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The Kid Stays in the Picture


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Product Details

  • Actors: Robert Evans, Eddie Albert, Peter Bart, Charlie Bluhdorn, William Castle
  • Directors: Brett Morgen, Nanette Burstein
  • Writers: Robert Evans, Brett Morgen
  • Producers: Brett Morgen, Chris Garrett, Christopher J. Keene, Graydon Carter
  • Format: Multiple Formats, Closed-captioned, Color, Dolby, Subtitled, Widescreen, NTSC
  • Language: English
  • Subtitles: English, French, Spanish
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: Warner Home Video
  • DVD Release Date: June 1, 2004
  • Run Time: 93 minutes
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (68 customer reviews)
  • ASIN: B00009PY57
  • Amazon Best Sellers Rank: #37,421 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "The Kid Stays in the Picture" on IMDb

Special Features

None.

Editorial Reviews

Robert Evans became head of production at a major Hollywood studio at age 24. Took a studio from worst to first. And brought to the screen a phenomenal string of hits that includes Chinatown and The Godfather. He lived fast. Lived large. Lost it all. Then rose to prominence again. And now the inside-Hollywood story is revealed by ROBERT EVANS in this dazzling show-all movie that's narrated by Evans in his inimitable showman's style!

Customer Reviews

It seems he knows everybody and I mean everybody.
Bob L
Evans is a man who lives for the battle, especially when it's a battle fought for the sake of movies.
Mike Stone
The film is based on Evans's own book and he provides the narration as well.
David Bonesteel

Most Helpful Customer Reviews

20 of 20 people found the following review helpful By Charlotte Vale-Allen VINE VOICE on August 20, 2002
Even though the reviews of this film were almost universally raves, I wouldn't have gone to see it. But a friend wanted to go, so I went along. And I'm truly glad I did. This is not like any documentary (particularly of a Hollywood notable) I've ever seen. For those of us who watch A & E Biography to glean tidbits of unknown information about "the famous," The Kid Stays in the Picture is a world apart, a completely refreshing take on biographical film-making.
What sets this film apart is its honesty. Evans's narration is self-deprecating, self-mocking, truthful and utterly unpretentious. The combination of TV and film clips, stills with subtle bits of animation (cigarette smoking rising from the surface of a photo) and the voiceover explanations of how some of Evans's films came to be is nothing less than compelling. It's also very, very funny. One notable description is of Frank Sinatra's ultimatum to Mia Farrow during the filming of the groundbreaking Rosemary's Baby. Either Mia finished the picture on day X or she could forget about coming home. How Evans schmoozed Mia into completing the picture is a great combination of smart hard-sell and appeal to the actress's ego. There are similar tales about how Coppola came to be the director of The Godfather.
Without copping any attitude, with painting any portion of his career in pastels, Evans comes across as a smart fellow with a great feeling for the books that make good movies. And the final scene, with Dustin Hoffman doing a long impersonation of Evans while the end credits run is absolutely hilarious.
If you have any interest in film-making, or want to know about a legendary Hollywood producer, or simply wish to see one swell documentary, see this movie. It's one of a kind.
Highly recommended.
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8 of 8 people found the following review helpful By Bob L on December 20, 2004
Format: DVD
Maybe the most engaging documentary ever made. Brilliant style is used in telling the story of one of the giants of the movie industry, producer Robert Evans. Giving magical illumination and motion to still pictures in a way that I could only describe as psychedelic.

Being a film fanatic for the last 43 years I was shocked and ashamed to find that I had not heard of Robert Evans. In all my reading of credits over the years I had somehow missed his name. I had remembered seeing William Castle's name at the beginning of Rosemary's Baby but not Evan's. Then, at finding out that he was the driving force behind Love Story, The Godfather, The Godfather Pt.2, Chinatown and one of my personal favorites The President's Analyst and that he was a big reason why those movies were so good, well I was just dumbfounded. And these are just a fraction of the films he's produced.

Of course he didn't start as a producer. He had been in women's apparel with his brother and accredited their endeavours as the reason why women wear pants today. While lounging around a pool one day he was discovered by Norma Shearer, lauching his career into show biz. It seems he knows everybody and I mean everybody.

After watchng this extraordinary film I called my father to ask him if he had ever heard of this astonishing personality. I queried, "Have you ever heard of Robert Evans?" anxiously awaiting a "No" so I could tell him all about this amazing show biz entity. He replied, "You mean Bob Evans." Yes indeed, it seems he knows EVERYBODY. My father had come across him in his days as a buyer for Macy's. I asked, "Do you know what he does now?" "He's some sort of movie director or something now, isn't he.", Dad answered. I bought him the audiobook.
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14 of 17 people found the following review helpful By Mike Stone on August 9, 2002
There's an apt little epigram that appears on screen as the movie opens. "There are three sides to every story," it says, "my side, your side and the truth. And no one is lying. Memories shared serve each one differently." The speaker is Robert Evans, upon whose memoir, "The Kid Stays in the Picture", this rousing and raucous documentary is based. The epigram not only serves as a fancy little bit of wordplay to get the picture off on the right foot, but it also acts as the film's (and, more specifically, the subject's) credo.
Evans narrates the events of his life as they unfold on the screen. His gravelly voice is a soothing guide, but it is the content of what is said that is addictive. If this film had been made independently by directors Nanette Burstein and Brett Morgen, without Evans' help, it would have been just another rise and fall and rise again Hollywood morality tale. But Evans' presence lends it something more. It gives the filmmakers, based solely on the forceful and gargantuan nature of his personality, license to tell this story only from Evans' myopic point of view. Usually documentarians have a responsibility towards objectivism. But with "The Kid Stays in the Picture", they're not really documenting Evans' life story, but his persona. Which makes for a much livelier tale.
So we get Evans' version of why Mia Farrow, after enduring much heat from her then husband Frank Sinatra to quit, decided to stay in "Rosemary's Baby": because Evans, the slick operator, fed her dreams of Oscars and glory; and because Mia, a flighty and whiny little girl, had an actress' ego that needed massaging. Is Mia given an opportunity to defend herself? No! Of course not! Does it matter? No! Of course not!
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