For just a moment forget that there was a Rocketeer film.
This story is what that film was based on but that flawed, though herculean effort, pales when compared to the real thing. It's hard to translate perfection like this to the big screen. I may be impossible and it's definitely improbable.
I read the comic which was actually a back-up feature For Mike Grell's Starslayer (?) series from Pacific comics back in '82. Flipping through the book I gravitated to Dave Steven's effort naturally. Here was a comic story featuring adventure, vintage aircraft, an old curmudgeon, inventor, Peevy (modeled after the great comic artist, Doug Wildey) and his protege', the naive, but fast to learn, daring young pilot, Cliff Secord (who looks a bit like Dave Stevens himself).
Perhaps it was the newfound appreciation for this time period after "Raiders of the Lost Ark" featuring Harrison Ford as professor and archaeologist, Indiana Jones. But it was a hit. Everyone I initially showed it to shrugged their shoulders but I was hanging with the wrong crowd. Everywhere else this story was a hit. It wasn't a big hit, but it was a certified hit.
By the time the trade edition of the first story was collected in the mid-eighties people were in love. The reasons are simple; the first thing that grabs the reader is an artist who can not only draw but he can draw better than most of the comic artists alive. The adventure is fast paced with good action and set in a period of America coming of age in the world around her. Between thrilling air races, espionage and the past coming back to find him Cliff Secord is a very sympathetic character between trying to do what's right and trying to keep an even keel.
No spoilers, but in many ways this is a classic tale and Dave Stevens gives it a new feel and a great protagonist who constantly grows and changes to better fit his situations. Growing into full manhood is tough enough (especially when you think you're already there) without a rocket lashed to your back to make things even more interesting.
Then there's the fact that this story renewed older Americans' love affair with the now late Betty Page, while introducing us younger guys to her charms. Dave was classy and fun in his effort to bring this fifties pin-up gal to our attention. She was perfectly suited to this tale. It was easy to insert her into it as the character of Cliff Secord's love interest. Dave's efforts, whether on purpose or by coincidence revived a healthy interest in the then retired and reclusive Betty Page.
The Deluxe package is a testament to the love for the man, his story and his stunning art. Dave Stevens was not heavy on stylization. He approached the art like an illustrator. It's not the details, it's the love of drawing, and done skillfully that makes his work stand out. He's the natural heir to artists like George Evans, Reed Crandall and Al Williamson with a little Frank Frazetta for spice.
Back-up features include layouts of the pages, design work, thumbnail drawings of sequences and a lot of rare art from character sketches to fully produced promotional art. These are almost fully half of the volume. These pages show the process of creating a fine sequential story with all the bells and whistles.
The slipcase is stylish and protects the book, and it does so beautifully.
Reading it when it arrived was like visiting an old friend, long gone. The story is completely re-colored by the late Dave Steven's choice of colorist, Laura Martin. She did an exemplary job. The lettering was provided by the gifted Carrie Spiegle.
From editor Scott Dunbier to Thomas Jane's eloquent and touching introduction and all the great artists who helped Dave put these stories out, this really is as good as it could be.
By all means, if the price of this volume is prohibitive, do yourself a favor and get the trade hardcover edition. At less than half the price it's still one of the best books put out this year and a quality book to boot. This is a fun, solid read, and one of the best drawn comics to ever see print. Such a rare balance of beautiful art and eloquent storytelling is rare.
Publisher IDW deserves serious recognition for this volume.