The Sopranos 6 Seasons 2002

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Season 4
Available on Prime
(299) IMDb 7.7/10
Available in HDAvailable on Prime

1. For All Debts Public and Private TV-MA CC

In the Season Four premiere, Tony invests in a land deal despite Carmela's concerns about money.

Runtime:
58 minutes
Original air date:
September 15, 2002

Available in HD on supported devices.

For All Debts Public and Private

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Season 4
Available on Prime
  • Included with Prime Instant Video

    1. For All Debts Public and Private In the Season Four premiere, Tony invests in a land deal despite Carmela's concerns about money.

    TV-MA 58min September 15, 2002
  • Included with Prime Instant Video

    2. No-Show With Paulie in jail, Christopher becomes acting capo, but he gets off to a bad start with Patsy. Troubled by Jackie Jr.'s death, Meadow considers taking a year off. Meanwhile, Adriana is in a bind after ending her friendship with Daniele.

    TV-MA 58min September 22, 2002
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    3. Christopher Silvio and Ralph must take care of a Native American group's plan to protest the Columbus Day parade. At an Italian pride lunch, Carmela is embarrassed by anti-Mafia remarks. Meanwhile, Ralph deals with new relationship troubles.

    TV-MA 55min September 29, 2002
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    4. The Weight A disparaging remark about his wife sets Johnny Sack on a vendetta. Meadow decides to do volunteer work at a Bronx law center; Furio hosts a housewarming party for the gang; and Silvio and Chris make an offer to an old-time hit man.

    TV-MA 59min October 6, 2002
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    5. Pie-o-My Checking out Ralph's new filly at the track, Tony displays a flair for horse-racing strategy--and discovers an unexpected affinity for the stable life. Adriana finds her rock club being used as a place of business for Chris and his pals.

    TV-MA 55min October 13, 2002
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    6. Everybody Hurts After hiring an attractive French hostess, Artie loans her brother some money, with interest. Meanwhile, Christopher gets new responsibilities; Carmela fixes Furio up with an oral hygienist; and Tony receives some unsettling news.

    TV-MA 56min October 20, 2002
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    7. Watching Too Much Television Tony and the gang throw Paulie a Bada Bing bash after his release from jail, but old tensions resurface. Carmela's cousin throws out a hypothetical investment scenario that Tony and Ralph attempt to turn into reality

    TV-MA 54min October 27, 2002
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    8. Mergers and Acquisitions Paulie takes pains to integrate his mother into the social world at Green Grove. Furio faces up to his inner feelings during a trip to Italy, and Ralph introduces Tony to his new 'goomar,' Valentina.

    TV-MA 56min November 3, 2002
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    9. Whoever Did This After an aggressive team of reporters lowers the boom on Uncle Junior, his lawyers try a new strategy. Ralph has some fun at the expense of Paulie and his mother, but soon winds up with his own family problems.

    TV-MA 58min November 10, 2002
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    10. The Strong, Silent Type At therapy, Tony likens himself to a 'sad clown,' but Melfi doesn't buy it. Carmela drags A.J. with her to Furio's house to offer companionship and Paulie puts the finishing touches on some free artwork.

    TV-MA 54min November 17, 2002
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    11. Calling All Cars After a sitdown with Carmine and Johnny Sack, Tony contemplates the future of the HUD partnership. Meanwhile, Paulie blows off steam with an old pal; Janice starts losing patience with Bobby; and Melfi analyzes Tony's dreams.

    TV-MA 48min November 24, 2002
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    12. Eloise Tony continues to haggle with Johnny Sack and the two Carmines over the Esplanade profits. Carmela makes a decorating date she can't keep; Furio accompanies Tony on a casino junket; and Meadow debates a literary classic with her mom.

    TV-MA 57min December 1, 2002
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    13. Whitecaps In the Season Four finale, Tony and Carmela contemplate purchasing a shore house, but a voice from the past threatens the deal. Little Paulie and Benny break in a new sound system on the Stugots.

    TV-MA 1h 16min December 8, 2002

Product Details

Genres Drama
Director Allen Coulter
Supporting actors Edie Falco, Michael Imperioli, Dominic Chianese, Steven Van Zandt, Tony Sirico, Robert Iler, Jamie-Lynn Sigler, Drea de Matteo, Aida Turturro, Federico Castelluccio, Vincent Curatola, Steve Schirripa, Joe Pantoliano, Peter Riegert, Tom Mason, Lola Glaudini, Marianne Leone, Tony Lip
Season year 2002
Network HBO
Executive Producer Henry Bronchtein
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Instant Video (streaming online video and digital download)

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Most Helpful Customer Reviews

110 of 121 people found the following review helpful By K. Wyatt on November 14, 2003
Format: DVD Verified Purchase
Where the first season covered Tony's relationship with his mother and that relationship causing him to see a therapist; the second season went more along the lines of him as a brother; the third season was based on Tony and Carmela as parents and of course, this fourth season was highly focused on their marriage, all coming to an incredible head in the final episode.
I've heard several people say that the third and fourth seasons weren't as strong and as "biting" as the first two seasons, I couldn't disagree more. This fourth season is an extremely intense season and is just as dramatically compelling and enthralling as the previous three. Very few dramatic series can even compare to The Sopranos where it entertains on all levels, from gripping drama to dead pan humorous moments.
Combining the continued elements of extraordinary writing, superior direction and exceptional acting all make this fourth season another resounding success in the Sopranos series and a long wait until March of 2004 for the fifth season to kicks in.
Episode synopsises:
For all Debts Public and Private - A slowing economy has even effected even Tony's "thing" and Carmela is worried about the family's long term financial security and wishes to acquire some "traditional" investments; Tony gives Christopher a "gift" that he never would've expected; Junior is fretting over his upcoming trial and Adriana makes a dangerous new friend.
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72 of 78 people found the following review helpful By Brian McLaughlin on August 28, 2003
Format: DVD
While the death count has steadily decreased in subsequent seasons, The Sopranos is not going soft, but rather evolving. In the first season, everything was put together. In number two, an emphasis was placed on Tony's business: busting out, poker games, scams, power struggles, traders, etc. In season 3, the series showed it is not prone to repetition. Instead of Ralph becoming another Richie, his ability to make money kept him alive.
Now the fourth and still not the last season. Seemingly every episode ended with an uncomfortable shot of Tony and Carmela alone together, but still apart: In bed with Carmela facing away, in the kitchen with Tony leaning on the couch, in the bathroom with Carmela in the tub. And after all this, Tony bought "Whitecaps", his way of saying that he wanted to keep his family together forever. But Carmela saw it as just "a bigger version of a diamond ring." As Dean Martin sings at the end of the finale, "It's because, my girl's right here."
Then the demise of Ralph, foreshadowed when Jonny Sack comments "I should have let Tony cut your head off last year." Ralph was kept around only because of money and when he hands Tony an envelope and says "At least I'm good for something," Tony can't help but agree. And when Ralph is being `silenced' by Tony in `Whoever Did This', Tony comments "She was a beautiful creature, what did she ever do to you?" It becomes hazy whether he is referring to Pie-O-My or Tracy when he sees her picture at the Bing. The "thousand incidents with that guy" finally catch up to Ralph.
By the end of the season, Tony has a business predicament that will likely be settled somehow in season 5. Tony has conspired with Carmine to kill Jonny Sack, and negotiated with Jonny to kill Carmine.
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38 of 39 people found the following review helpful By Michael Whalen on May 17, 2003
Format: DVD
This show has done none of things that TV shows normally do at this point. ie. repeat itself, slip into formula, strain credibility ("jump the shark" as the popular saying goes), etc... I really don't know how Creator David Chase & company keep it up? Talent, creative freedom, and dedication, I suppose.
I didn't find this 4th season to be as emotionally devastating as the previous 3 (though it has its moments), but it is still very strong! The acting is, amazingly, better than it's ever been, and several episodes rank among the best ("The Weight," "Whoever Did This," "Whitecaps"). James Gandolfini gives Tony Soprano some his most compelling scenes yet, and in the x-tra long season finale, Edie Falco simply rises to new heights. Joe Pantoliano as Ralph Cifaretto, who surprised everyone by surviving the 3rd season, is back & provides some welcome wicked humor & hidden depths.
The finale is very satisfying, but several very important plot lines are left unresolved. We can only assume the 5th, and reportedly last, season will resolve them in some fashion. Regardless, the twists and turns involving Ralphie's new race horse Pie O' My, Chris' decent into heroin addiction, Carmela's attraction to one of her husband's deadly henchmen, Johnny Sack's love for his very heavy wife, and Tony's sometimes impulsive womanizing all pay off in wonderful & unexpeted ways.
The 5th season is eagerly awaited, to be sure. If it can match #4, it will be a strong finish indeed for this dark saga.
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14 of 14 people found the following review helpful By J.R.E on February 27, 2006
Format: DVD
Upon its original airing, the fourth season of The Sopranos provoked a vocal and hostile response from the show's fans. Nothing happens, they would complain. The episodes wander aimlessly from one to the next. Plot lines are brought up and then dropped. Nobody gets whacked.

Viewers watching during its original airing can be excused for so thinking. Viewed one episode at a time, one week at a time, it was easy to feel dragged along. It is no secret that The Sopranos wasn't built to last and was never really intended to go on past three seasons; once its original conceit was used up, David Chase and the writers needed to find a new direction.

As a result, Season Four has no overarching plot lines, such as Tony's rivalries with Junior or Ritchie, or clearly delineated character arcs like the downfall of Jackie Jr. or Tony's doomed relationship with Gloria. Instead, much of the "mafia" story was dedicated to getting us better acquainted with the Soprano family's relationship with Johnny Sack, Carmine, and New York (storylines that pay off dividends in Season Five). Moreover, from the very first episode, "For All Debts Public and Private," Season Four has a sense of impending, post-9/11 dread; every week gave viewers the sense that something "big" was about to happen -- that Tony would discover Paulie "talking out of school," that the Feds would put the screws into Adrianna, that Carmela would consummate her flirtations with Furio -- but it never did. And when a major character did meet his untimely end, it came as an inevitability rather than a release. The buildup of tension that was never released undoubtedly led to the frustration of many viewers.
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