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Nick and Nora Charles, accompanied by their schnauzer, Asta, are lounging in their suite at the Normandie in New York City for the Christmas holiday, enjoying the prerogatives of wealth: meals delivered at any hour, theater openings, taxi rides at dawn, rubbing elbows with the gangster element in speakeasies. They should be annoyingly affected, but they charm. Mad about each other, sardonic, observant, kind to those in need, and cool in a fight, Nick and Nora are graceful together, and their home life provides a sanctuary from the rough world of gangsters, hoodlums, and police investigations into which Nick is immediately plunged.
A lawyer-friend asks Nick to help find a killer and reintroduces him to the family of Richard Wynant, a more-than-eccentric inventor who disappeared from society 10 years before. His former wife, the lush and manipulative Mimi, has remarried a European fortune hunter who turns out to be a vindictive former associate of her first husband and is bent on the ruin of Wynant's family fortune. Wynant's children, Dorothy and Gilbert, seem to have inherited the family aversion to straight talk. Dorothy, who has matured into a beautiful young woman, has a crush on Nick, and so, in a hero-worshipping way, does mama's boy Gilbert. Nick and Nora respond kindly to their neediness as Nick tries to make sense of misinformation, false identities, far-fetched alibis, and, at the center of the confusion, the mystery of The Thin Man, Richard Wynant. Is he mad? Is he a killer? Or is he really an eccentric inventor protecting his discovery from intellectual theft?
The dialogue is spare, the locales lively, and Nick, the narrator, shows us the players as they are, while giving away little of his own thoughts. No one is telling the whole truth, but Nick remains mostly patient as he doggedly tries to backtrack the lies. Hammett's New York is a cross between Damon Runyon and Scott Fitzgerald--more glamorous than real, but compelling when visited in the company of these two charmers. The lives of the rich and famous don't get any better than this! --Barbara Schlieper
A very good read and a fun glimpse into another era and a great genre. The great many errors in converting this to digital format provided much unintended humor, however.Published 1 day ago by Owen Porterfield
It is difficult to properly review the novel, because this particular edition is almost unreadable. There from two to five spelling mistakes per page, and it is sometimes almost... Read morePublished 2 days ago by Travis L. Neill
Love the book. But this Kindle edition is just dreadfully formatted. DO NOT BUY IT! Lines of dialog run together and you cannot tell who is talking. Read morePublished 2 days ago by sheila york
This is one great novel from one of the best
Beware however that typos abound
Whoever transcribed this for Kindle did not have access to spell check
This is NOT a review of the novel (which I love and would rate 5-stars) but a heads-up about this ILLEGAL, badly-scanned, and poorly-formatted $1.25 edition. Read morePublished 6 days ago by LIBRARIAN
The story is phenomenal but this version is riddled with spelling and punctuation errors. It seems as if it was from some OCR software.Published 9 days ago by Thomas M Thoresen
I got what I paid for. The OCR was terrible, separate paragraphs run together, frequent letter-misreadings, "r" for "n" for example, but, nonetheless a usable, if... Read morePublished 9 days ago by Alfred S. Bradford
When I see a film based on a novel, I like to read the novel to compare plots and execution. Most of the time the novel or story is fuller than the movie due to the short media... Read morePublished 10 days ago by bernie
Beware: The Kindle version is very sloppily done and riddled with errors so that it is almost unreadable. Save your buck.Published 11 days ago by S. Turlington