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The Rocky Horror Picture Show - Original Soundtrack

January 10, 1975 | Format: MP3

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Song Title Artist
Time
Popularity Prime  
30
1
4:32
30
2
2:47
30
3
2:45
30
4
3:19
30
5
3:24
30
6
2:12
30
7
3:04
30
8
1:45
30
9
2:30
30
10
2:46
30
11
8:18
30
12
2:54
30
13
3:04
30
14
1:31
30
15
5:36
30
16
4:09
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Product Details

  • Original Release Date: January 10, 1975
  • Release Date: January 10, 1975
  • Label: Ode Sounds & Visuals
  • Copyright: (C) 1975 Ode Records
  • Total Length: 54:36
  • Genres:
  • ASIN: B001IMR7EQ
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (159 customer reviews)
  • Amazon Best Sellers Rank: #12,383 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

4.7 out of 5 stars

Most Helpful Customer Reviews

28 of 28 people found the following review helpful By "hallie_w" on November 20, 2000
Format: Audio CD
It's astounding! All corny RHPS references aside, this album is absolutely wonderful. If you're at all conflicted about which of the fifty cast recordings you should buy and you do not already own this one, buy it! It's like having the movie in handy CD form, and it's one of the only recordings that comes close to doing justice to the undeniable greatness of the film. One of the reasons I love this CD is because it's so timeless. Regretfully, I wasn't born until 9 years after the film debuted, but I'm still in love with the music. Chances are, if you love it now, you'll love if forever. And if you don't love it, you're probably just a tad too normal. It's a bit of a downer that a couple of really great songs from the movie were omitted from the album; namely "Sword of Damocles (Woe is Me)" and "Wise Up, Janet Weiss (Planet Schmanet Janet)". Still, they made up for it by including two extra remixes of "Time Warp". The first is just awesome, and includes some of the movie's best and most memorable dialogue with this funky-echo thing. The next is a karaoke version of the song, which, behind closed doors, we can all have fun with. My favorite song on the CD is "Rose Tint My World..." because it bears the entire essence of the movie. It's fast and catchy, then slow and melodic, painting an accurate picture of the characters the whole time. Basically, this album rocks. If music can live for 25 years and not suck, then it deserves a spot in my CD collection.
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49 of 53 people found the following review helpful By Olly Buxton on March 25, 2001
Format: Audio CD
Conceived, written, scored, acted and directed by a hairdresser from Hamilton, New Zealand, the stunning thing about The Rocky Horror Picture Show Soundtrack was not how accurate it is as a send up of seventies pop culture (and it was), but how, despite that, it stands on its own as a damn good rock record - funny, sure, but also sexy, bombastic, funky, swaggering and even moving in places. For all its splendour, there isn't a great deal of rock music from the time (or for that matter since) which can match it.
What's more, the popular songs from the first half of the record (Dammit Janet, Sweet Transvestite, Time Warp etc) aren't even the good ones. As the film develops the music telecopes in its ambition; the corny fifties throwback feel of the first three tracks is enveloped by swaggering, operatic pomp of which Freddie Mercury would have been proud. Achieving this was no mean feat by Tim Curry - outside the Queen singer I can't think of anyone else who would have come close to pulling it off. By the time of the Floor Show medley and then the genuinely beautiful "I'm gong home" it's impossible to not to be swept away by it all.
In fact, it's hard to credit that a kiwi mop-chopper can have done all this by himself. Perhaps he did, but I can't help wondering if M. Loaf - or his mentor, Jim Steinman (both of whom had the motive and opportunity to be involved since Meatloaf played Eddie in the film) - didn't lend a wave of the magic wand to the proceedings. There is something undeniably Steinmanesque about the whole project, and Richard O'Brien never reprised his success; after a couple of horrible attempts to re-do the Rocky Horror, he was last heard of playing bit parts on Robin of Sherwood.
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15 of 16 people found the following review helpful By Itamar Katz on October 9, 2001
Format: Audio CD
The human race - or at least those who saw The Rocky Horror Picture Show - is generally divided into two parts: those who loved it and those who hated it. It's just that kind of movie. You can't be indifferent. The main reason, of course, is that it's one of a kind, and entirely original - try to stick a certain genre label on it. It just doesn't work. Note that it's usually defined not as 'musical' or 'science-fiction' but as 'cult movie'. That's really basically what it is - it's more than a movie. Going to see 'Rocky Horror Picture Show' is not just going to a movie; it's a social event.
It goes without saying that this soundtrack is a must have for those die-hard fans who go to the movie every weekend wearing make-up and one strange costume or the other, know the entire thing by heart and shout all the in-between jokes at exactly the right moment. But even those who didn't really like the movie will find it hard to deny that it's got some GOOD MUSIC. Not many musical/rock-opera writers put as much thought into the music as Richard O'brien; Pete Townshend of The Who is the only one I can think of. The tunes on this soundtrack are extremely fun, terribly addictive and, in many cases, really, really good.
Like the movie, the music is hard to classify. It's frequently associated with punk, but I find it much more connected with the glam-rock phenomena, particularly David Bowie's Ziggy Stardust character, and also the appearence of bands like Queen and Aerosmith. It also takes quite a lot from the first rock operas of the late 60s by The Who and The Kinks, though it's a lot farther-out than, for instance, The Who's 'Tommy'; and unlike those it was written specifically to be performed on stage.
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11 of 12 people found the following review helpful By A Customer on October 13, 2003
Format: Audio CD
i am thrilled to report(memories like the 'cobwebs' of my mind), that i was in the audience for the official opening of "RHPS"in 1975...and i like everyone else became instantly intoxicated and obessesed with frank and his denizens. the power the film had over a generation, via its imagery, symbolism, characters and their talent could be likened to releasing invisible heroin into the atomosphere at regular intervals keeping us in a constant state of euphoric submission. i think its absolutely redundant to review this recording. it is however, etched into our cultures psyche and has opened doors for the depraved, the not so depraved,the gay, bi, lesbian, transed out, geeky, s&m'd, stifled, frigid, barren, openminded andclosed, worn in, worn out, fresh, nubile, old, young, smart, slow, you name it.... peoples, of every walk of life and much, much more;futher confirming the power the entertainment industries have to influence. i saw the stage production at the roxy only once, albeit after tim curry left. in his stead was the wonderful and extremely competent paul jabara who unfortunately died way too soon. he was also responsible for penning some very famous pop tunes including "last dance," and "enough is enough." the stage production and its soundtrack primed me for the forthcoming film. i remember the build up..the hype..which can often leave one disappointed. the film in this case was rare in that it FAR EXCEEDED everyones expectations. because the film is what i identify(ied) with so much, the soundtrack has a VERYsoft spot in my heart. i did have to adust to the slowing down of the songs, but only for a very brief period. they simply took what was great and made it greater...perfection! if you're reading this, chances are youre already a fan. if you're new to RHPS then please, do yourself the biggest favor and GET IT! you will join ranks and be a part of a massive cult following that believe it or not, continues to grow. rock on!
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