The Submission: A Novel [Kindle Edition]

Amy Waldman (Author)

Book Description

Entertainment Weekly’s Favorite Novel of 2011 

Esquire’s 2011 Book of the Year
A New York Times Notable Book for 2011

A Washington Post Notable Fiction Book for 2011

One of NPR’s 10 Best Novels of 2011

Ten years after 9/11, a dazzling, kaleidoscopic novel reimagines its aftermath

A jury gathers in Manhattan to select a memorial for the victims of a devastating terrorist attack. Their fraught deliberations complete, the jurors open the envelope containing the anonymous winner’s name—and discover he is an American Muslim. Instantly they are cast into roiling debate about the claims of grief, the ambiguities of art, and the meaning of Islam. Their conflicted response is only a preamble to the country’s.

The memorial’s designer is an enigmatic, ambitious architect named Mohammad Khan. His fiercest defender on the jury is its sole widow, the self-possessed and mediagenic Claire Burwell. But when the news of his selection leaks to the press, she finds herself under pressure from outraged family members and in collision with hungry journalists, wary activists, opportunistic politicians, fellow jurors, and Khan himself—as unknowable as he is gifted. In the fight for both advantage and their ideals, all will bring the emotional weight of their own histories to bear on the urgent question of how to remember, and understand, a national tragedy.

In this deeply humane novel, the breadth of Amy Waldman’s cast of characters is matched by her startling ability to conjure their perspectives. A striking portrait of a fractured city striving to make itself whole, The Submission is a piercing and resonant novel by an important new talent.

Editorial Reviews

Amazon.com Review

Amazon Best Books of the Month, August 2011: Amy Waldman has performed a rare and dangerous feat in writing an airtight, multi-viewed, highly readable post-9/11 novel. When a Muslim architect wins a blind contest to design a Ground Zero Memorial, a city of eleven million people takes notice. Waldman, a former bureau chief for the New York Times, explores a diversity of viewpoints around this fictional event, bringing in politicians, businessmen, journalists, activists, and normal people whose lives--whether by happenstance, choice, or even due to their country of origin--get caught up in the controversy. Incredibly, she manages to keep all the balls in the air without ever fumbling. The story is moving and keeps the pages turning, but there are also bigger themes at work: of individuals versus groups; about the purpose of art, commerce, government, and journalism in society; of how people respond to grief and terror. The result is honest, compelling, and breathtaking.--Chris Schluep

Review

"Amy Waldman's THE SUBMISSION is a wrenching panoramic novel about the politics of grief in the wake of 9/11. From the aeries of municipal government and social power to the wolfpack cynicism of the press, to the everyday lives of the most invisible of illegal immigrants and all the families that were left behind, Waldman captures a wildly diverse city wrestling with itself in the face of a shared trauma like no other in its history." -- Richard Price "With a keen and expert eye of an excellent journalist, Waldman provides telling portraits of all the drama's major players, deftly exposing their foibles and mutual; manipulations. And she has a sense of humour: the novel is punctuated with darkly comic details...[It] would seem richly satirical were it not for the fact that it so closely reflects reality. From this fertile material Waldman fashions her compelling ensemble piece...Elegantly written and tightly plotted...In these unnerving times in which Waldman has seen facts take the shape of her fiction, [this] novel, at once lucid, illuminating and entertaining is a necessary gift." -- Claire Messud New York Times Book Review "There's nothing meek about Amy Waldman's high-powered debut...The Submission is a searching, cerebral novel with the pitch and pace of a thriller...It's as driven as its ambitious protagonists. Amy Waldman is an experienced journalist, and her biting sketches of cynical hacks and scripted shock-jocks ring true, as she scrutinises the link between art works and their creators. Acute and exhilarating." Daily Mail "An absorbing, accomplished debut...Waldman [has a] feel for novelistic light and shade and an instinct for chasing down telling, surprising details...Waldman's sensitivity to the multidimensionality of the issues is matched by an observant eye for the details of social interaction...This knack for shaping scenes, along with judicious intercutting between various elements, make Waldman's novel an intelligent, satisfying read" Sunday Times "Amy Waldman writes like a possessed angel. She also has the emotional smarts to write a story about Islam in America that fearlessly lasers through all our hallucinatory politics with elegant concision. This is no dull and worthy saga; it's a literary breakthrough that reads fast and breaks your heart." -- Lorraine Adams

See all Editorial Reviews

Product Details

• File Size: 559 KB
• Print Length: 352 pages
• Publisher: Farrar, Straus and Giroux; Reprint edition (August 16, 2011)
• Sold by: Macmillan
• Language: English
• ASIN: B0056DTRNM
• Text-to-Speech: Enabled
• X-Ray: Enabled
• Lending: Not Enabled
• Amazon Best Sellers Rank: #13,123 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Most Helpful Customer Reviews

118 of 133 people found the following review helpful

5.0 out of 5 stars The Many Faces of Grief July 1, 2011

By Jeanette TOP 500 REVIEWER

Format:Hardcover|Amazon Vine™ Review (What's this?)

A nation's tragedy brings out the best and the worst in its citizens. Amy Waldman places her story at the center of America's tragedy, two years after the devastation. A contest for a 9/11 memorial where the World Trade Center once stood brings to a boil all the simmering hurt and mistrust and fear about the future. What is it that causes this firestorm of media distortion and political posturing? What revelation leads to threats and accusations and even violence? Just a name. The name of the contest winner.

"Mo" is as American as can be. He's an architect, born and raised in Virginia. His immigrant parents proudly gave him the name of a beloved prophet. Never would they have imagined that a few decades later that name would become like poison to many Americans. "Mo" is Mohammad Khan. A Muslim name. Suddenly his design, "The Garden," becomes suspect, and the selection committee backpedals on its decision.

This story felt so real that it sometimes made my heart ache for my country, my world, my species. How easily we let ourselves be distracted, led away from the harmony we say we want. When the media and special interest groups push our buttons, they can make us forget why we've come together and what we hoped to accomplish. The voices of reason and reconciliation are often the most gentle and the hardest to hear amid the din of controversy.

It's challenging to give a plausible ending to a novel with real-life parallels. This book poses more questions than it answers, which is as it should be. Given the complexity of the issues, I think Waldman found a strong and believable finish. Our hope for the younger generations is powerful. Those who are too young to remember September 11, 2001 and its aftermath may be our best chance for a balanced perspective and, ultimately, for healing.

99 of 113 people found the following review helpful

3.0 out of 5 stars The Submission July 15, 2011

By Brendan Moody VINE™ VOICE

Format:Hardcover|Amazon Vine™ Review (What's this?)

Amy Waldman's first novel offices a scenario reminiscent of last year's Park51 debate, but with a twist that makes the issues involved even more explosive. Two years after the September 11th attacks, the New York City committee appointed to select the World Trade Center memorial design has made its selection from among hundreds of anonymous submissions. When the envelope containing the designer's name is opened, he turns out to be a Muslim named Mohammad Khan. A media leak soon leads to a massive debate about Islam, grief, and art, with Khan and his design's greatest admirer, the 9/11 widow Claire Burwell, at its center.

The evolving sequence of events Waldman, a former reporter for The New York Times, describes is plausible enough, and full of details that have the ring of truth. But the issues raised and the views expressed are so familiar from the Park51 brouhaha and other aspects of the national discourse about Islam that it's difficult to escape the feeling one has read all this before. There are no real surprises in the way things play out, and the ignorant difficulty many characters have in thinking clearly about Islam, while true to life, makes for frustrating reading. Ultimately the novel fails to offer a new or surprising perspective on Islam, the September 11th attacks, or any other relevant topic, and feels more like a journalistic variation on real events than a story with guiding themes of its own.

Nor does it illuminate the personalities involved in its fictional debate enough to generate greater understanding of those involved in actual ones. Waldman demonstrates an awareness that politicans, journalists, activists, and commentators manipulate events like this not out of any great interest in outcomes, but to further their own ends. However, their psychological processes and moral justifications (if any) remain mysterious. Only a single such journalist is included as a point-of-view character, and she is insufficiently well-drawn, appearing much nastier and less intelligent than Waldman seems to intend. Other secondary protagonists are likewise flat, their lives and dreams alluded to but never developing depth because of the forward rush of the predictable narrative.

Claire Burswell and Mo Khan are fuller characters, though Waldman's staid minimalist prose rarely allows her grief or his frustration with being a media obsession to achieve the intensity of real emotion. The novel's epilogue, freed from the ceaseless news cycle, has a grace and a forcefulness much greater than anything that has gone before. The characters have finally, if abruptly, gained wisdom, recognized the futility of their earlier behaviors. If they'd been able to make that leap a bit more quickly, The Submission would have been a stronger, more insightful novel.

39 of 46 people found the following review helpful

3.0 out of 5 stars Elegant, intellectual, emotionally flat August 27, 2011

By Mimijo

Format:Hardcover|Amazon Verified Purchase

A cerebral and often tedious exploration of clashing religious, philosophical and aesthetic principles, centering on the choice of a 9/11 memorial from proposals submitted anonymously. The winning entry, picked by a jury of which Claire Burwell, a 9/11 widow, serves as the moral center, ignites controversy when it turns out to be the product of a Muslim-American architect. Much intellectualizing is expended on the question of whether his memorial is a stealthy attempt to enshrine an Muslim victory on the site of a conquered people with his Islamic-inspired design which some see as "a garden of [Muslim] martyrs." He, Mohammad Khan, coldly and proudly refuses to explain himself or refute the accusations levied against him. A purist, he demands that his work stand on its own and his vision remain uncompromised by the client's wishes.

The central problem with the novel is its lack of believable emotion. I never got a full sense of Claire Burwell's husband as a vivid, particular character; thus I could not share her grief or that of her children. The real moral center of the novel is Asma Anwar, a Bangladeshi illegal immigrant whose husband, Inam, also died in the towers on 9/11. Her tragedy as it plays out is affecting but not deeply moving because even she is treated at a remove in this novel that is much more preoccupied with ideas than characters. Waldman often veers into stereotypes: the unscrupulous NY Post reporter, the muddle-minded, failure-haunted brother of a firefighter who died on 9/11,the anti-Islam-agitator housewife, and the Rush Limbaugh-like talk show shock jock. Even Claire and the late Cal Burwell come across as stereotypes: impeccably tasteful, emotionally repressed, hyperprivileged WASPs.

Overall, admirable for its literary elegance, but ultimately cold, overly intellectual and unsatisfying.

More About the Author

Amy Waldman was a reporter for The New York Times for eight years. She spent three years as co-chief of the South Asia bureau after covering Harlem, Brooklyn, the Bronx, and the aftermath of 9/11. She was also a national correspondent for The Atlantic, where her stories included this look at Islam in the courts.

She has been a fellow at the Radcliffe Institute for Advanced Study and at the American Academy in Berlin. Her fiction has appeared in the Boston Review and the Atlantic, and was anthologized in The Best American Non-Required Reading 2010. She lives with her family in Brooklyn.

The Submission is her first novel. Her website is www.thesubmissionnovel.com