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As always, The Shield supports these plotlines with gritty casework, including a brutal kidnapping, homicide, and gangland warfare. Every episode (shot in grainy 16mm) meets the series' high standard of excellence, but "Greenlit," "Homewrecker" (featuring the death of a recurring character), and "Dominoes Falling" are standouts, while the controversial "Co-Pilot" offers a retrospective look at the Barn's volatile origins. Writing and direction are consistently superb, and Pounder deserves honorable mention among the brilliant cast, striking a stoical balance of world-weary wisdom, procedural diligence, and righteous indignation.
Bonus features comprise a virtual film school for anyone seeking a career in television. While the commentaries explore the nuts and bolts of series development, the "Directors' Roundtable" (with creator Shawn Ryan, Scott Brazil, Peter Horton, and Paris Barclay) is a revealing, frequently hilarious study of the rigors of fast-paced production; "Sound Surgery" presents a track-by-track analysis of sound, music, and dialogue; and "Wrap Day" is a celebratory tribute to the series' hard-working cast and crew. It's all good, and guaranteed to stoke anyone's appetite for Season Three. --Jeff Shannon
If only they had watched more than two episodes. The first two episodes of S2 were distinguished by brilliant writing and acting, but episode 3, Partners, was the best of the season. Partners is proof positive that Chiklis deserves his Emmy nomination (and that co-star Benito Martinez and guest star Carl Weathers should have been nominated as well).
The critics were outraged over Chiklis' repeat Emmy nomination, but, as rogue detective, Vic Mackey, Chiklis is even better this time around, trying to set limits on a life gone out of control. His scenes with guest stars Weathers and Mark Rolston, Cathy Cahlin Ryan (as estranged wife, Corinne), and Walton Goggins (both appealing and scary as Vic's partner, Shane), were masterful.
Even better is Benito Martinez, subtle, volcanic, and fiercely intelligent as the reviled, ambitious City Council candidate Capt. David Aceveda. Martinez is heartbreakingly adept at letting silence speak for him. The look in his eyes, whether he is defying his campaign manager or having a showdown with his new boss, conveys all the moral struggle, passion for justice, and yearning for something better that are The Shield's major themes. Michael Jace also brings a quiet strength and deep, abiding kindness to his role as closeted beat cop, Julien Lowe. These two were the best actors on the show this season, and my only complaint about Season 2 is that they didn't get more screen time. Both bring awsome natural talent and presence to their roles.
Kenneth Johnson's Lem is likeable, as is new Strike Teamer, Brian White (Tavon Garris), and I look forward to seeing more of these watchable actors next season. Jay Karnes is always on the money as Dutch, the squad room scapegoat with daddy issues.
The Shield has always featured outstanding guest performances and S2 is no exception. The astounding Jamie Brown as hooker/informant, Connie; Danny Pino as the relentless drug lord, Armadillo; Weathers as Vic's down-and-out ex-partner, Joe Clark; the terrific Camilla Sanes as Capt. Aceveda's pragmatic, politically savvy wife, Aurora; and Rolston as a P.I. who turns emotional baggage into a contagious disease, are all superb.
The Shield's music supervisor, Evyen Klean, is in top form, too. The S2 soundtrack features brilliant scene-to-song matches, and other, larger networks are taking notice. The transcendent 'Aleluia Melisma', from unsigned artist, Steve Edwards, isn't available commercially. Yet, a few months after it was featured in S2's soundtrack, it showed up on one of the hottest new shows from one of the Big Three networks. S2's final montage -- set to Live's "Overcome" -- is every bit as good as last season's capper, and recalls Miami Vice in its brilliant fusion of music and images.
As usual, The Shield was there first. Ignore the critics and check it out.
It has become much more unpredictable. What was thought to be the seasons big bad guy, actually gets what a sane audience would want, his death in the worst way. He got it. Vic has gotten somewhat out of the rut he was in last season, but it is constantly huanting him with the presence of Claudette, a fellow detective. Not only does she know of his past, she knows how to take him down. But she knows without him, the presinct would fall.
The strike team is running and is more action packed than ever. Now with a new fifth member, things get more interesting on each bust.
Vics personal side gets more screwed up with every episode. Now his wife, again, has basically banished him from the house, his duaghter no longer cares for him, and his son has slipped further into autism.
If you watch this show, you know why it won a Emmy and two Golden Globes. This defines great TV. Hopefully the DVD is as good as the last one, maybe with somE more interesting menus please? Fox, this time you have no excuse about "not enough time".
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