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| Song Title | Time | Price | ||
|---|---|---|---|---|
| 1. Koteja (Oh Bolilla) | 3:29 | Not Available | ||
| 2. Brazzaville | 4:10 | Not Available | ||
| 3. Liberte | 4:05 | Not Available | ||
| 4. Coco | 3:56 | Not Available | ||
| 5. Kemba | 5:53 | Not Available | ||
| 6. Samburu Sunset | 6:17 | Not Available | ||
| 7. Gong Rock | 3:35 | Not Available | ||
| 8. Franco | 2:10 | Not Available | ||
| 9. Serengeti Long Walk | 4:28 | Not Available | ||
| 10. African Dream | 3:25 | Not Available |
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Most Helpful Customer Reviews
17 of 17 people found the following review helpful:
5.0 out of 5 stars
A masterful concoction of African music and "Copelandia",
By
This review is from: Rhythmatist (Audio CD)
As Stewart Copeland himself has said in interviews in the past, the drummer's pilgrimmage to Africa to study rhythm is a rather cliched concept in this day and age. Still, Copeland--former drummer & founder of the groundbreaking rock trio the Police--manages to turn the cliche on its head with this marvelous album. More than pure rhythm and drumming, Copeland features and samples African singing and vocal chants, in particular those by the wonderful Ray Lema, who wrote or co-wrote several tracks on the disc.Overall the sound is rich, inviting, intoxicating. Animal grunts, chirps, and whistles blend together with the music and voices, and of course Copeland's own phenomenal drumwork. About half of the tracks are instrumental, including the driving "Gong Rock" (with Copeland on guitar as well as drums) and the whimsical "Samburu Sunset". Two tracks feature Copeland's love-it-or-hate-it singing as well, including "Serengetti Long Walk" where his hilarious deadpan monologue is preceeded by some absolutely stellar drum fills. On the final cut, Stewart and Ray sing together of the "African Dream", leading the listener off into a mysterious, inviting dreamworld as well. This is truly a lost gem of an album, woefully underappreciated (especially when compared to the adulation and attention Paul Simon received for "Graceland" -- not to knock that fine album as well, but he is far from the only pop/rock performer to attempt to share African music and musicians with the rest of the world.) This album is not just for Copeland fans or Police completists, but for anyone who is interested in exploring unusual, adventurous music. Highly recommended, if you can find it!
10 of 10 people found the following review helpful:
5.0 out of 5 stars
Too bad such a gem went unnoticed,
By A Customer
This review is from: Rhythmatist (Audio CD)
The sound of African rhythms experimented with by Peter Gabriel in 1980 with his single BIKO and the huge success of Paul Simon's GRACELAND seemed to have taken hold of the public conscience while the bridge between the 2 THE RHYTHMATIST went sadly unnoticed. Stewart Copeland for 2 decades has been acknowledged as one of the best drummers in rock music, some of the percussion on this disc is breathtaking. One has to wonder if Paul Simon himself didn't draw heavily from this disc while he was composing Graceland. The album is 70% instrumental but you don't miss the vocals at all. This is truly music that can stand on it's own. Stewart does lend his vocals on a handful of tracks however. Some key tracks are 'KOTEJA', 'SERENGETTI LONG WALK', and 'COCO' the last of which features some of the best mind-blowing percussion you'll ever hear. If you're a music fan, and by that I mean an open minded listener, this disc will not dissapoint, and I assure you it will stand apart from your music collection. Time will forget this disc unfortunatley, as for when it was released in '85 it was groundbreaking and still touches musical nuances yet to be explored by major acts. Albums like this distinguish bands from artist
4 of 4 people found the following review helpful:
5.0 out of 5 stars
Great fusion of African music and Copeland's unique style,
By
This review is from: Rhythmatist (Audio CD)
This is a great album with a unique sound (no surprise with Stewart Copeland). I think it's his best and one of my all-time favorite albums. The tracks seem to tell a story in their original order, and they fit together well. The music is a very pleasing fusion of African music, singing, and sounds of the wild with Copeland's recognizable style of percussive rock music. This is an original work of art - as other reviewers have said, an underrated gem.Enjoy!
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