For nearly a decade Al James Dolorean has been writing and recording music in Portland, Oregon. In support of their three albums, (Not Exotic, Violence In The Snowy Fields, You Can t Win) Dolorean has toured throughout Europe, Scandinavia, The United Kingdom and The United States. Laboring in the studio, they've crafted beautiful, thought-provoking pop music that has amassed praise by album collectors, music critics, housewives, bloggers, filmmakers, writers and musicians around the globe.
When their debut Not Exotic was released in November of 2003 The New York Times ran a review of the album on the front page of the Sunday Arts section. 'The songs gesture at folk and country, but they do it quietly and slowly, as if hesitant to disturb Mr. James's delicate parables. And yet, despite the stillness, this is a wild, passionate album.' National and international press agreed with the Times first impression of Dolorean. In fact, critics celebrated all three albums for their subtlety, musicianship and lyrical sophistication. James peers took notice too. Songwriters like Damien Jurado, Eric Bachmann, Richard Buckner and Willy Vlautin took the band on the road throughout the US and Europe.
Packaged with a haunting album cover shot by filmmaker Gus Van Sant, 2007's underdog You Can't Win touched a nerve with many listeners. It's James trudging tome on loss and resolve superbly supported by keyboard player Jay Clarke, drummer Ben Nugent, and bassist James Adair. This was their third, best, and last album for a mid-sized record label that seemed a mismatch from the start.
Strangely enough, it wasn't a music writer that synthesized Dolorean s sound and what continues to makes their music so compelling. It was bass player James Adair s loner father-in-law from Big Sur, California who, in an email to the band, expressed concern about the direction that they were headed after the release of You Can't Win. At the end of his message, however, he made his point, 'The heart and soul of Dolorean is the chord changes from tension to resolution; from dark to light; and the singer's voice and lyrics create a mood of acceptance without despair or should I say disappointment without resignation.'
In the Winter of 2011 Partisan Records, from Brooklyn, New York, will release The Unfazed, Dolorean s next album. Fargo Records in Paris will put out the album in Europe. Like their three previous albums, Dolorean worked closely with an artist to collaborate on another one-of-a-kind album cover. For the latest, Magnum photographer Alec Soth (Sleeping by the Mississippi) contributes three unpublished photos from his personal collection. As its title The Unfazed suggests, Al James and his band-mates continue down the path of greatest resistance. Unfazed and unwavering, Dolorean digs their heels even deeper into the same fertile soils that informs their previous discography namely, undeniably authentic songs arranged, played, and recorded by this incredible team of musicians
'A breakup album done right. What could have been an easy-listening folk record about breakin up & movin on goes beyond just sadness.' --Dana Raidt -Venus Magazine
The boys of Dolorean are masters of alt-country and provocative story telling. What started as Al James flying solo has evolved into a full-fledged band that could easily share a bill with the likes of Wilco or The Cardinals. The songs are beautifully written and the band sounds strong, melancholy guitars and all. Nothing's going to stop Al James and company. There s plenty more miles, stories, and songs for Dolorean. ' --Performer Magazine
Their atmospheric indie folk plumbs the depths of everyday despair… whose narratives and narrators suggest a short-story collection set to music. --Pitchfork