A Los Angeles Times Book Prize 2013 FINALIST
A Wall Street Journal BEST FICTON OF 2012 SELECTION
A Wall Street Journal BEST MYSTERY OF 2012
A World Literature Today NOTABLE TRANSLATION A Los Angeles Times BOOK PRIZE NOMINEE *A World Literature Today Notable Translation of the Year *An Amazon Best Mystery/Thriller of the Month *Winner of Japan’s Prestigious Oe Prize
"The Thief brings to mind Highsmith, Mishima and Doestoevsky
... A chilling philosophical thriller leaving readers in doubt without making them feel in any way cheated."
—The Wall Street Journal, BEST BOOK OF THE YEAR selection
“Nakamura's prose is cut-to-the-bone lean, but it moves across the page with a seductive, even voluptuous agility. I defy you not to finish the book in a single sitting.” —Richmond Times Dispatch
"His grasp of the seamy underbelly of the city is why Nakamura is one of the most award-winning young guns of Japanese hardboiled detective writing."
“Fascinating. I want to write something like The Thief
, bestselling author of Edgar-nominated Out
"It's simple and utterly compelling - great beach reading for the deeply cynical. If you crossed Michael Connelly and Camus and translated it from Japanese." —Grantland
“Disguised as fast-paced, shock-fueled crime fiction, Thief
resonates even more as a treatise on contemporary disconnect and paralyzing isolation.”
“I was deeply impressed with The Thief
. It is fresh.”
, Nobel Prize–winning author of A Personal Matter
“Nakamura’s memorable antihero, at once as believably efficient as Donald Westlake’s Parker and as disaffected as a Camus protagonist, will impress genre and literary readers alike."
“Nakamura’s dark imagination gives rise to his literary world... the influences of Kafka and Dostoyevsky are not hard to spot.—The Japan Times
“Fast-paced, elegantly written, and rife with the symbols of inevitability.”
“Compulsively readable for its portrait of a dark, crumbling, graffiti-scarred Tokyo—and the desire to understand the mysterious thief.”
“The drily philosophical tone and the noir atmosphere combine perfectly, providing a rapid and enjoyable "read" that is nonetheless cool and distant, provoking the reader to think about (as much as experience) the tale.”
—International Noir Fiction
“There's a sense of dread that pervades each page, and a surprising Camus-like ennui that provokes existential and deterministic motifs.”—Kevin Nguyen, Omnivoracious
manages to wrap you up in its pages, tightly, before you are quite aware of it."
“Nakamura succeeds in creating a complicated crime novel in which the focus is not on the crimes themselves but rather on the psychology and physicality of the criminal. The book’s power inheres in the voice of the thief, which is itself as meticulously rendered as the thief’s every action.”
"Unique and engrossing." —Mystery People
"Readers will be enthralled by this story that offers an extremely surprising ending."—Suspense Magazine
“Along the way the reader catches glimpses of Japan and its lifestyle, which is far from a pretty picture”
—Deadly Pleasures Mystery Magazine
“More than a crime novel, The Thief
is a narrative that delves deep into the meaning of theft and the nature of justice....Japanese crime fiction has a new star."
—Out of the Gutter
“So many issues are raised in this novel. It is wonderfully brief, and spare, much like something Hemingway would write."
—Dolce Bellezza Blog