade yourself in. I wanted to watch her world crumble.
This is also not your average Gothic novel. If you prefer archaisms stolen from Dracula and characters stolen from bad Anne Rice fanfic, you won't like the frank elegance of Kiernan's prose. Her characters are real people (well...for some definition of "people"--I'm not giving anything away) who smoke and swear and deal badly with fear. And along with that, the dreams she describes are real dreams. You will actually feel like you are dreaming--the same surreal logic and warped symbolism permeate the novel. It's a rare thing, to stand inside other people's dreams, and rarer still to survive their nightmares. I would unequivocally recommend doing both through The Red Tree--and unequivocally recommend doing so with the lights on.
28 of 30 people found the following review helpful
By Geoffrey
Format:Paperback
I'm going to be honest. I'm a devoted fan of Caitlin R. Kiernan's writing. I first read her chapbook "Candles for Elizabeth" in September of 1999 and her first novel, Silk, that December. I put her novels in other people's hands for many years as a bookseller and most of them came back to the store and thanked me. If you like dark fantasy set in the present day, with a sense of how the deep past lurks underneath everything we do, Kiernan's one of the best writers alive.
Unlike her other books, this is a new stand-alone novel. Her others link loosely, sharing a world and some characters--but this story is the place to start if you've always wanted to read her. It's also an evolution. Kiernan's stunningly brilliant and singular vision blew my doors off. I'm at the point where I'm offering to buy friends copies because I'm so excited that one of my favorite writers has written something this amazing. This really is the book of her career so far.
I've always been in awe of her, but this novel is so deep, stirring and fascinating that it's the one that I didn't know she had in her. Often, when I revere a person's writing, they do something different but as brilliant as what they've done previously and I'll think, "I knew they had it in them."
The experience of reading The Red Tree was: I had no idea anyone, ever, could do something like this.
The writer Sarah Crowe wants out. She left the grind of Atlanta and a shattered relationship to be by herself in a house away from it all in Rhode Island. She finds a half-finished manuscript written by someone who became obsessed by the giant red oak out back. The tree has a dark history and Sarah becomes obsessed too. It's a vivid account of how she is haunted by that oak tree. All I can say is that you might end up checking the backs of your closets for leaves from that oak.
Unlike her other books, this is a new stand-alone novel. Her others link loosely, sharing a world and some characters--but this story is the place to start if you've always wanted to read her. It's also an evolution. Kiernan's stunningly brilliant and singular vision blew my doors off. I'm at the point where I'm offering to buy friends copies because I'm so excited that one of my favorite writers has written something this amazing. This really is the book of her career so far.
I've always been in awe of her, but this novel is so deep, stirring and fascinating that it's the one that I didn't know she had in her. Often, when I revere a person's writing, they do something different but as brilliant as what they've done previously and I'll think, "I knew they had it in them."
The experience of reading The Red Tree was: I had no idea anyone, ever, could do something like this.
The writer Sarah Crowe wants out. She left the grind of Atlanta and a shattered relationship to be by herself in a house away from it all in Rhode Island. She finds a half-finished manuscript written by someone who became obsessed by the giant red oak out back. The tree has a dark history and Sarah becomes obsessed too. It's a vivid account of how she is haunted by that oak tree. All I can say is that you might end up checking the backs of your closets for leaves from that oak.
26 of 29 people found the following review helpful
By Babs
Format:Paperback
I love horror and I love writers who don't talk down to their readers (I love footnotes and needing a dictionary!). I also appreciate not being hand-fed all the details so everything is neatly wrapped up for me. Ms. Kiernan delivers all of this and more in her latest book. She places us inside the head of Sarah Crowe, a writer seeking solitude after trouble in her personal life only to find more trouble in her chosen "hiding place". Sarah's thoughts and dreams are clearly drawn for us, no matter how confusing and contradictory they may be and how many details, we learn at the end, are NOT given to us. The characters are real, flawed, hurting and one can't help but care about them or at least be drawn into their stories. It is clear that H.P. Lovecraft is a strong influence but the world and the terrors are wholly Ms Kiernan's. I think this is her best work yet and look forward to reading material of hers I haven't yet read.
Technically, I have to say her writing is as fine as Harlan Ellison's and Jacqueline Carey's (Kushiel's Dart). She draws very clear pictures of people and events, elicits strong emotional responses and doesn't waste a word in the process.
The Red Tree additional thoughts: I've read it twice and thought about it and have read many other reviews and comments and have a few more things to say. I think that a lot of people use the word 'horror' as a blanket term for darker uncomfortable feelings. Ms Kiernan has stated that she did not set out to write this as a 'horror story' but that she is seeing a lot of people calling it that. People like labels and I don't think there is one for a story that contains some frightening things but isn't at the core about them. Part of my fear was from the basement in that house; I've known a few musky dark lovecraftian spaces like that and I could SMELL it. Part of my fear was shared from Sarah's; both from the situation and that she could not define it, understand it, label it precisely. Fear of the unknown. Things happening that can't be explained or remembered. Some of the feelings this book drew out of me were fear and confusion and sadness as well as the general emotional disturbance that something is happening 'off-page' that is directing the action.
I wouldn't label this particular volume as "horror" even though I started my initial review by stating I love horror. I do, but not all. For me, the characters and story (whether there's a real plot or not) are the important thing. Am I pulled into their lives? Do I react emotionally when something happens to them? Do I want to find out what happens to them in later pages? Is the writing good enough to hold me there when I'm feeling scared/disturbed/upset by what's happening on the pages?
The best example of this, for me, is Dan Simmons' Song of Kali. Very frightening/unsettling/dark... and there are levels/facets to each thing so X happens and you're scared, but for about 5 different reasons. I couldn't put it down; I HAD to finish it. I doubt I will read it again, but THAT is good writing, when you can't put it down. I had a similar reaction to Silk, although I've been thinking about re-reading that one.
Ms Kiernan's work is like that; finely crafted enough to hold you there even when you're uncomfortable/scared/upset/disturbed.
Technically, I have to say her writing is as fine as Harlan Ellison's and Jacqueline Carey's (Kushiel's Dart). She draws very clear pictures of people and events, elicits strong emotional responses and doesn't waste a word in the process.
The Red Tree additional thoughts: I've read it twice and thought about it and have read many other reviews and comments and have a few more things to say. I think that a lot of people use the word 'horror' as a blanket term for darker uncomfortable feelings. Ms Kiernan has stated that she did not set out to write this as a 'horror story' but that she is seeing a lot of people calling it that. People like labels and I don't think there is one for a story that contains some frightening things but isn't at the core about them. Part of my fear was from the basement in that house; I've known a few musky dark lovecraftian spaces like that and I could SMELL it. Part of my fear was shared from Sarah's; both from the situation and that she could not define it, understand it, label it precisely. Fear of the unknown. Things happening that can't be explained or remembered. Some of the feelings this book drew out of me were fear and confusion and sadness as well as the general emotional disturbance that something is happening 'off-page' that is directing the action.
I wouldn't label this particular volume as "horror" even though I started my initial review by stating I love horror. I do, but not all. For me, the characters and story (whether there's a real plot or not) are the important thing. Am I pulled into their lives? Do I react emotionally when something happens to them? Do I want to find out what happens to them in later pages? Is the writing good enough to hold me there when I'm feeling scared/disturbed/upset by what's happening on the pages?
The best example of this, for me, is Dan Simmons' Song of Kali. Very frightening/unsettling/dark... and there are levels/facets to each thing so X happens and you're scared, but for about 5 different reasons. I couldn't put it down; I HAD to finish it. I doubt I will read it again, but THAT is good writing, when you can't put it down. I had a similar reaction to Silk, although I've been thinking about re-reading that one.
Ms Kiernan's work is like that; finely crafted enough to hold you there even when you're uncomfortable/scared/upset/disturbed.
Most Recent Customer Reviews
5.0 out of 5 stars
Excellent read
I can't remember the last time I read a book that had me dry-mouthed with anxiety and fear alternating with an odd sort of homesickness for my home state (I'm from Connecticut, but... Read more
Published 22 days ago by Valerie J. Anderson
5.0 out of 5 stars
Kiernan at Her Best
Part update on The Haunting of Hill House, part creepy New England folk tale, The Red Tree is Caitlin R. Kiernan at her best. Read more
Published 1 month ago by Syddon Vell
5.0 out of 5 stars
Caught
When I finished 'The Red Tree', besides anything else I was feeling, I immediately had an imaginary scenario in my mind of butcher block that is evidently used for prepping various... Read more
Published 2 months ago by emptydoll
2.0 out of 5 stars
Not as good as the reviews suggest
This book had been on my wishlist for quite some time, and finally I treated myself to it. Although, after finishing I wouldn't call it much of a treat. Read more
Published 6 months ago by John
5.0 out of 5 stars
Creeping Horror
I am a horror fan, but of a very particular genre. I like my horror subtle: psychologically disturbing, that which creeps up on me, that which does NOT jump from around the corner... Read more
Published 10 months ago by Dee Cook
3.0 out of 5 stars
So Many Setups; So Little Resolution
This is going to contain spoilers so be forewarned.
Let me start by saying S.T. Joshi, today's premier weird fiction critic, thinks highly of Ms. Read more
Let me start by saying S.T. Joshi, today's premier weird fiction critic, thinks highly of Ms. Read more
Published 10 months ago by Margaret Brundage
2.0 out of 5 stars
Boring.
This book bored the hell out of me. Three chapters--I gave it three chapters to amuse me, and it didn't. Read more
Published 11 months ago by Poor College Girl
5.0 out of 5 stars
Completely engrossing
This is my first novel by this author, and it won't be my last. I've seen so many positive reviews for her work, I decided to give her a shot. Read more
Published 15 months ago by rantboi
5.0 out of 5 stars
5 Stars
I can sum up my feelings for this book in one sentence: I read it in one sitting, and now I want to read everything else the author has written.
Published 17 months ago by J. Warfle
4.0 out of 5 stars
An interesting take on the New England haunting theme
I am new to writer Caitlin Kiernan but I heard many good things about her as an up and coming dark fantasy/horror writer. Read more
Published 18 months ago by D. C. Cannon
