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The Stranger's Child (Vintage International) Paperback – September 4, 2012
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“Remarkable. . . . Daring. . . . Fresh and vital.”
—Thomas Mallon, The New York Times Book Review
“Hollinghurst is a master storyteller. . . . For the daring of its setting out, and for the consistent flash and fire of the writing, The Stranger’s Child is to be cherished.”
—John Banville, The New Republic
“At once classically literary and delightfully, subversively modern. . . . It’s a thrilling, enchanting work of art.”
—San Francisco Chronicle
“Brilliant. . . . Hollinghurst [has] a truly Jamesian fineness of perception. . . . [He is] one of the best novelists at work today.”
—The Wall Street Journal
“A sly and ravishing masterpiece.”
—Cleveland Plain Dealer
“Magnificent. . . . Hollinghurst explores how a living, breathing existence can become a biographical subject riddled with omissions and distortions. . . . His immersion in each period is fluid and free of false notes, collectively fusing into a single symphonic epic. . . . A beautifully written, brilliantly observed and masterfully orchestrated novel.”
—The Seattle Times
“Hollinghurst writes with the relaxed elegance and unobtrusive charm of a Cary Grant. Part social history, part social comedy and wholly absorbing, The Stranger’s Child does everything a novel should do and makes it look easy.”
—The Washington Post
“Vibrant. . . . Sparkling. . . . Witty and ultimately very moving. . . . There are echoes of E. M. Forster, Evelyn Waugh, Elizabeth Bowen and others, but The Stranger’s Child is a Great English Novel in its own right, and a tantalizing read.”
“Masterful. . . . Psychologically penetrating. . . . Hollinghurst is a superior novelist of manners, and the brilliance of The Stranger’s Child is in how it reveals the ways bad blood and secrets muck with history.”
—Minneapolis Star Tribune
“Beautifully written, ambitious in its scope and structure, confident in its execution, The Stranger’s Child is a masterclass in the art of the novel.”
—The Times Literary Supplement
“Hollinghurst writes like Henry James, but without the obfuscation; his gorgeous sentences home in on the delicate nuances of human relationships but don’t sacrifice the larger social canvas along the way.”
“Erudite, stylish, very amusing. . . . A novelist with a historian’s engrossment in the past and a critic’s sensitivity to taste and judgment, Hollinghurst is an aficionado of the English literary heritage [and] in The Stranger’s Child, that bookish fascination envelops every aspect of the novel.”
“Hollinghurst imaginatively insists that our literary tradition would be unrecognizably depleted without the submerged current of homosexuality. . . . The Stranger’s Child itself is the culmination of not only Hollinghurst’s ambition but that secret literary tradition to which it is addressed.”
—Geoff Dyer, New York Magazine
“Charming. . . . Perfect. . . . Hollinghurst writes so carefully and subversively, often with one eyebrow raised in sardonic amusement as he satirizes the excesses of his mostly high-born protagonists.”
About the Author
Alan Hollinghurst is the author of the novels The Swimming-Pool Library, The Folding Star, The Spell and The Line of Beauty, which won the Man Booker Prize and was a finalist for the National Book Critics Circle Award. He has received the Somerset Maugham Award, the E. M. Forster Award of the American Academy of Arts and Letters and the James Tait Black Memorial Prize for Fiction. He lives in London.
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Top Customer Reviews
The Sawles are comfortably off, but not rich. They're acutely aware that Cecil comes from a much posher family, the Valances, and spend a fair bit of the weekend worrying about diong things right. For example, Jonah, one of their general house servants, is assigned to be Cecil's valet for the weekend, and has no clue what to do but pretends he does. George is infatuated with Cecil, whose strong personality comes through the whole novel. George worries about his mother and sister letting slip just how much detail he's told them about Cecil and his family. Lots happens during the weekend. (I'm trying to avoid spoilers!) It felt like a rewritten version of Brideshead Revisited near the start, only backwards - the rich boy comes into the poorer family home.
There are 5 or 6 parts to the book, and 15-20 years between parts. Figuring out what was going on at the start of every new part was great fun.Read more ›
"The Stranger's Child" is an example of a brilliant writer working at the top of his form, a multi-generational saga beginning before the first World War and ending in the late 1960s. I say "ending" advisedly inasmuch as part of the success of the novel is that the reader is left with the understanding that the story specifically, and life in general goes on beyond the final page.
A writer of stunningly descriptive prose, Mr. Hollinghurst has created a nearly overabundance of three-dimensional characters, the importance to the narrative of which is not always necessarily apparent. Real people brilliantly brought to life in both broad strokes and the tiniest details. All in service of a semi-linear story, the plot of which is less important than the concepts the writer wants to convey.
If you want a description of the plot you can look elsewhere in this listing. Among other things, "The Stranger's Child" is about the physical and emotional evolution of England as a country and as a people from the Victorian age to the pre-AIDS present. It is about changing nature of families and the secrets they contain. It is about emergence of homosexuality from the silent, glass closet into the light of a more enlightened age where same-sex love is now allowed to speak its name.
Ultimately "The Stranger's Child" is about memoir, biography and, by extension, reality itself.Read more ›
Halfway through, Hollinghurst suddenly veers onto a completely different narrative track, introducing a man from an altogether different social background who will become the family's biographer. This change of focus is disconcerting, to say the least. Is it simply inept plotting, or is the author deliberately playing with his readers?
I found it worth sticking with Hollinghurst as he turned an apparently conventional social novel into a wonderful dissection of the elements of modern biography: the power plays between subject and researcher, the dangerous and swampy territory of 'fact', the existential crisis involved in becoming a biographer. A clever, rewarding read, even if it's not quite what you expect at the start.
If you liked Ian McEwan's Atonement, you might enjoy this.
Most Recent Customer Reviews
A sweeping and beautiful saga. Long book, but one you can easily get lost in. Spans several generations and about a century of time.
could not finish this book, confusing and not interesting (at least to me)Published 12 months ago by patricia baker
A very tiresome book about relationships and the affects they can have on people and their behavior. Read morePublished 16 months ago by K.N.R.
Like many others, I found this a difficult book to follow, especially in the beginning chapters. About a third of the way through, I stopped and read some reviews and synopses of... Read morePublished 16 months ago by Everett E. Day
The Book Discussion group discussed The Stranger's Child at THE LGBT CENTER in NYC in September 2014. Read morePublished 17 months ago by H. Williams
I just re-read this ~ something I almost never do, but I suggested it to my book club! and it had been a couple of years. It was just as wonderful the second time around. Read morePublished 17 months ago by Eric C. Peterson
I purchased The Stranger's Child after reading The Line of Beauty, in hope that it will be equally amazing. It wasn't.Published 19 months ago by C. Kappel