The Stud. Jackie Collins [Paperback]

Product Details

• Paperback: 208 pages
• Publisher: Pan MacMillan
• Language: English
• ISBN-10: 0330462415
• ISBN-13: 978-0330462419
• Product Dimensions: 5.2 x 0.7 x 7.7 inches
• Shipping Weight: 7 ounces
• Average Customer Review: 3.5 out of 5 stars  See all reviews (6 customer reviews)
• Amazon Best Sellers Rank: #1,698,792 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

4 of 4 people found the following review helpful:

5.0 out of 5 stars Experience the sixties w/o being there, February 23, 2000

By 

J. Devlin "Jone" (Marion, IA) - See all my reviews
(REAL NAME)   

This review is from: The Stud (Mass Market Paperback)

Let me preface this by saying I'm not a very big fan of Jackie Collins, but I LOVE this book. As you move through 1969 London through the eyes of professional stud Tony Blake, you'll almost feel like you've taken a trip back in time. The sex scenes are hot w/o being vulgar, and all the characters, even the secondary ones, are very well drawn out. A scintillating and wonderful trip back in time!

1 of 1 people found the following review helpful:

4.0 out of 5 stars the stud, September 20, 2002

By 

alice (Ireland) - See all my reviews

This review is from: The Stud (Paperback)

I don't usually read romance novels, and if you do, this one may disappoint you. There is no happy ending. There are no perfect or likeable heroes or heroines. Collins critiques power and money. She shows how they can debase human relationships. This book is all about ego, using money and sex as metaphors. It is exciting and it maintains your interest. But there is no fantasy dreamland for you to float off into at the end. You're more likely to be left examining both society around you and your conscience. If you find this more exciting than facile escapism, buy the book!

4.0 out of 5 stars Intrigue, not romance, December 1, 2003

By A Customer

This review is from: The Stud (Mass Market Paperback)

This book is more intrigue than romance, but offers a glimpse into some of London and New York of the early 1960s. The main character, Tony, appears dim and unlikable throughout the book as he makes petty excuses for "infidelities" and seems to idolize displays of wealth and extremes- the seasoned, socialite housewife and eventually, as a reaction to her, the naive, virgin schoolgirl. With no secure financial backers, his good looks get him by, but probably for only as long as looks can. While the main character is unlikable, other characters are even more so. The ending seems to benefit the naive girl in the long-run, as the main character's interest in her appeared to be more of an idolization than love. His interest seems to be based on his realization that he can mold her just as someone has molded him. His professed love for her seems weak when he pursues and undertakes infidelities, for monetary gain and physical pleasure.