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The Terror

The Terror

April 16, 2013

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1
30
3:38
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2
30
4:29
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3
30
4:43
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4
30
9:48
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5
30
5:29
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6
30
3:45
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7
30
6:12
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8
30
4:17
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9
30
4:15
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10
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54:58
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Product Details

  • Original Release Date: April 12, 2013
  • Release Date: April 12, 2013
  • Label: Warner Bros.
  • Copyright: 2013 The Flaming Lips under exclusive license to Warner Bros. Records Inc.
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 1:41:34
  • Genres:
  • ASIN: B00C53PXWK
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (91 customer reviews)
  • Amazon Best Sellers Rank: #41,265 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

So if you want a moody album that's consistent in quality with every song... this is a good one.
Amazon Customer
Then I put the album on my audiophile 400 dollar audio technicas with my 250 dollar DVD audio headphone amp that makes garage bands sound like studio heroes.
Jonathan A. Foster
I will go ahead and say what most Flaming Lips fans are already thinking: it's good to have another real Flaming Lips album.
T. A. Daniel

Most Helpful Customer Reviews

54 of 62 people found the following review helpful By A. Clary on April 16, 2013
Format: Audio CD Verified Purchase
"The Terror is this internal feeling you get that you and everyone you love is going to die. Everything in your life might be good, but there's still this notion that everything is not going to be okay, that there's more pain and suffering to come down the road."

This disturbing quote from the band tells you all you need to know about The Flaming Lips newest release. Shut out all notions of expectation and immerse yourself in The Terror, and what you will be left with is a completely engrossing album that is one of the best releases of 2013 (so far, a very strong year for music) and also is among the best work that this prolific band has put out in 30 years of their existence.

One thing that will surely be a common theme among reviews for this album is its dark subject matter free of any sense of the joy that has been commonplace on past Flaming Lips material. There are long periods of minimalism mixed with periods so densely layered it feels like my brain is melting trying to process it all. A world has been created on record, and it is a world you wouldn't want to live in (we unfortunately do, and although some people find ways to escape from it, the perspective here is of a person who has not found a way out). I can't help but have the oft repeated question "You want violence?" from the penultimate track playing in my head over and over for hours after I have finished my listening session. Or alternatively, the back and forth schizophrenic contemplation of "I'm not alone.....You are alone." Many of the lyrics are unintelligible, but there seem to be common themes present throughout.
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19 of 22 people found the following review helpful By J. B. Zumpano on May 5, 2013
Format: Audio CD
I find it humorous to contrast the intelligent, thoughtfully written reviews (overwhelmingly positive) with the negative reviews, which can be summed up as saying the album "sucks." I am so tired of "fans" that think groups should simply repeat their past successes, rather than grow and delve into new horizons. The same thing happened with the release of "The Soft Bulletin" when some yearned for more "She Don't Use Jelly." Great bands grow and mature. A fine example is the Beatles' "Seargent Pepper." I'm old enough (61) to remember the excitement of listening to the album while hearing people complain that it wasn't the Beatles they knew. I'm a huge fan of GREAT MUSIC! The Moody Blues, Pink Floyd, Radiohead, Grizzly Bear, Smashing Pumpkins, Animal Collective, Foo Fighters, Black Keys, White Stripes, Coldplay, Beck, etc. The Flaming Lips have been added to the groups for which I own EVERYTHING that they've ever recorded. "The Terror" is a great album. Find a quiet place, put on your headphones and listen to it as a whole. If you're lucky enough to have the deluxe version, start with track 10 (the seamless full album) to listen to it as intended, followed by the last 2 bonus tracks that fit in perfectly. To Wayne and company: Thank you!!! Keep growing.
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5 of 5 people found the following review helpful By Parkansky on August 21, 2013
Format: Audio CD
I've always admired a band like The Flaming Lips. 30 years down the line, and they manage to be as unpredictable, psychedelic, and weird as ever. With the psych-pop releases of 2002's Yoshimi Battles The Pink Robots and 2006's At War With The Mystics, I was afraid that the Lips would finally settle with mainstream pop albums and finally eschew all of the psychedelic craziness that followed from the 80's to the mid 90's. Then Embryonic came. A difficult, harsh, unsettling nightmare of an album, it spat at all of the fans hoping to hear another 'Do You Realize.' Noisy guitar solos, droning jams, and otherworldly vocals from Wayne Coyne, it returned the band to the freaky status of old.

So, naturally, I thought to myself, how do you follow up such a chaotic album? Well, with more chaos, of course. The Terror has to be the bleakest, darkest album in the band's catalog. There is no sunshine and rainbows on this release. Musings on death, the endless cycle of nature, violence, and fear are all over this record. There are barely any guitars, in it's wake are loud keyboards and harsh space noises. And I love it.

Granted, there are a FEW rockers. Just a few. Look The Sun Is Rising is the closest thing to a rock song, but it sounds more like 1969-era Can playing in 2013. And the album closer Always There In Our Hearts is a cathartic heart-attack-inducing race to the finish, with loud drums and insane dissonant guitars.

That being said, the rest of the album is glacial and cold. Be Free A Way reminds me of One More Robot, only a lot sadder in atmosphere. Try To Explain is a beautiful break up song with heavenly vocal harmonies, and The Terror is just....well, terrifying. That loud bass/keyboard ending engulfs everything in a schizophrenic haze.
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31 of 42 people found the following review helpful By J. Janssen on April 19, 2013
Format: Audio CD Verified Purchase
I can't say I'm a life long Lips fan but I'm a huge fan. The Soft Bulletin, Yoshimi and EP's, At War with the Mystics and EP's and Fearless Freaks were all works of art for me. Original sounds and a perfect harmony of programmed and played music with lyrics leaning towards existentialism or an eastern state of mind. Song's with there own rhythms, melodies and guitar riffs. I was convinced that the Coyne and Drozd combination had become the most evolved music making machine there was.

Then came Embryonic. A step away from the more traditional album as Embryonic plays like one long song. High on ambiance, low on content and not a song that sticks out.

I'm not sure why a band covers an album.

Heady Fwends? WTF?

I looked forward to The Terror. I had read that Wayne was feeling down and by the look of the cover I was hoping the boys were getting back to their roots. I thought what better reason to get out some guitars, write some killer riffs and wax poetic? Instead it's just noises. Playing single notes on a midi keyboard over a garageband ambiance beat and laying down a few unintelligible lyrics does not make for music in my book. Drozd tweeted that this was the easiest LP to make, no $h#t it was easy! I thought a copy without the drum tracks was released by accident.

I guess this is where they are right now. Unfortunately I am not.
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