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Kapuciñski first went to Africa in 1957, a time pregnant with possibilities as one country after another declared independence from the European colonial powers. Those powers, he writes, had "crammed the approximately ten thousand kingdoms, federations, and stateless but independent tribal associations that existed on this continent in the middle of the nineteenth century within the borders of barely forty colonies." When independence came, old interethnic rivalries, long suppressed, bubbled up to the surface, and the continent was consumed in little wars of obscure origin, from caste-based massacres in Rwanda and ideological conflicts in Ethiopia to hit-and-run skirmishes among Tuaregs and Bantus on the edge of the Sahara. With independence, too, came the warlords, whose power across the continent derives from the control of food, water, and other life-and-death resources, and whose struggles among one another fuel the continent's seemingly endless civil wars. When the warlords "decide that everything worthy of plunder has been extracted," Kapuciñski writes, wearily, they call a peace conference and are rewarded with credits and loans from the First World, which makes them richer and more powerful than ever, "because you can get significantly more from the World Bank than from your own starving kinsmen."
Constantly surprising and eye-opening, Kapuciñski's book teaches us much about contemporary events and recent history in Africa. It is also further evidence for why he is considered to be one of the best journalists at work today. --Gregory McNamee --This text refers to an out of print or unavailable edition of this title.
Copyright 2001 Cahners Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
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This man is different, beginning with his more than forty year relationship with the African continent. Great writers like Kapucinski--and he IS a very great writer, assisted by a great translator, Klara Glowczewska--teach us how to see, how to find the right context, how to set out the proper perspective. Most of those who read this book will be Westerners in search of a window. As an introduction, as an intimation of the myriads of Africas--because, as Kapucinski freely acknowledges, it's unfair, and somewhat insulting, to speak simply of "Africa"--and, yes, as an interpretation for Western minds, readers could do no better than The Shadow of the Sun.
For all his his vivid prose and artistic control of story elements, Kapucinski is a scholarly observer, a man who sees through the deep ice, seemingly an anthropologist refitted as a journalist--his eye is uncanny, his descriptive powers precise and powerful, and his range of experiences and depth of understanding makes this a uniquely valuable tutorial. He writes with clarity and fresh insight on familiar topics like Amin, Sudan, and the Rwanda genocide--his "lecture" on the events of 1994 is one of the book's many highpoints--but also on the sensations, struggles, and states of being that accompany the simple act of living in so challenging an array of environments as Africa's geography provides.
... Read more ›Ryszard Kapuscinski is a not an historian, a political scientist, or a sociologist - he is a teller of tales, and a master of language. These stories move, astound, touch, and disturb the reader. The essays expose the highest, lowest, and most absurd types of human behavior, setting all against the limitless and impassive backdrop of the African continent.
The essays in "The Soccer War" and "Imperium" might overall be more unified and cohesive, but in the world of contemporary literature, it doesn't get much better than this.