Elizabeth Wilson's elegant, provocative, and scholarly study uses fiction, essays, film, and art, as well as history and sociology, to look at some of the world's greatest cities--London, Paris, Moscow, New York, Chicago, Lusaka, and São Paulo--and presents a powerful critique of utopian planning, anti-urbanism, postmodernism, and traditional architecture. For women the city offers freedom, including sexual freedom, but also new dangers. Planners and reformers have repeatedly attempted to regulate women--and the working class and ethnic minorities--by means of grandiose, utopian plans, nearly destroying the richness of urban culture. City centers have become uninhabited business districts, the countryside suburbanized. There is danger without pleasure, consumerism without choice, safety without stimulation. What is needed is a new understanding of city life and Wilson gives us an intriguing introduction to what this might be.
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"She argues persuasively that the revival of cities depends on our looking at them in a fresh and sympathetic way. . . . Along the way, Ms. Wilson also offers a number of shrewd insights into what makes cities magical and fun, despite their vulgarity, rabble, vice and empty corporate plazas."--Karal Ann Marling, "New York Times Book Review
From the Inside Flap
"Adopting the guise of a flaneur, Wilson reconsiders the classical imagery of the city from the viewpoints of diverse groups of women: bourgeois wives, prostitutes, transvestite writers, and others. Its originality resides in its deft, consistently provocative interweaving of underground feminist discourses with the familiar, male-infected rhetorics of urban experience."--Mike Davis, author of City of Quartz
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