The Talented Mr. Ripley 1999 R CC

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(648) IMDb 7.3/10
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In late 1950's New York, Tom Ripley, a young underachiever, is sent to Europe to retrieve a rich and spoiled millionaire playboy, named Dickie Greenleaf. But when the errand fails, Ripley kills the playboy and begins to assume his life.

Starring:
Matt Damon, Gwyneth Paltrow
Runtime:
2 hours 20 minutes

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The Talented Mr. Ripley

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Product Details

Genres Drama, Thriller, Music
Director Anthony Minghella
Starring Matt Damon, Gwyneth Paltrow
Supporting actors Jude Law, Cate Blanchett, Philip Seymour Hoffman, Jack Davenport, James Rebhorn, Sergio Rubini, Philip Baker Hall, Celia Weston, Fiorello, Stefania Rocca, Ivano Marescotti, Anna Longhi, Alessandro Fabrizi, Lisa Eichhorn, Gretchen Egolf, Jack Willis, Frederick Alexander Bosche, Dario Bergesio
Studio Paramount
MPAA rating R (Restricted)
Captions and subtitles English Details
Rental rights 48 hour viewing period. Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Instant Video (streaming online video and digital download)

Customer Reviews

3.8 out of 5 stars

Most Helpful Customer Reviews

106 of 122 people found the following review helpful By GEORGE RANNIE on October 25, 2004
Format: DVD Verified Purchase
When picking out films to see, I usually gravitate toward the "small" independent type of film usually avoiding the larger "major" productions. Thus, I avoided "the Talented Mr. Ripley" up until recently. My mistake! "The Talented Mr. Ripley" is outstanding and has, to me, everything a movie should have to make it the "complete film experience"-great script and direction, great acting, wonderful sound tract and beautiful cinematography. This film has it all!
The acting, by all of the actors, is superb. Matt Damon, as Tom Ripley is outstanding. He portrays a very complicated character believably. At no time are you aware that he is acting. This character does things that are, indeed, despicable; however, due to the acting skills of Damon, I actually liked the guy and felt deep sympathy and empathy for him and for his desire to be someone else
(I think we all have been there-at least I have-fortunately all of us don't do what Tom Ripley does, in the film, to achieve our wishes). To me the last scene of the film is fantastic and heart breaking due to Matt Damon giving a gut wrenching performance--the character Tom has finally found someone to love, and has found someone that accepts him as himself but due to past deeds and the need to keep his past hidden, he has to kill the person that could have brought him love and happiness. As usual, Jude Law, as the playboy and errant son Dickie, is awesome. He plays a cad but due to his acting skills you, like this cad. Gwenyth Platrow gives a "knock-em dead" performance, as Dickie's girlfriend starting out as a plastic rich "air-head" and ending up as the only one that really knows what has happened to Dickie when he has disappeared and becoming a completely different person because of that knowledge.
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117 of 139 people found the following review helpful By R. Penola on June 18, 2000
Minghella's sleek, gorgeous movie version of Patricia Highsmith's classic novel of suspense is near-perfect. The story, set in and around stunning Italian coastal hot spots, circa the 50s, remains fresh and infinitely compelling; the main character, Tom Ripley, is that fascinating mix of vulnerability and psychotic killer, much like Norman Bates in Psycho. Matt Damon does his best with this role; casting him I think was the film's one half misstep -- Damon exudes such a glamour and self-possession that it is difficult to wholly buy his insecurity, though adding more than a hint of homosexuality does much to make him more believable. The other performances, however, are riveting. Philip Seymour Hoffman is perfection as a smart, slick, obnoxious friend of Dickie's; Cate Blanchett, an added character, is engrossing, funny and heartbreaking, too; Gwenyth Paltrow, often overlooked in the reviews for this film, is spectacular in each and every scene, conveying the privilege of her class and also her near-desperate need for Dickie's love. But Jude Law emerges as a superstar in the movie -- he has the matinee-idol look of 50s stars, and does an amazing job of creating Dickie Greenleaf, that kind of shiny, sexy person, someone who has it all, with a cavalier indifference to those who love him most. The musical score is evocative and moving. The opening credits, an artistic risk, set up, with glossy, hynotic camera work, a film that will often leave you breathless. A thinking man's thriller, one that is not easy to forget.
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19 of 20 people found the following review helpful By C. Middleton on April 6, 2005
Format: DVD
Patricia Highsmith's first novel of the Tom Ripley series, (five novels in all) The Talented Mr. Ripley, created an anti-hero that no one had ever seen before. The novel and film presents the story through Ripley's eyes, and even though the man is capable of terrible acts, and commits these terrible crimes relentlessly to attain his own aims, we continue to maintain sympathy for the character; we want him to get away with it, and he usually does. Anyone who has read the novel will agree that Anthony Minghella's screenplay remained faithful to the original, veering off on only a few points, however managed to achieve the same tension, disturbance and suspense, also leaving the audience wondering, after Ripley's final hideous crime, what will this sociopath do next.

The film and novel introduces the beginnings of a sociopath's career. For all we know, killing Dickie Greenleaf (Jude Law) brutally in the boat was Ripley's first crime. In the film it is almost depicted as an accident, emotions out of control, perhaps self-defence, but Mr. Ripley never acts without a goal in mind, there's purpose in his actions. In this case, coming from a lowly status in society and finally tasting the good life, was something Tom Ripley discovered he couldn't do without, thus, similar to most sociopaths, will commit any act in order to achieve their particular ends, including murder.

One of the more enjoyable aspects of this film comes from Tom Ripley's efforts to become or assume the identity of the man he has murdered. The man's talent lies in his ability to impersonate just about anybody and an amazing skill to spin a tale on his feet - he's convincing liar. Identity is the central theme of this story, but also the way in which we can re-invent ourselves from being nothing to being someone.
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