The Time Machine (Signet Classics) [Mass Market Paperback]

H.G. Wells (Author), Greg Bear (Introduction)

Book Description

Release date: October 1, 2002

“I’ve had a most amazing time....”

 

So begins the Time Traveller’s astonishing firsthand account of his journey 800,000 years beyond his own era—and the story that launched H.G. Wells’s successful career and earned him the reputation as the father of science fiction. With a speculative leap that still fires the imagination, Wells sends his brave explorer to face a future burdened with our greatest hopes...and our darkest fears. A pull of the Time Machine’s lever propels him to the age of a slowly dying Earth.  There he discovers two bizarre races—the ethereal Eloi and the subterranean Morlocks—who not only symbolize the duality of human nature, but offer a terrifying portrait of the men of tomorrow as well.  Published in 1895, this masterpiece of invention captivated readers on the threshold of a new century. Thanks to Wells’s expert storytelling and provocative insight, The Time Machine will continue to enthrall readers for generations to come.

 

Editorial Reviews

From School Library Journal

Grades 4-7--The St. Charles Players perform this readers' theatre-style rendition of H.G. Wells' classic story. Using appropriate sound effects and alternating readers allows listeners to differentiate between characters and to develop a sense of place and time. The lively narration will hold listeners' attention from beginning to end. The story begins with a revolutionary Victorian scientist who claims to have invented a machine that allows him to travel through time. Using flashbacks, he recounts his adventures in the futurist world he visits in his time machine to a group of skeptical friends. This abridged version will work well as an introduction to classic literature in elementary grade classes, but omits too much of the original text for older students. Consider adding this title to audiobook collections that focus on classic, time-tested literature.
Sarah Prielipp, Chippewa River District Library System, Mt Pleasant, MI
Copyright 2002 Cahners Business Information, Inc. --This text refers to the Audio Cassette edition.

Review

First novel by H.G. Wells, published in book form in 1895. The novel is considered one of the earliest works of science fiction and the progenitor of the "time travel" subgenre. Wells advanced his social and political ideas in this narrative of a nameless Time Traveller who is hurtled into the year 802,701 by his elaborate ivory, crystal, and brass contraption. The world he finds is peopled by two races: the decadent Eloi, fluttery and useless, are dependent for food, clothing, and shelter on the simian subterranean Morlocks, who prey on them. The two races--whose names are borrowed from the Biblical Eli and Moloch--symbolize Wells's vision of the eventual result of unchecked capitalism: a neurasthenic upper class that would eventually be devoured by a proletariat driven to the depths. --The Merriam-Webster Encyclopedia of Literature --This text refers to the Hardcover edition.

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Product Details

• Mass Market Paperback: 144 pages
• Publisher: New American Library (October 1, 2002)
• Language: English
• ISBN-10: 0451528557
• ISBN-13: 978-0451528551
• Product Dimensions: 4.1 x 0.4 x 6.8 inches
• Shipping Weight: 2.4 ounces (View shipping rates and policies)
• Average Customer Review: 4.2 out of 5 stars  See all reviews (713 customer reviews)
• Amazon Best Sellers Rank: #212,814 in Books (See Top 100 in Books)

Most Helpful Customer Reviews

65 of 68 people found the following review helpful

5.0 out of 5 stars One of the greatest books I've ever read--get this edition! July 25, 2005

By Polymath

Format:Paperback|Amazon Verified Purchase

When I tried reading this book as a child many, many years ago, some of the "big" words and allusions made it hard going, and I never completed it then. Finally, about fifteen years ago I did read it through, but still was missing something. Then, a few weeks ago, I got this edition, after having enjoyed the Penguin edition of "The War of the Worlds" with its annotations and map. Well, the annotations in this edition (about four pages worth as endnotes) of "The Time Machine" cleared away whatever fuzz remained, and I was completely overcome by the greatness of the book, great from whatever way I looked at it: plot, speculation, characters, "sense of wonder", even throw away humor were all topnotch. I couldn't believe what I'd been missing. A few days later, I read another editon of the book that didn't have notes, and had no trouble following that version. I plan to reread the book again shortly. So if you've had difficulty reading "The Time Machine" for some of the reasons mentioned above, get this version pronto and find out what a true classic is.

119 of 129 people found the following review helpful

5.0 out of 5 stars A Timeless Classic July 14, 2001

By Daniel Jolley HALL OF FAMETOP 500 REVIEWERVINE™ VOICE

Format:Mass Market Paperback

It goes without saying that this book is a science fiction classic in every sense of the word and that H.G. Wells was a founding father of the genre. This book proves that science fiction does not necessarily need to be heavily technical but does need to deal with grand themes such as the nature of society; man's hopes, dreams, and fears; and the very humanity of man. Wells does not go to great lengths in describing the time machine nor how it works. He lays the foundation of the story in science and then proceeds with his somewhat moralistic and certainly socially conscious story. This makes his writing much more enjoyable than that of a Jules Verne, who liked to fill up pages with scientific and highly technical nomenclature. One of the more striking aspects of the novel is Wells' treatment of the actual experience of time travel--moving in time is not like opening and walking through a door. There are physical and emotional aspects of the time travel process--in fact, some of the most descriptive passages in the book are those describing what the Time Traveler experiences and sees during his time shifts.

Basically, Wells is posing the question of What will man be like in the distant future? His answer is quite unlike any kind of scenario that modern readers, schooled on Star Wars, Star Trek, and the like, would come up with. He gives birth to a simple and tragic society made up of the Eloi and the Morlocks. In contrasting these two groups, he offers a critique of sorts of men in his own time. Clearly, he is worried about the gap between the rich and the poor widening in his own world and is warning his readers of the dangers posed by such a growing rift. It is most interesting to see how the Time Traveler's views of the future change over the course of his stay there. At first, he basically thinks that the Morlocks, stuck underground, have been forced to do all the work of man while the Eloi on the surface play and dance around in perpetual leisure. Later, he realizes that the truth is more complicated than that. The whole book seems to be a warning against scientific omniscience and communal living. The future human society that the Time Traveler finds is supposedly ideal--free of disease, wars, discrimination, intensive labor, poverty, etc. However, the great works of man have been lost--architectural, scientific, philosophical, literary, etc.--and human beings have basically become children, each one dressing, looking, and acting the same. The time traveler opines that the loss of conflict and change that came in the wake of society's elimination of health, political, and social issues served to stagnate mankind. Without conflict, there is no achievement, and mankind atrophies both mentally and physically.

This basic message of the novel is more than applicable today. While it is paramount that we continue to research and discover new scientific facts about ourselves and the world, we must not come to view science as a religion that can ultimately recreate the earth as an immense garden of Eden. Knowledge itself is far less important than the healthy pursuit of that knowledge. Man's greatness lies in his ability to adapt to unforeseen circumstances. Speaking only for myself, I think this novel points out the dangerousness of Communism and points to the importance of individualism--if you engineer a society in which every person is "the same" and "equal," then you have doomed that society.

33 of 33 people found the following review helpful

5.0 out of 5 stars Past and present masterpiece November 11, 2000

By Philip Challinor

Format:Mass Market Paperback

This is the little number that started it all. For the English-speaking world (some translations of Verne possibly aside), science fiction begins with the four brief, brilliant novels published by H G Wells in the 1890s. The War of the Worlds is a still-unsurpassed alien invasion story; The Invisible Man one of the first world-dominating mad scientist tales; and The Island of Dr Moreau a splendidly misanthropic story of artificial evolution and genetic modification. But The Time Machine came first, launching Wells' career in literature; and, after just over a century, there still isn't anything nearly like it. A Victorian inventor travels to the year 802701, where the class divisions of Wells' day have evolved two distinct human races: the helpless, childlike and luxurious Eloi and the monstrous, mechanically adept and subterranean Morlocks. Predictably, the film version turned them into the usual Good Guys and Bad Guys, though it's still worth seeing, particularly for its conception of the Time Machine itself - a splendid piece of Victorian gadgetry. The book, despite its sociological-satirical premise, is rather more complex in its treatment of the opposed races, and the Time Traveller's voyage ends, not with them, but still further in the future, with images of a dead sun and a dark earth populated only by scuttling, indefinite shadows. As in the other three novels, too, the premise of the story is carefully worked out and clearly explained - a discipline largely beyond science fiction today, in which time travel, invading aliens or whatever are simply taken for granted as convenient genre props and automatic thought-nullifiers. After more than a century, The Time Machine is still waiting for the rest of us to catch up.