Q&A with Saundra Mitchell
Q: Historical fiction meets paranormal romance in your newest book, The Vespertine. This is a bit of a departure from your last book, Shadowed Summer, which was more of a mystery/thriller. Where did you get the idea for The Vespertine and why did you decide to make the switch?
Mitchell: If I'd managed to write my original version of The Vespertine, it would have been a lot more like Shadowed Summer! It started out as another contemporary southern gothic novel--still about a girl who could see the future in the sunset. Her prophecies were supposed to set off a chain of modern-day Salem Witch Trials. It was definitely meant to be a thriller.
I got about sixty pages into it, and it just didn't work. So I tried moving the same idea to a still-contemporary boarding school in Maine. I only got about 30 pages into that. I was starting to think it was just a bad idea, and I should move on.
Shortly after abandoning version two, my best friend and I watched the new BBC adaptation of Wuthering Heights. And then suddenly, I had a first scene in my head--Amelia van den Broek, half-mad, returning to her ancestral home in the dead of night, and being locked in an attic by her furious brother. I have to admit, I intended for someone in The Vespertine to be a serial killer--right up until the third chapter, I still thought I was writing a thriller. Then said character decided he'd rather be a painter, and the rest is paranormal romance!
Q: Did you always know you wanted to write for young adults? What do you enjoy the most about it?
Mitchell: Writing YA novels is actually my second writing career--my day job is screenwriting and producing. For fifteen years, I've worked with Dreaming Tree Films on various teen filmmaking programs. I've written screenplays based on teen ideas, and have seen at least four of the young screenwriters I have taught go on to careers in film! It's extraordinary to me how talented, and how dedicated, teens are--and I love the richness and rawness of their emotions and their experiences. Everyone's so passionate and so real.
And now it's an extraordinary pleasure to write books for teens, and connect with them directly, author to reader. I didn't grow up thinking that I wanted to write for young adults--but my whole life has been dedicated to doing just that. I wouldn't want to write for anyone else.
Q: The city of Baltimore in the late 1800s, where The Vespertine takes place, offers a rich and dynamic historical backdrop for your story. Were you always interested in Victorian Baltimore? Why did you choose to set your story there?
Mitchell: Once I realized The Vespertine would be a historical novel, I knew it had to be set in Baltimore. The city has a great history--their soldiers fought in the American Revolution, then in the Civil War, the city offered up both Union and Confederate troops. Francis Scott Key wrote "The Star Spangled Banner" about a flag that yet waved over Baltimore's Fort McHenry. Edgar Allen Poe died there, as dissolute as any gothic hero. And Baltimore is also home to one of the first free public libraries in the United States.
Since I wanted to write about middle class girls, I wanted to set the novel in an integrated city. Baltimore has had a free black middle class for three hundred years, neighborhoods that overlap, people from a myriad of cultures and backgrounds working and playing together. It's a major world port, and a working-class city.
Other people have done more than enough justice to the white elite upper class in Gilded-Age New York. With The Vespertine, I wanted to explore the kind of American city that many of the rest of us came from. The fact that Baltimore has fabulous parks and monuments and architecture to set beautiful scenes didn't hurt, either.
Q: Amelia, the book’s protagonist, leads a very different life than most young girls of today; however, a lot of the things that she experiences--friendships, romance, social class issues--have not changed much over the last 100 years! What can a sixteen-year-old girl of today take from Amelia’s experiences?
Mitchell: I know when I was sixteen, I was a lot like Amelia--I didn't know who I was, or what I really wanted. I just wanted my life to be exciting, so a lot of times, I just went along.
Amelia definitely goes along--telling fortunes to get popular, not actually her idea. Sneaking to see Nathaniel in Annapolis, also not her idea. But even though she didn't actively make those choices, those choices have a huge impact on her life and the lives of everyone around her. Amelia ultimately has to own up to the fact that not deciding her own fate is still a decision.
I really feel like this is a book about making a transition from being someone that things happen to, to becoming someone who makes things happen. And I think young women today still need to be reassured that they are their own person, they have agency to make decisions, and they should be the heroes of their own stories!--This text refers to the Hardcover edition.
Ms Mitchell's style of writing is very melodic, and her story telling is wonderful.
The writing was too abstract for me and I couldn't get into or even like the characters because the descriptions were too round and broad and not specific.
This is definitely not an happy ending sort of book and I am curious if there will be a sequel.
This book was a little confusing for me at the beginning. I didn't realize that the prologue happens after the events of the rest of the book, and that everything following the... Read morePublished 21 months ago by Kelli of I'd So Rather Be Reading
The description intrigued me, but it didn't deliver. It is very choppy, as some reviewers have said, and there is no depth to any of the characters, including the narrator. Read morePublished 23 months ago by Erin
The sophisticated prose drew me in before the characters, but then I became engrossed and gripped to the page because of the gothicky, lyrical twists and turns of the plot. Read morePublished on January 25, 2013 by Girl Friday Reader
I have to admit, there is something about the synopsis for this book that doesn't quite do it justice. Read morePublished on May 10, 2012 by A Journey Through Pages
So this book was pushed on me by Lynn at Bringing the Epic. She has always pushed really great books on me so when she was like, " you have to read this book! Read morePublished on May 2, 2012 by Laci Crawford
The Vespertine is a lovely historical, paranormal novel set in 1889 Baltimorre. Amelia is new to the area and is quickly swept up into society life by her cousin, Zora. Read morePublished on April 22, 2012 by kelfuller77
Also reviewed on my blog, The Vintage Bookworm. ([...])
Although I thoroughly enjoyed this novel, and I really liked it, but I didn't love it. Read more
Review Courtesy of Dark Faerie Tales
Quick & Dirty: Romance and paranormal talents consume the life of one teenage girl in Victorian America leaving a path of death and... Read more
The Vespertine is a wonderful book set in a unique time and place. Most books set in the late 1800's are set in England this takes place in Maine and Baltimore. Read morePublished on March 17, 2012 by Jen L