The Rhumb Line

Ra Ra Riot | Format: MP3 Music

Product Details

• Original Release Date: August 19, 2008
• Label: Barsuk Records
• Copyright: (c) 2008 Barsuk Records
• Total Length: 37:02
• Genres:
  • Rock
• ASIN: B001VEDKC4
• Average Customer Review: 4.6 out of 5 stars  See all reviews (24 customer reviews)
• Amazon Best Sellers Rank: #3,943 Paid in MP3 Albums (See Top 100 Paid in MP3 Albums)

Most Helpful Customer Reviews

10 of 11 people found the following review helpful

5.0 out of 5 stars Holy, violins, batman. August 19, 2008

By Kevin Satterwhite VINE™ VOICE

Format:Audio CD

It's a shame. Ra Ra Riot is likely to remain in the shadow of Vampire Weekend because they released their debut full length second. There are similarities with Ra Ra Riot and Vampire Weekend and most of it stems from both lead singers sounding identical. The shame from that is that Ra Ra Riot is so much better than the comparable Vampire Weekend. Their production is more sound. Their songwriting is deeper and more meaningful. Their execution is flawless. Their album is more consistent and cohesive. Regardless, for those who take notice of this wonderful band and their debut LP, "The Rhumb Line," will no doubt benefit from their clement symphonies.

The album starts of proper with "Ghosts Under Rocks." This is my personal favorite song of the album from all the "oooohs", the frantic guitar strumming and the melancholy violins. The vocals are enchanting and the drumming is not slighted. "Dying Is Fine" shows everyone Ra Ra Riots obvious post-punk scene influence which is native to their hometown state, New York. A sound similar to The Strokes, albeit much more diverse and subsequently more interesting. On "Oh, La" there are more pounding drums and melancholy violins which take possession of the listeners free will and paralyze any attempt to divert attention from its beauty.

If I've mentioned violins and drums in one song then I've mentioned the essence of all the songs from this album. Every song is latent with violins, guitars, wonderful drums, sometimes with cellos and sometimes with obos. Don't dare let that repetitious proclamation deter you. This album never tires from beginning to end. Every song is a good listen and it's fairly easy to find some songs that stand out greater than others. This album definitely stands out more than others in this wonderful year of indie music.

8 of 9 people found the following review helpful

5.0 out of 5 stars A perfect debut August 21, 2008

By Matt Shiv

Format:Audio CD|Amazon Verified Purchase

I've been following this young band from Syracuse since their initial demo EP. Two years of endless touring have helped to fine tune their catalog of songs into genuine gems. Even tracks that previously surfaced on their self-titled EP like "Can You Tell" have been transformed here with stronger arrangements and an added emphasis on backing vocals from string player Alexandra Lawn (who compliments the lead vocals by Wes Miles perfectly on several cuts).

Ra Ra Riot have had some extreme ups and downs over the past few years, but every experience, good and bad, has given depth to their musicianship and helped to inform the spirit of this incredible debut. It's an impressive collection of songs and I look forward to following them for many years to come.

7 of 8 people found the following review helpful

4.0 out of 5 stars The Rhumb Line August 21, 2008

By Andrew Vice

Format:Audio CD

On Ra Ra Riot's debut album, "The Rhumb Line," the band plumbs the depths of indie music's oldest and newest influences. The record sounds something like a mix of Vampire Weekend and The Cure with some of the rock-oriented production values of Wolf Parade. As the other reviewer stated, the album will likely be stuck under the shadow of Vampire Weekend's successful debut self-titled LP, simply due to the fact that it came out first, and indie music fans are often the first to cry copy-cat. However, "The Rhumb Line" is a varied and engaging listen, and though the similarities are certainly there between Ra Ra Riot and Vampire Weekend, calling this a mere clone would not do the band justice.

The first track opens with some of that Wolf Parade flair mentioned at the beginning of this review, but quickly opens into a sweeping arrangement of strings, building tension as the drums create a frantic, harried pace. The second track apes a very specific Cure sound in the guitar tone, but lyrically and stylistically, the song is unique and fun, finding a good blend of symphonic pop and new-wave swagger. The album addresses the typical moods of a love-lorn indie frontman, and so while the lyrics may have little new to say on the subject, they don't detract from the music or the album as a whole.

All in all, it's a record of lovely, heartfelt pop, and there's nothing wrong with that.