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Special Features
- An audio commentary on the pilot episode by series creator David Chase and actor/director Peter Bogdanovich
- A 77-minute interview with Chase 'shot' in Tony Soprano's kitchen, and conducted by Bogdanovich
- Two behind-the-scenes featurettes
- An episodic index, with previews and recaps
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| The Sopranos Season 1 | - Available Formats |
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Editorial Reviews
Amazon.com
The series' brilliant first season is built around what Tony learns when, whipsawed between those two worlds, he finds himself plunged into depression and seeks psychotherapy--a gesture at odds with his midlevel capo's machismo, yet instantly recognizable as a modern emotional test. With analysis built into the very spine of the show's elaborate episodic structure, creator Chase and his formidable corps of directors, writers, and actors weave an unpredictable series of parallel and intersecting plot arcs that twist from tragedy to farce to social realism. While creating for a smaller screen, they enjoy a far larger canvas than a single movie would afford, and the results, like the very best episodic television, attain a richness and scope far closer to a novel than movies normally get.
Unlike Francis Coppola's operatic dramatization of Mario Puzo's Godfather epic, The Sopranos sustains a poignant, even mundane intimacy in its focus on Tony, brought to vivid life by James Gandolfini's mercurial performance. Alternately seductive, exasperated, fearful, and murderous, Gandolfini is utterly convincing even when executing brutal shifts between domestic comedy and dramatic violence. Both he and the superb team of Italian-American actors recruited as his loyal (and, sometimes, not-so-loyal) henchmen and their various "associates" make this mob as credible as the evocative Bronx and New Jersey locations where the episodes were filmed.
The first season's other life force is Livia Soprano, Tony's monstrous, meddlesome mother. As Livia, the late Nancy Marchand eclipses her long career of patrician performances to create an indelibly earthy, calculating matriarch who shakes up both families; Livia also serves as foil and rival to Tony's loyal, usually level-headed wife, Carmela (Edie Falco). Lorraine Bracco makes Tony's therapist, Dr. Melfi, a convincing confidante, by turns "professional," perceptive, and sexy; the duo's therapeutic relationship is also depicted with uncommon accuracy. Such grace notes only enrich what's not merely an aesthetic high point for commercial television, but an absorbing film masterwork that deepens with subsequent screenings. --Sam Sutherland
Product Description
Customer Reviews
Season 1 used a grainier film stock than subsequent seasons. This was problematic for the 2000 DVD release because MPEG II encoding has a difficult time handling grain, HBO squeezed 4 episodes onto each discs (except the last one) resulting in a high level of compression, there was a lot of edge enhancement applied to the video, and that this was a relatively early DVD release -- MPEG II encoding has significantly improved since then. As a result, the video on the DVDs had a lot of artifacts -- and the larger the TV you have, the more obtrusive the artifacts and edge enhancement are.
The Blu-ray release pretty much fixes all of those problems. You can really see the difference in the closeups on the actors' faces. The image is clear with a film texture. You'll also notice a lot more details in the background.
The pilot episode doesn't look as good as the rest of the season. This is no doubt because a cheaper film stock was used and they had less time to light scenes due to it being a pilot. The rest of the episodes look uniformly excellent.
Don't expect the show to look quite as good as good as the HD broadcasts of the later seasons. Starting in Season 2 much more money and effort was put into the cinematography in order to give the show a feature film look. The interiors of Season 1 are typically slightly over lit with a soft white light. I suspect this was done because they had a shorter production schedule then later Seasons when the show was a hit, and they didn't have time to relight sets every time they moved the camera.
The packaging is virtually identical to the DVD box. HBO has wisely decided to spread the season across 5 discs -- no more than 3 episodes per disc. This minimizes compression and helps improve video quality.
Nothing to report about the sound. Like the DVDs, the surround sound channels only come to life during explosions and shoot outs.
Fans of the show will be very happy with the results.
I wasn't disappointed. Matter of fact, I was blown away. It's a great show, at times hysterical, at times very dark. The characters are sometimes over the top but they stay close to basic story, unlike a lot of shows where, struggling to fill 60 minutes and having run out of any sensible ideas, they'll have doctors from an ER show caught in an improbable plane crash in the Andes or whatever.
The most interesting thing for me is the way they've used Tony Soprano's sessions with his therapist as a way to stitch everything together and let you get inside Tony's head. The actors playing both Tony and the therapist turn in remarkable and very believable performances.
This set is also a heck of a bargain. You get 13 episodes, four per DVD, plus some bonus materials, which is a lot of viewing time for the money.
I recommend this set as easily the best DVD purchase I made all year (this from someone who buys nearly everything that comes out.)
But quite aside from that. The Sopranos is at the absolute highest level of visual art. No movie and certainly no TV is at a higher level. I am amazed at how much I've seen in an episode on first viewing and then how much more on second and third viewing. There are lots of little things, connections, that emerge on repeated, highly pleasurable viewings. There are so many surprising details, little throwaway lines, cues that lead to something later on, that really show the filmmakers respected the intelligence of the viewer.
The richness of the interwoven comedy and drama, the inventive ways found to tell the multiple stories--I love it. I love all the actors, but would just take a minute to single out Nancy Marchand, who plays one of the most marvelous mother characters ever recorded. The merging of comedy and drama in her performance is sublime. Every little line matters. The way she walks. Everything she does is beyond wonderful.
The greatness of The Sopranos you've heard about is really true. You will not regret having this set on your shelf to watch over and over again.
Now "where's my money?"
