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on March 22, 2012
I am not a musician nor have I played an instrument, however, that really didn't keep me from appreciating this powerful autobiography. The hardships that the Chinese endured during Mao's "Cultural Revolution" have never been so vividly recounted in any of the many books I've read on this human catastrophe. Her personal sacrifices profoundly illustrate the cruelty of Mao's madness. Despite excruciating circumstances she was able to get her family's piano transported to her work camp and scrounged for scores to play surreptitiously.

I was so moved by her description of her beloved Goldberg Variations that I downloaded her first CD. I find it truly inspiring. I wish I could directly communicate my admiration and appreciation for her courage and the music she has left us. This book provided me with considerable insight into her extraordinary life, and I am grateful for her fascinating autobiography.
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on March 20, 2012
This memoir is beautifully written, especially it's passages on music. Whilst reflecting on her experiences of the atrocities entailed by the cultural revolution under Mao, the author keeps her account informative but refrains from graphic descriptions beyond the requirements necessary for understanding. Instead, she makes music the ever-present centre-piece of her autobiography, at times delving into the philosophical and psychological aspects of art, often referring to the teachings of Laozi. She explores the existential meaning of music that has helped her to keep her sanity under the communist regime and during its aftermath. In the latter part of her book she continues to return to explore the soothing impacts of Bach's compositions, especially the Goldberg Variations.
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When one first thinks of pianist Zhu Xiao-Mei, those familiar with her works immediately jump to her exceptional interpretations and performances of J.S. Bach and the Goldberg Variations. Finding her autobiography, The Secret Piano: From Mao's Labor Camps to Bach's Goldberg Variations, was a pleasant surprise, yet autobiographies like this can sometimes be a disappointment to the reader. Happily this was not the case, as the author has presented her life in an interesting and fascinating chronological format, one that expresses the emotions that she felt along the way.

Born in Shanghai into a creative middle-class family during those turbulent years following WW-II, her family moved to Beijing when she was very young. Her first encounter with the instrument that was to shape her life is movingly remembered in her own words:

"I didn't know what it was, a piano. I was barely three years old, and I had never seen anything like it. I was fascinated. I wondered where it had come from, this object that spoke when you touched it. Strangely, my mother never played the piano. But every morning, she dusted it: her first act of housework. `Such dust! In Shanghai, there wasn't so much dust. Why did you bring me here?' she would add, turning towards my father."

And that curiosity sets the pace for this book in which she takes us on a journey in which we witness first hand a side that is usually veiled to most Westerners. Learning the piano during those young years, she was a prodigy who played the piano in radio and television in Beijing when she was only eight, and at ten, she entered into the Beijing Conservatory of Music in a program for unusually gifted children.

As a teenager her studies there were putting her on the path for a brilliant musical career, but that was stopped cold by Chairman Mao's Cultural Revolution. As it took hold, even music at the Conservatory faced the consequences of the time, as we witness through her eyes:

"Everything was burning. Today it was the bodies; tomorrow it would be the spirit. I imagined the bonfire where the Red Guards were melting down our records and burning our scores...a thin veil of smoke lifted towards the sky. Bach, Mozart, and Beethoven vanished into the air. But in the end, the Red Guards were right: it had to be done. As Mao said: `The Revolution is not a dinner party. It is an act of violence by which one class overthrows another.'"

Through her eyes we see her family split apart by forced relocations. We observe the five years she spent in a work camp in Mongolia, her own political indecisions, the sometimes painful memories, yet where despite many difficulties she managed to practice the piano in hiding... the Secret Piano.

Zhu Xiao-Mei's story reads like a novel, with all of the color and dimension that keeps the reader glued to her words, page after page. She left the work camps in 1974, after being `assigned' there for five years. During her stay in Beijing, her life again changed as through her music she began to explore ways to get to America, a dream that she realized finally in February, 1980, thinking of Jonathan Livingston, "the seagull who wanted to fly higher than all the others."

It was during her flight to Los Angeles that she learned of the Chinese philosopher Laozi, and this from an American woman, a teacher in a university. This was the profound beginning of a new philosophy for her, and one that with her music would help to guide her. Xiao-Mei's sojourn to California resulted in her living with friends and relatives and working menial jobs to survive. She went to the New England Conservatory in Boston to complete her music education, then beyond, dealing as she went with problems with her English pronunciation. She paints a sometimes witty picture of her experiences, such as a waitress job in Boston's red light district. It's a fascinating tour of what the US looks like to someone from China, and the adversities that one must overcome to just survive, right down to a marriage of convenience just to stay in the country.

And in December 1984, Xiao-Mei's odyssey led her to Paris, starting over again, with a diploma from the New England Conservatory that meant little in France. Yet it was during a return trip to Boston that she truly blossomed with her first attempts to tackle what she became so well known for: her interpretations of the Goldberg Variations by J.S. Bach, the musical encounter of her life:

"Buddhists always depict Buddha smiling. There are always two aspects to everything, to every being. There is no single truth--everything depends on the way in which one wants to see reality. That is life, and that is the Goldberg Variations. Through it, I also now understand why polyphony, Bach's in particular, affects me more deeply than any other type of music. By means of its various voices, it alone is capable of simultaneously expressing multiple and contradictory emotions, without one necessarily taking precedence over another."

And Xiao-Mei lives those words, as can be heard in her J.S. Bach: Variations Goldberg. She teaches at the Conservatoire National Supérieur de Musique in France, and has performed for appreciative audiences on six continents. She is one of the world's most renowned interpreters of Bach's "Goldberg Variations" as one can hear on this album.

Zhu Xiao-Mei is also the inspiration behind and subject of Andre Leblanc's book for children, The Red Piano, a touching work of fiction in which a young girl stuck in a Chinese Cultural Revolution Camp where the Communist Party conducts "learning through labor and self-criticism."

It's also worth mention that the translation was beautifully done by Ellen Hinsey, whose own works as a poet and author include The White Fire of Time. Her expertise shows through in this beautifully-formatted Kindle edition.

This book is more than an autobiography; it's a moving story of the human spirit prevailing over incredible odds. It's highly recommended not just as a beautiful autobiography, but as a background to those who enjoy Xiao-Mei's interpretations of the Goldberg Variations.

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VINE VOICEon October 23, 2012
The basic story here is indeed moving and powerful -- talented pianist growing up in communist China finds her education derailed by the cultural revolution. After 5 years in various labor camps, she is finally able to leave China and emigrate to the U.S., where she completes her music education, moves to France and becomes a musician of great renown.

The problem is, that much in the narrative is jumpy or poorly explained. I'm not saying that she's lying but, like another reviewer I would LOVE to know how she smuggled a piano into a labor camp (a camp clearly stated to be 'a prison') .. and then journeyed to dozens of near-by wire factories (how convenient!) to replace the broken strings. And how the piano stayed even remotely in tune.

She writes about her mother being diagnosed with cancer and given a year to live ... but her mother is still alive several decades later.

She writes about how she struggled for admission to university in China, and then never mentions anything about her time there except that she was able to meet some Chinese intellectuals. It isnt' even clear that she attended the university.

She writes about how she moved to the U.S. to attend music school in California, then changes her mind and attends in Boston, but makes no mention of how she filled the 9 months in between, and how she supported herself after quitting her first job, or what she had to do to get her scholarship.

She writes about her 'marriage of convenience' to a man who was presumably, but never stated in so-many-words as being in a gay relationship -- and then her husband is never mentioned again. (Did this 'marriage' cause her NO difficulties when she applied for a French visa and then French citizenship?)

She writes about being diagnosed with cancer and refusing chemo -- but a few pages later she is recovered.

An editor to help smooth out these awkward sections would have been very welcome.
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on June 6, 2012
An interesting book but at times challenging to maintain enthusiasm, especially when into some of the deeper points of the famous composers and their music. It is an interesting book because it conveys Chinese history during the cultural revolution but in the context of music and through individual eyes. In reflection this is a much better way of understanding this time in history rather than through a book dedicated to explaining the cultural revolution alone.

Zhu Xiao-mei has tremendous courage to keep going when faced with such adversity from the public self criticisms, labour camps, keeping a level of sanity when being brain washed, trying to make it in America and Paris, only to then fight off a disease. The effect though was a continued doubt about herself which is a pity because so many times Zhu Xiam-mei bounces back when life (or Mao) knocks her down.

The book also quite rightly points out western countries have drew a public closure (as best they could) and learn lessons from world war 2 but China not taken that approach about the cultural revolution, which still appears largely hidden away and for China to become a greater power then it needs to be more open and honest, with itself and others. The making of great leaders are those that have no problem apologising for mistakes, and learn from them.

Overall, a very insightful book into both music and the cultural revolution, but is a book that requires effort to finish and is worth it in the end.
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on January 5, 2013
Zhu Xiao-Mei certainly has a fascinating story to tell, one which sets her love of classical piano against the backdrop of Mao's red China. The facts of her experiences in China are stark and difficult and her statements toward the end of the book that she will never find true happiness are a sad and eye-opening reminder of the way such situations linger long after a person is freed from them. Her descriptions of the propaganda, the brain-washing, the denunciations and self-criticisms that were a normal part of China at that time are fascinating in a dark kind of way, and I found myself reading quickly, wanting to know and understand more of what things were like.

Unfortunately, the book does not do her story justice. Zhu Xiao-Mei may be a brilliant pianist but she is not a natural writer, and she could have used a good editor or ghost-writer. Sentences are short and choppy with no real flow from one to the next, which may be partly due to the translation. More disappointing, however, are all of the details omitted and the way the story seems to jump ahead randomly with no good explanation of how or why things happened as they did. For instance - how does she manage to smuggle a piano into a labor camp? How does her mother manage to survive many years after receiving a cancer diagnosis and a life-expectancy of less than a year? What came of her marriage? None of these things are explained, and entire years of her life(years in which many changes occurred) are summed up in a few brief sentences.

It's a shame, because the story of her life is a fascinating one. I wish she had found somebody to help her do a better job of telling it.
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on January 2, 2014
I liked the first half of the book better than the last half. I found the descent into Mao Zedong's world interesting. However, the whole book was told in a third person journalistic style. I never built up any real empathy for the character. Although it mentioned the hardships she endured in the camps, it really did not chronicle how this really affected her physically. It dealt a lot with her mental state but in a rather detached way. The last half of the book went into too much detail regarding the piano pieces that she played. It would be interesting maybe for a professional musician but it became rather boring to someone like me that has never played the piano. Never in the book did it mention that she had any romantic feelings or experiences with anyone or explain why she did not want to find a husband or start a family.
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on February 6, 2013
It's really difficult to write a review on someone's life story. And even more difficult if this person is a labor camp survivor, China's Cultural revolution survivor and now a successful pianist. What does one say after all that?

I liked the book very much. At the beginning I thought I could relate to it, because I studied piano (but dropped out) and because I also lived under Communism (but not as harsh as Chinese)... But I realised the author's experience is so much more extreme. And I realised how lucky I've been living the way I did.

I've found some of her music online. Marvelous :) I would really recommend you to do that after/before reading the book. The music gives the book a whole new perspective.
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on April 20, 2012
This is an easy read. Many thanks to the translator--it was originally written in French. Zhu Xiao-Mei was born in Shanghai, moved with her family to Beijing and was in the Beijing Conservatory of Music as a teenager when the Cultural Revolution started. All of her family ended up in camps across the country where they separately had to work under onerous conditions. Yet Xiao-Mei's family sent the family piano to her remote camp. She's convinced that the piano-playing extended her stay at the camp (five years including two "escapes" to Beijing. But unlike many of her silenced classmates, Xiao-Mei kept up her piano playing and fought and fought for more education. First, with smuggled music from Hong Kong at the camp and then by not taking the government-found job she was offered after camp but using her Mother's rations so she could try to scrape by in Beijing. This is a story of many sacrifices and life at the schools and the camps and then her struggles in Los Angeles, Boston, and Brattleboro (Vermont) and then in Paris where she now resides. Yet I wanted to know what happened to her next and to get to the next chapter. There are a lot of fascinating details about what different teachers looked for and differences between Chinese and Western piano interpretations. I know little of classical music but there are a lot of details here of Schubert, Chopin, the Bach Goldberg Variations, and many other composers and works. Kudos to Xiao-Mei. Thank you for sharing your story. I like memoirs but I stopped reading them for a while because many of the authors seemed self-serving. But I learned Chinese history and classical music/piano playing here. Great memoir.
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on December 10, 2013
I enjoyed the first half of this memoir very much, but once Zhu Xiao-Mei left China my interest waned. The first part, however, was fascinating as she and her family struggled just to survive under Mao 's cruel and crazy rule. Unfortunately as the tale progressed to her years of study and relative poverty in the USA and Europe there was less action and too much introspection for my taste.
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