Product Details

• Actors: Joseph Cotten, Orson Welles, Alida Valli
• Directors: Carol Reed
• Format: Black & White, DTS Surround Sound, NTSC, Special Edition, Widescreen
• Language: English
• Region: Region A/1 (Read more about DVD/Blu-ray formats.)
• Aspect Ratio: 1.33:1
• Number of discs: 1
• Rated: NR (Not Rated)
• Studio: Criterion Collection
• DVD Release Date: December 16, 2008
• Run Time: 104 minutes
• Average Customer Review: 4.5 out of 5 stars  See all reviews (394 customer reviews)
• ASIN: B001EP8EKS
• Amazon Best Sellers Rank: #120,706 in Movies & TV (See Top 100 in Movies & TV)
• Learn more about "The Third Man (The Criterion Collection) [Blu-ray]" on IMDb

Editorial Reviews

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Stills from The Third Man (Click for larger image)

Product Description

Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, black-market opportunist Harry Lime and thus begins this legendary tale of love, deception, and murder. Thanks to brilliant performances by Joseph Cotten, Alida Valli, and Orson Welles; Anton Karas s evocative zither score; Graham Greene s razor-sharp dialogue; and Robert Krasker s dramatic use of light and shadow, The Third Man, directed by the inimitable Carol Reed, just continues to grow in stature as the years pass.

BLU-RAY SPECIAL EDITION FEATURES:
Restored high-definition digital transfer
Uncompressed mono soundtrack
Video introduction by writer-director Peter Bogdanovich
Two audio commentaries: one by filmmaker Steven Soderbergh and screenwriter Tony Gilroy, and one by by film scholar Dana Polan
Shadowing The Third Man (2005), a ninety-minute feature documentary on the making of the film
Abridged recording of Graham Greene s treatment, read by actor Richard Clarke
Graham Greene: The Hunted Man, an hour-long, 1968 episode of the BBC s Omnibus series, featuring a rare interview with the novelist
Who Was the Third Man? (2000), a thirty-minute Austrian documentary featuring interviews with cast and crew
The Third Man on the radio: the 1951 A Ticket to Tangiers episode of The Lives of Harry Lime series, written and performed by Orson Welles, and the 1951 Lux Radio Theatre adaptation of The Third Man
Illustrated production history with rare behind-the-scenes photos, original UK press book, and U.S. trailer
Actor Joseph Cotten s alternate opening voice-over narration for the U.S. version
Archival footage of postwar Vienna
A look at the untranslated foreign dialogue in the film
PLUS: A booklet featuring an essay by Luc Sante

See all Editorial Reviews

Most Helpful Customer Reviews

232 of 257 people found the following review helpful

5.0 out of 5 stars Great surrealist drama of truth and loyalth February 17, 2000

By smarmer VINE™ VOICE

Format:DVD|Amazon Verified Purchase

It was with great anticipation that I viewed The Third Man recently. I had last seen it nearly 25 years earlier. At the earlier viewing I was impressed with the atmospheric treatment of Vienna and the mystery surrounding Joseph Cotton's search for the truth about his friend Harry (Orson Wells). However, though I then thought of it as a very fine movie, I did not think it would rank in my top 20. Now I see what I missed as a younger person. I can also see why this film would rank as number one on a British list of greatest films of the 20th century.

The film is a surreal examination of the tension between loyalty, love, and friendship on the one hand, and truth and justice on the other. The Viennese are suffused with the cynicism of a destroyed continent and damaged culture. The British know only about the truth and justice side of the equation. The American writer of simple westerns still is naďve enough to care about friendship and truth, and follows both wherever they lead. At the same time, Carol Reed scarcely shoots a scene in which there are right angles. Nearly everything is tilted. Close-ups of faces exaggerate their features. The black and white of the film emphasizes the shadowy nature of the story and its moral underpinnings.

At first Holly Martins (Cotton) thinks he is helping his best friend, Harry Lime (Wells). At the same time he becomes Harry's rival for the woman, Anna. When Harry realizes that Holly has discovered his true evil scheme, Harry has a chance to murder Holly and make it look like an accident. What stops him? Friendship? And why does Harry accept Holly's invitation to meet? In the penultimate scene in the underground sewer tunnels, does Holly fire the final and fatal shot, or does Harry kill himself?

This magnificently filmed and wonderfully acted masterpiece has remained in my mind for days after seeing it. If you are a lover of cinema and not merely of movies, please get this classic. It richly deserves its reputation. Highly recommended.

35 of 35 people found the following review helpful

3.0 out of 5 stars Ok, but........ October 7, 2010

By Martin L

Format:Blu-ray|Amazon Verified Purchase

The Studio Canal blu ray version of the Third Man is an ok transfer--but not as good as the version released by Criterion Collection. Having purchased the Studio Canal version, and then subsequently finding a new copy of the Criterion Collection version, it is apparent that each has used a print from a different source. In regards to the Studio Canal version, I noticed some less than stellar frames near the end of the film----where Joseph Cotton is leaning at the road side, watching Alida Valli walk by. In any case, the Studio Canal version isn't bad and I wouldn't discourage its purchase. But if you love this film and want the best print available---try to locate a copy of the Criterion Collection---before they completely disappear.

62 of 66 people found the following review helpful

5.0 out of 5 stars A must have DVD for film noir fans! July 28, 2000

By W. Oliver TOP 1000 REVIEWERVINE™ VOICE

Format:DVD

I have always seen inferior prints of this film until I found this Criterion DVD and I must say, it was like watching a completely different film. The crisp b&w photography has been restored to the original pristine quality and one can easily see why this film took home the Oscar for best cinematography. The sound is also superb. The DVD is loaded with extra features such as the original opening monologue to the British release (voiced by director Carol Reed), a reading of the novel by author Graham Greene, archival footage of the sewer system "police" in Vienna (which plays a significant part in the film), and numerous stills with tantalizing behind the scenes information (like the fact that Orson Welles was so put off by working in the actual sewers that he refused to return and the crew had to build a sewer set at Shepperton Studios). There are many other extras as well, actually too many to remember. Bravo to Criterion for their amazing work on this classic film!