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Summer Reading
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The Stand is like that. You either love it or hate it, but you can't ignore it. Stephen King's most popular book, according to polls of his fans, is an end-of-the-world scenario: a rapidly mutating flu virus is accidentally released from a U.S. military facility and wipes out 99 and 44/100 percent of the world's population, thus setting the stage for an apocalyptic confrontation between Good and Evil.
"I love to burn things up," King says. "It's the werewolf in me, I guess.... The Stand was particularly fulfilling, because there I got a chance to scrub the whole human race, and man, it was fun! ... Much of the compulsive, driven feeling I had while I worked on The Stand came from the vicarious thrill of imagining an entire entrenched social order destroyed in one stroke."
There is much to admire in The Stand: the vivid thumbnail sketches with which King populates a whole landscape with dozens of believable characters; the deep sense of nostalgia for things left behind; the way it subverts our sense of reality by showing us a world we find familiar, then flipping it over to reveal the darkness underneath. Anyone who wants to know, or claims to know, the heart of the American experience needs to read this book. --Fiona Webster
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That said, "The Stand" is an incredible novel; perhaps one of the best I have ever read, by any author or in any genre. The story is predicated on the accidental release of a "super-flu" that wipes out 99% of the humans on the planet. The survivors find themselves drawn into a battle between good and evil that will determine the future of the entire planet.
As one might expect, a novel with such an ambitious plot and of such prodigious length touches upon numerous themes. In order to simplify my review, I am going to break down the novel's strengths into the following categories, and then consider them one at a time: world-building, plot, characters and themes.
First is world-building. In most apocalyptic fiction, one (if not both) of two things will be true: 1. The characters stay in one place or 2. The action picks up after the disaster. An example of the first is "Earth Abides" and of the latter "On the Beach". There's nothing wrong with either plot device, but in "The Stand" King injects a remarkable level of detail into his novel by covering the super-flu from start to finish. The novel starts at the very beginning of the outbreak, and many key plot lines are developed before the epidemic ever rears its head. King charts the breakdown and eventual destruction of civilization, and then offers a short, but remarkable, picture of the survivors in the immediate days after the flu has run its course. He makes the subtle observation that many survivors would die in a second wave of suicides, accidents and depression that would weed out many of those unequipped for an empty world. Finally, as the story progresses, King makes remarkable (but not overbearing) predictions about how nature would reshape the U.S. in the absence of man.
Second to consider is the plot. As I alluded to earlier, King has used the emptied United States as a battleground between good and evil. Soon after the flu has run its course, the survivors begin having dreams about an old woman (Mother Abigail) who seems to be marshalling the forces of good, and a malign presence (Randall Flagg) who is gathering those who would serve him and his ends. Insofar as the reader knows, the choice is clear-cut, irrevocable and mandatory. It is very much a "are you with us or against us" type of situation. That said, much of the book is devoted to the characters traveling across country to Boulder or Las Vegas (guess which side is where), no mean feat in a world without mass transit, hotels, etc. In fact, King's writing is so effective, the novel would be fascinating if the characters did nothing but travel around and attempt to reestablish society. The second, metaphysical, layer just makes it all the more interesting.
Thirdly, we have the characters to consider; I'll won't name names or speak in specifics to avoid ruining the plot, but there are a few general points worth mentioning. To start, the cast of characters in "The Stand" rivals that of "Lord of the Rings", and King handles it every bit as well as Tolkien. One might expect that a novel with a story this complex would skimp on character development, but the opposite is actually true. King took a huge idea (good vs. evil) and reduced it to a human element that the reader could digest. His characters show an incredible range of emotion, and even their flaws serve to enhance the reader's view of them. They struggle and fail and are rarely sure of themselves, in other words, they are human. As such, their actions take on a level of realism that is astonishing.
Finally, we come to the themes of the book. The way I see it there are three: the dualistic nature of good and evil, redemption and hope. The first is the most obvious, King correctly points out that good cannot be appreciated or striven for in the absence of bad. We can strive to limit the effects of evil, but it will never be overcome, as King sees greed and hate as intrinsic to the human condition in general, and civilization specifically. The second theme, of redemption, is subtler and offsets the first. King does not paint anyone is irretrievably lost, and along the same lines, he considers how good intentions are frequently misdirected through ignorance and fear. King seems to believe that given the opportunity and support, anyone can salvage their lives. Which brings us to the final theme of hope. As the novel ends, the reader knows that evil has not been vanquished, but also that it can never triumph because within its very nature are the seeds of its destruction. Over time, evil empires have gained power because they have torn down their enemies (see Nazi Germany), but as the saying goes, live by the sword, die by the sword. There is always hope, because evil cannot win.
There are so many other points to touch on, I could write indefinitely, but what it all comes down to is this: if you're looking for a novel that will entertain you even as it makes you think, "The Stand" is for you.
Enjoy!
What many readers did not know was that King was asked by the accounting department of his publisher to trim his already huge novel by several hundred pages to keep costs down and to make the hardcover's price affordable ($12.95 in 1978). Given the choice of doing the edits himself or letting the in-house editors do the cutting, King chose the former. As a result, most -- but not all -- the characters and situations appeared reasonably whole, although King remarks in the Preface that pyromaniac Trashcan Man's westward trek from the Midwest to Nevada has the most scars from the literary surgery he performed.
By 1989, though, King had enough clout -- and reader support -- to get Doubleday to publish The Stand: The Complete and Uncut Edition. Released in hardcover in 1990, the book sold very well and was later adapted by King as a miniseries for ABC-TV.
So what are the differences between the two versions of The Stand, besides the heavier weight and higher price? (Remember that
$12.95 retail price from 1978? In 1990 this had nearly doubled to $24.95!) Well, the novel's tale remains the same -- nefarious U.S. military creates a deadly strain of the flu...flu accidentally (and later not so accidentally) infects most of humanity...then the survivors split into two camps, one led by the evil Randall Flagg, the other headed by an elderly woman known as Mother Abigail, thus setting up the ultimate battle between darkness and light.
But in this novel, the magic is in the details. The long and fiery journey of the Trashcan Man across the United States is now more complete, and a frightening character who was completely excised from the original novel in '78 is now restored in a literary equivalent of the Extended Editions of The Lord of the Rings DVDs.
Another bonus: Illustrator Bernie Wrightson, who has contributed his drawings and artwork to King's Creepshow, Cycle of the Werewolf and one of the Dark Tower books, has added several illustrations to this edition. There are just a few and they are sprinkled sparingly, but they add a powerful jolt of visual effects to King's already vivid prose.
King acknowledges his penchant for writing big, sometimes rambling novels, and The Stand: The Complete and Uncut Edition is surely big and rambling. Yet the cast of characters -- Stu Redman, Frannie Goldsmith, Larry Underwood, Harold Lauder (whose descent from merely obnoxious teen to jealousy-driven traitor is one of The Stand's more interesting subplots), Nadine Cross, Nick Andros, Tom Cullen, Lloyd Henreid...and the mysterious entity known as Flagg -- is one of King's best ensembles of fictional creations, and the mythical landscape of post-flu America is truly unforgettable.
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