The Vanishing Act of Esme Lennox [Hardcover]

Maggie O'Farrell (Author)

Book Description

Release date: October 24, 2007

In the middle of tending to the everyday business at her vintage-clothing shop and sidestepping her married boyfriend’s attempts at commitment, Iris Lockhart receives a stunning phone call: Her great-aunt Esme, whom she never knew existed, is being released from Cauldstone Hospital—where she has been locked away for more than sixty-one years.

Iris’s grandmother Kitty always claimed to be an only child. But Esme’s papers prove she is Kitty’s sister, and Iris can see the shadow of her dead father in Esme’s face. 

Esme has been labeled harmless—sane enough to coexist with the rest of the world. But she's still basically a stranger, a family member never mentioned by the family, and one who is sure to bring life-altering secrets with her when she leaves the ward. If Iris takes her in, what dangerous truths might she inherit?

A gothic, intricate tale of family secrets, lost lives, and the freedom brought by truth, The Vanishing Act of Esme Lennox will haunt you long past its final page.

Editorial Reviews

From Publishers Weekly

Starred Review. O'Farrell (After You'd Gone) delivers an intricate, eloquent novel of family malice, longings and betrayal. Slim, stylish Iris Lockhart runs a dress shop in contemporary Edinburgh when she's not flirting with her stepbrother Alex or rendezvousing with her married attorney lover, Luke. Esme Lennox, meanwhile, is ready to be discharged from the soon-to-be-closed psychiatric hospital where she's been a patient (read: virtual prisoner) for 61 years. Iris becomes aware of Esme's existence when she's informed, to her disbelief, that she has been granted power of attorney over Esme by Kitty Lockhart, Iris's Alzheimer's-afflicted grandmother. It turns out Kitty and Esme are sisters, but Kitty kept quiet about Esme after she was hospitalized at age 16. Layer upon layer of Lockhart family secrets are laid bare—the truth behind Esme's institutionalization, why her existence was kept a secret, and a twist involving Iris's parents—as Iris mulls over what to do with her new charge, and Esme and Kitty reconnect. O'Farrell maintains a high level of tension throughout, and the conclusion is devastating. (Oct.)
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From Booklist

O'Farrell's fourth novel brilliantly illustrates her talent for gradually revealing her characters' inner lives by jumping back and forth in time and juxtaposing different narrative points of view. Iris Lockhart, a young Scottish woman, is suddenly informed that she has the power of attorney for her great aunt, Esme Lennox—who Iris never knew existed. Esme has been locked away in a mental institution for over 60 years—a fact never mentioned by her sister Kitty, Iris' grandmother, who now has Alzheimer's. In compelling prose, O'Farrell gradually pieces together the puzzle of Esme's life up to the age of 16, when her cold and repressive parents sent her away to the hospital that is now closing down. Esme had a bold and independent spirit, unseemly for a girl at that time. That as well as a younger brother who died in her arms and a never-mentioned rape contributed to her lost life—a life "half strangled by what-ifs." A gripping read with superbly crafted scenes that will blaze in the reader's memory long after the novel is returned to the shelf. Donovan, Deborah

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Product Details

• Hardcover: 245 pages
• Publisher: Harcourt; First Edition edition (October 24, 2007)
• Language: English
• ISBN-10: 0151014116
• ISBN-13: 978-0151014118
• Product Dimensions: 8.5 x 6.1 x 0.9 inches
• Shipping Weight: 12.8 ounces
• Average Customer Review: 4.0 out of 5 stars  See all reviews (149 customer reviews)
• Amazon Best Sellers Rank: #643,089 in Books (See Top 100 in Books)

More About the Author

MAGGIE O'FARRELL is the author of four previous novels, including the acclaimed The Vanishing Act of Esme Lennox, which was a B&N Recommends Pick, and After You'd Gone. Born in Northern Ireland in 1972, O'Farrell grew up in Wales and Scotland. She has two children.

Most Helpful Customer Reviews

48 of 48 people found the following review helpful

4.0 out of 5 stars Intricate and moving story November 14, 2007

By Julia Flyte TOP 500 REVIEWERVINE™ VOICE

Format:Hardcover

Esme Lennox is a spirited girl who does not conform to 1930's society norms and so is locked up by her family in a mental asylum. "Insists on keeping her hair long", reads her record of admission. "Dances before a mirror dressed in her mother's clothes". Like The Memory Keeper's Daughter, the book begins with an act that would be unthinkable today but which was considered perfectly appropriate at the time. Sixty years later, her great niece, Iris, receives a phone call to tell her that the asylum is closing and she needs to take responsibility for her grandmother's sister - which is the first time that she has ever heard of Esme. Of Esme's family, only her sister Kitty (Iris's grandmother) is still alive, and she has Alzheimer's.

This is an interesting and moving story. Esme is a wonderful character and I felt sad and angry by the way that she had been cheated out of her life. I also liked Iris (though would have preferred less emphasis on her relationships with the men in her life and more on her relationship with Esme). The narrative jumps between Iris, Esme in the present day, Esme and Kitty as children and Kitty in the present day. It took me a while to get my head round the various strands. Kitty has Alzheimer's so her sections are written in a rambling stream of consciousness, which take a little getting used to but which is quite effective.

The ending is somewhat rushed and vaguely written. But it still packs a punch. It's one that you want to discuss with others. Overall this is a very good read that stays with you for some time.

If you enjoyed this book, I recommend The Secret Scripture which is also about a woman locked away in a mental asylum many years ago for spurious reasons.

30 of 32 people found the following review helpful

4.0 out of 5 stars Indelicate Acts December 29, 2007

By Debbie Lee Wesselmann TOP 50 REVIEWERVINE™ VOICE

Format:Hardcover

Maggie O'Farrell's novel is a delicately told tale of indelicate acts. Young and single Iris has a love life fraught with taboos and an ordinary routine that preserves both her independence and her anonymity. When she receives a call from a local mental institution that she is the sole surviving heir of a great-aunt she has never heard of and who has been removed from society for sixty years, her life begins its slow unraveling. The institution is closing, and the mystery woman, Euphemia Lennox, has no place to go. Iris and Euphemia (who calls herself Esme) begin a fragile relationship as Iris struggles to juggle both her need for personal space and her guilt. Meanwhile, Esme has her own goals.

In fine, exact language, this slim novel unfolds through the fractured point-of-views of Iris, Esme, and Iris's grandmother Kitty, who suffers from Alzheimer's. The narrative is structured like a jigsaw puzzle, with bits of information judiciously offered until the whole picture is assembled. Unfortunately, the "secret" behind Esme's confinement and Kitty's guilt is a little too predictable, and the final act of the novel seems somewhat over-the-top and therefore not as satisfying as one might like. Still, O'Farrell's handling of the story and its issues is both evocative and authoritative.

Readers interested in the changing expectations of women may be intrigued by the author's premise that, while gender expectations may change over generations, women who rebel against society's rules still do so at personal cost. Because this book is not told in a straightforward narrative, casual readers may be frustrated trying to figure out what is happening, but readers of more serious fiction will find it both accessible and a quick read. The Vanishing Act of Esme Lennox is a good, but not great, book - the perfect book for an evening or two by the fire.

24 of 26 people found the following review helpful

3.0 out of 5 stars Flawed but devastating August 21, 2008

By Violetta1485

Format:Hardcover

SPOILERS ALERT: This book tracks, out of chronological order, the destructive effect an intolerant, narrow-minded family has not only on their scapegoated daughter, who may have some sort of learning disability (perhaps ADHD) but is hardly psychotic--at first--but also on their favored daughter. As others have pointed out, you can guess most of the "secrets" well ahead of the end if the book, but I don't think that's its point. I think it's more that the evil parents do lives after them, and Kitty's compounded failures towards Esme seem may be initiated by romantic rivalry, but that's just the trigger after years of accumulated frustration of being unable to protect her from either parents or bullying schoolmates--eventually Kitty just identifies with the aggressors and accepts the conventional view of all things, including Esme. The consequences for Esme are horrific, particularly when we can guess that if she entered art school or drama school she'd probably fit right in, but Kitty's marriage and future happiness are also doomed by her inability to rebel, just as Esme is doomed by her inability to comply. The book explores how when one family member is scapegoated, other members are also permanently damaged by being forced to witness or participate in the scapegoating: nobody wins. The readers who view the ending as someone who "got away with it" for years finally getting just deserts have missed the point that this tragedy was set in motion years ago by parents and doctors who got young girls to say what they wanted to hear, and then left them to bear the consequences. And as tempting as it is to stop there, one need only refer to Larkins' "This Be the Verse" to see that the damage affects more than one generation.
If anything, the book reminds me of _Wuthering Heights_: it also flashes back and forth in time, we don't know who is who at the beginning or how the situation came to be as it is when we begin, and we see how several generations are marred by poisonous family relations and bullying. WH at least offers the possiblity that some things are resolved or transcended by death, but in _Vanishing_ we are not even offered that frail hope.