The Return of the King: Being the Third Part of The Lord of the Rings [Paperback]

J.R.R. Tolkien (Author)

Book Description

Publication Date: June 1, 2005 | Series: The Lord of the Rings

For over fifty years, J.R.R. Tolkien’s peerless fantasy has accumulated worldwide acclaim as the greatest adventure tale ever written.
No other writer has created a world as distinct as Middle-earth, complete with its own geography, history, languages, and legends. And no one has created characters as endearing as Tolkien’s large-hearted, hairy-footed hobbits. Tolkien’s The Lord of the Rings continues to seize the imaginations of readers of all ages, and this new three-volume paperback edition is designed to appeal to the youngest of them.

In ancient times the Rings of Power were crafted by the Elvensmiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, still it remained lost to him . . .

Editorial Reviews

From Library Journal

New Line Cinema will be releasing "The Lord of the Rings" trilogy in three separate installments, and Houghton Mifflin Tolkien's U.S. publisher since the release of The Hobbit in 1938 will be re-releasing each volume of the trilogy separately and in a boxed set (ISBN 0-618-15397-7. $22; pap. ISBN 0-618-15396-9. $12).
Copyright 2001 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Review

"A masterful story — an epic in its own way — with elements of high adventure, suspense, mystery, poetry and fantasy." (Boston Herald )

"An extraordinary work--pure excitement..." (The New York Times )

"Among the greatest works of imaginative fiction of the twentieth century." (Sunday Telegraph )

"One of the great fairy-tale quests in modern literature" (Time Magazine )

"A remarkable book" (Newsweek )

"A work of immense narrative power that can sweep the reader up and hold him enthralled for days and weeks." (The Nation )

"Tolkien's stories take place against a background of measureless depth…That background is ever-present in the creator's mind and it gives Frodo and company a three-dimensional reality that is seldom found in this kind of writing." (The Washington Post )

"Here are beauties which pierce like swords or burn like cold iron." -- C.S. Lewis --This text refers to an out of print or unavailable edition of this title.

See all Editorial Reviews

Product Details

• Paperback: 544 pages
• Publisher: Mariner Books (June 1, 2005)
• Language: English
• ISBN-10: 0618574972
• ISBN-13: 978-0618574971
• Product Dimensions: 8 x 5 x 1.3 inches
• Shipping Weight: 1 pounds (View shipping rates and policies)
• Average Customer Review: 4.7 out of 5 stars  See all reviews (874 customer reviews)
• Amazon Best Sellers Rank: #214,034 in Books (See Top 100 in Books)

More About the Author

J.R.R. Tolkien (1892.1973), beloved throughout the world as the creator of The Hobbit and The Lord of the Rings, was a professor of Anglo-Saxon at Oxford, a fellow of Pembroke College, and a fellow of Merton College until his retirement in 1959. His chief interest was the linguistic aspects of the early English written tradition, but even as he studied these classics he was creating a set of his own.

Amazon Author Rankbeta 

(What's this?)

#83 Overall (See top 100 authors)

#4 in Books > Literature & Fiction > Classics

#9 in Books > Science Fiction & Fantasy > Fantasy

#11 in Books > Teens

#12 in Books > Science Fiction & Fantasy

#24 in Kindle eBooks > Literature & Fiction > Fantasy

#4 in Books > Literature & Fiction > Classics

#9 in Books > Science Fiction & Fantasy > Fantasy

#11 in Books > Teens

#12 in Books > Science Fiction & Fantasy

#24 in Kindle eBooks > Literature & Fiction > Fantasy

Most Helpful Customer Reviews

38 of 40 people found the following review helpful

5.0 out of 5 stars A Gift for the Ages May 8, 2006

By Barry C. Chow

Format:Paperback

"The Lord of the Rings" is so secure at the pinnacle of all fantasy that any review of it risks presumption. The measure of this work's greatness can be found in the thousands of lesser works it has inspired, some in imitation, most in homage--all pale reflections of the world, the wisdom, the wonder of Middle Earth.

Over the years, I have re-read this masterwork at least two dozen times. Yet it never ceases to delight me with new revelations. Over time, these revelations have evolved from discoveries about the book to reflections about myself. This is art in its highest form: it inspires, indeed, demands self-understanding.

In my younger days, I was drawn to the clash of armies, the glory of battle, the valour of Aragorn and Eowyn, the sacrifice of Theoden and Faramir. But as I have aged, it is the suffering of Frodo and Sam that most moves me. The deepest courage is not found in battle, but in the act of bearing the heaviest burdens alone, beyond help, beyond hope, beyond endurance, beyond even despair--"that which we are, we are; /One equal-temper of heroic hearts, /Made weak by time and fate, but strong in will /To strive, to seek, to find, and not to yield."

This work is perfect in its completeness. It lacks nothing and is endowed with themes both timeless and universal.

Consider the role of pity. We contemplate this theme for the first time when Gandalf reflects that Bilbo spared Gollum's life for pity. Then consider Frodo's first meeting with Gollum: "now that I see him, I do pity him." Or Gandalf's rebuke of Denethor, "...for me, I pity even [Sauron's] slaves." Faramir's pity for Eowyn--"do not scorn pity that is the gift of a gentle heart"--lifts despair from her soul and permits her to live and to love again.... And the pity between Frodo and Sam is the bond that endures at the last when even flesh and spirit crumble. Not least, Tolkien commands our pity: and we, in the act of offering it--to Frodo, to Sam, most especially to Smeagol--take the world of Middle Earth as our own.

Consider also that the little people do the bravest deeds and tread where the great dare not: the quest of the ring is undertaken not by Aragorn, nor even by Boromir, but by a timid hobbit from the Shire, whose quality is not in his pedigree or his strength of arms, but in his will and his strength of character. "If you do not find the way, no one will", Elrond tells Frodo, and, "This is the hour of the Shire-folk". Sad that since Tolkien wrote his majestic work, his erstwhile followers and imitators have fallen back on such tired cliches as swashbuckling heroes and impossibly clever heroines. The magnificence in Tolkien's creation is not to be found in the strong, but in the humble. It is about a gentle hobbit like Sam, who likes his beer and tends his garden and thinks simple thoughts, but who would stare down death while fighting orcs and trolls and giant spiders, not because he thinks himself noble or brave, but because he is far beyond the noble or the brave. Frodo and Sam are names for you and I.

Consider finally, the sacrifice: Gandalf's sacrifice in Moria, Boromir's sacrifice at Amon Hen, Theoden's sacrifice on the Pelennor fields, Aragorn's readiness to sacrifice himself times beyond count. But the theme of sacrifice is most profoundly embodied in Frodo. He willingly assumes a burden that endangers not only his life, but his soul. His ordeal through Mordor and his piteous struggle up the slopes of Orodruin successively leave him with no possibility of relief, of return or, towards the end, even of release. He has long left behind any hope for himself. He goes on because he alone is charged with undoing a great evil and must destroy it or die in the trying. Beyond the terrible burden of the ring, he bears the more terrible burden of his duty to all the peoples of Middle Earth. And at the last, when he saves Middle Earth, he does so for others, but not for himself.

In the end, "The Lord of the Rings" is not about highbrow thematic concepts, mythic saga or epic heroism. While it is all of these things, it is also something better and simpler: a story for you and for me, centred not on impossible superheroes, but on little people--"The Odyssey" reshaped for the common folk. The enduring power of this work is ultimately founded in its simplicity. In "The Lord of the Rings", Tolkien successfully reaches the heights that all great art attains: he captures the essence and purity of transcendent truths; yet brings them home to the simplest and most innocent of sensibilities--a timeless creation not just for us but ultimately of us. Read more ›

84 of 95 people found the following review helpful

5.0 out of 5 stars At Last. August 23, 2001

By "joeyc923"

Format:Audio CD

The magnificence of Rob Inglis' dramatization, both with respect to its place in the Tolkien Legend and in comparision to the present state of the spoken theatre, is quite simply ineffible. Here presented is THE ONLY completely unabriged reading of the Lord of the Rings to be found, and to commuters like me, it represents a long awaited opportunity to become aquianted with the work of a genius without fear of losing precious shards of his masterpiece to the whim of an editor. Worth every moment of the 20 hour listening time, from the endearing character voices to the hearty singing of songs and chanting of poetry that is sure to linger in your mind throughout the day. A purely wonderful experience for both Tolkien Veterans and the uninitiated alike.

30 of 34 people found the following review helpful

5.0 out of 5 stars Word for Word a True Delight September 4, 2001

By C. Williams

Format:Audio CD|Amazon Verified Purchase

By all means, choose this unabridged cassette version whether you are "reading" LOTR for the first time or for the umpteenth time! I debated whether to go with this cassette version of LOTR or the newly-released BBC CD set with Sir Ian Holm. Thank goodness for Amazon reviews because after reading that the CD set was NOT truly unabridged (how could they leave out Tom Bombadil?!), it simplified my decision. Rob Inglis is outstanding reader and does a fine job selecting an appropriate voice for each of the characters. I personally find it much more pleasing than a host of voices (of course if Sir Ian had done the entire CD version, I'd be back to a difficult decision). The point for me when listening to a book is to hear the story and use my imagination; too many voices or sound effects can be distracting.

30 of 34 people found the following review helpful

5.0 out of 5 stars The end of the Third Age February 2, 2000

By Javier Pleitez

Format:Paperback

The Return of the King is the final part of The Lord of the Rings. In this last part the feeling of good versus evil reaches its pinnacle in LOTR. Tolkien gave incredible detail describing the War of the Ring, as it spanned several chapters. All of the characters are developed further, and for most of the TROTK, the story remains a two way split. TROTK has an amazing conclusion, and that is partly bad. Upon finishing the novel, I was sad that it was over, and I didn't want it to be over, because Middle-Earth is a great place to get lost in. You go on the journey that the Fellowship undertook, and feel everything that each member of the party felt. This is possible because throughout LOTR, Tolkien wrote vivid passages describing the regions of Middle-Earth, the characters, and what they were thinking. I read TROTK more slowly, because I wanted to stay longer than what the novel would allow. The four hobbits of the Fellowship become harden warriors, a trait that was virtually absent from their kind. Even though the novel finally came to a complete finish, it felt like it left room for more. It's to bad that there is no direct sequel, and while it answers most of the questions left from the end of The Hobbit, the reader can come up with plenty more questions upon finishing LOTR. Professor Tolkien did a work that was unexpected in its depth. He invented several REAL languages and writing systems, a complete history to back the novel, and created a wonderful world filled with diverse races and environments. Some fantasy authors may have tried to reach Tolkien's level in fantasy literature, but I am certain the The Lord of the Rings will never be duplicated. The Return of the King stands as the incredible conclusion of the greatest epic ever written. My only regret was that it ended.