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The Road to Mars: A Post-Modem Novel Hardcover – August 31, 1999


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Product Details

  • Hardcover: 320 pages
  • Publisher: Pantheon; 1st edition (August 31, 1999)
  • Language: English
  • ISBN-10: 037540340X
  • ISBN-13: 978-0375403408
  • Product Dimensions: 9 x 6.5 x 1 inches
  • Shipping Weight: 1.3 pounds
  • Average Customer Review: 3.1 out of 5 stars  See all reviews (67 customer reviews)
  • Amazon Best Sellers Rank: #815,965 in Books (See Top 100 in Books)

Editorial Reviews

Amazon.com Review

The Road to Mars is the second novel by Eric Idle--yes, that Eric Idle, the guy from Monty Python's Flying Circus. No, the book isn't like a Monty Python skit (and a good thing too, since silly sketches are no basis for a successful novel). Yes, Monty Python is mentioned in the book, but the self-referentiality is blessedly confined to two paragraphs. Yes, The Road to Mars is funny. It's also genuine science fiction. And it's satirical, sharply characterized, well-written, thoughtful, fun, and more complex than you'd expect from its picaresque structure, in which a stand-up-comedian odd couple and their robot knock around the outer planets in search of decent gigs. Well, Alex and Lewis are looking for work (and sex); their android, Carlton, unfazed by his own irony impairment, is trying to write a thesis about comedy. The trio quickly find themselves mixed up with a mysterious beauty, a famous diva, the captain of the solar cruise ship Princess Di, and a band of terrorists determined to blow up Mars.

In addition to The Road to Mars and Monty Python scripts, Eric Idle is the author of the SF/fantasy novel Hello Sailor (1975), the play Pass the Butler (1982), and the children's book The Quite Remarkable Adventures of the Owl and the Pussycat. --Cynthia Ward

From Publishers Weekly

The latest romp from Monty Python alumnus Idle (Hello Sailor) almost has it all: torrid sex, huge disasters in outer space, outworld rebels plotting to save their people from annihilation, quirkily anthropomorphic robots, impossibly rich space moguls, enough one-liners to choke a brontosaurAand philosophy, too. The absence of an interior to any of the book's characters wouldn't be a fatal flaw if the jokes were funny enough or the plot sufficiently absorbing. However, the narrative meanders for long stretches with scene after scene whose only point is to set up a weak jokeAthe sort of thing that works so well as TV farce but, when passed off as a novel, is tedious. The book is ostensibly the work of one William J. Reynolds, chronicling the revolutionary theorizing of robot Carlton on the nature of comedy. (Oddly, Idle puts forward as Carlton's main theory a White Face/Red Nose classification that in fact has been a commonplace in clown theater for at least a century.) We follow the misadventures of two interplanetary stand-up comics, Muscroft and Ashby, quipping their way through exploding space colonies and sabotaged ships, looking for work. Churning around amid the levity are lumps of melodrama: narrator Reynold's recurring rage at being jilted; love-interest Katy's agonized childhood; beatings and deaths by the hundreds. There are some good laughs, but too many of the jokes are pointless and cheapAlike the book's subtitle, "A Post-Modem Novel"Aand the whole is strung together by oddments of erudition and sci-fi, with an ad hoc feel that begs for a blue pencil. Typically, Carlton's crowning insightAthe theory of levity as anti-gravityAis silly enough for a giggle, but insufficient as the high point of a novel. (Sept.)
Copyright 1999 Reed Business Information, Inc.

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Most Helpful Customer Reviews

15 of 16 people found the following review helpful By S. Gibson on December 26, 1999
Format: Hardcover
I must admit serious amusement and minor shock over the venom being unloaded on this little confection of Eric's. I mean hey, it's just a book. Chill out, kids.
I own a copy of Hello Sailor and I can assure you all this is four million light-years better than that book. Eric has advanced mightily from that 1976 effort, moving on from the strange calculus of politics and sex (its main character's goal was to bed all the daughters of the British government's cabinet) to the richer, more rewarding issues posed by science, comedy, the future of humanity, and how the three relate to each other in turn.
That having been said, I tried to give this book 2 1/2 stars but can't do so under this system. And in the interest of full disclosure, I am compelled to state I'm exactly the sort of person who would watch a test pattern with Eric on it (hey, I videotaped Nearly Departed, for cryin' out loud). I ran out to buy this in hardback. I am also a great flaming fan of Pratchett (sp?) and Adams as well as the Red Dwarf series and Blackadder.
I feel the book is not as good as it should be, given Eric's prodigious talents, but not as bad as others would have you believe. In other words--wait for the paperback.
The schooled Python fan should have fun with this one, as RM's flaws are flaws one finds in Python productions--the female characters are poorly drawn (especially the romantic lead). The only female characters that threaten to be interesting are Brenda Wooley and the Sammy character, but both are cliches and the latter is killed before she can be rescued from one-dimensionalism. In fact I find it a bit disturbing that the android has more depth and complexity to him than any of the women in the book.
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16 of 18 people found the following review helpful By Rob Banzai on December 8, 1999
Format: Hardcover
Good lord! Such venom over a pleasant little book. Come on people, it's not supposed to give you the meaning of life. If you hated the "theory of comedy" theme, hated the characters, hated the plot and hated the setting what the hell were you doing picking this up in the first place? My suggestion: read the liner notes next time so you can run away screaming when you disagree with the content. Idle has done a good job of writing a funny sc-fi book. Not a Python sci-fi book, but simply a funny one with all of his usual clever verbal humor. yes, he bungled the ending and didn't manage the competing plots very well, but my book reading satisfaction isn't derived wholly from the ending! It's an amusing read and I look forward to his next effort. But I'll read the liner notes first.
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7 of 7 people found the following review helpful By Madeleine BAROUKHEL-MOUREAU (madeleine@baroukhel.claranet.fr) on November 20, 1999
Format: Hardcover
This book is not pythonesque, it is not this kind of book badly written by some star who can only get it published because he/she's a star. It's an elaborate, two-sided metaphysical thriller where lots of thought and personal experience can be found. One side is the story (the plot is quite prominent), which deals with very modern - sorry, modem - Gibson-like science-fiction, yet cleverly managing to keep the cartoon elements of your good old Star Wars space opera. The other side is the philosophy - a very acute backstage insight into the meaning of comedy as an explanation of the universe and a relief from humanity's burden. Like in the quantum theory, the narrator is part of the story and transforms it. There are also a satire of the charity business, rather pessimistic observations on the mechanics of political change, and a lot of strong and colourful (but not particularly likable) characters. I got quite hooked by the book and found it great in many ways. But I think it was wrongly advertised as a Douglas Adams-like piece of entertainment. It's complex and ambitious. Well done, Eric !
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7 of 8 people found the following review helpful By Harvey J.Satan on May 20, 2001
Format: Hardcover
Dear oh dear...many years ago Eric Idle used to write these short one-off parodies,for his television show "Rutland Weekend Television"....and "The Road To Mars" would've been a five minute sketch parodying "The Hitchhikers Guide To The Galaxy". Unfortunately....he was given a much bigger budget this time. I am a big fan of Mr.Idle's works,and was disappointed by this book. To me,he has written the funniest Python solo book: "Hello Sailor",sadly out of print. So I was expecting something as equally original and hilarious,but this just reads like a poor man's Douglas Adams. Two Comedians of varying standards,Muscroft and Ashby ( or is that Dent & Prefect?) set off across the galaxy on a stand-up comedy tour.Going with them is Carlton the Android ( or is that Marvin the android? ),whom is trying to logically calculate why comedy is comical. Along the way they meet a very lovely and intelligent woman of intrigue,Katy Wallace ( or Tricia McMillian )and an over the top comedian,whom nobody seems to like but himself,Booper.( or Zaphod Beeblebrox ).There is also a series of robots with "human" personality problems,and all sorts of overly gracious robot doors. How could Mr.Idle,not think people would spot the comparrissons? Another annoyance to this book,is Carlton's constant attempt to analyze comedy,and whilst doing such,making the very thought of comedy, unfunny.Perhaps the original idea of "The Road To Mars" as a parody of Crosby and Hope films,would've worked better. I would sugest this book to Python completists,but if you want Eric Idle's best writings,find "Hello Sailor" or "The Rutland Dirty Weekend Book".Make It So!
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